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BurlesqueCher e Christina Aguilera infiammano un musical travolgente. » Scopri il palinsesto

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Provided to YouTube by Universal Music Group Secret Heart · Ron Sexsmith Ron Sexsmith ℗ 1995 Interscope Records Released on: 1995-01-01 Producer: Mitchell Froom Composer Lyricist, Vocals, Associated Performer, Background Vocalist: Ron Sexsmith Associated Performer, Bass Guitar: Jerry Scheff Drums, Associated Performer: Jerry Marotta Associated Performer, Keyboards: Mitchell Froom Auto-generated by YouTube.

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Provided to YouTube by Parlophone Belgium Weg met Amerika · Raymond Van Het Groenewoud Mr. Raymond ℗ 2005 The copyright in this sound recording is owned by EMI Music Belgium Bass: Bert Embrechts Drums: Cesar Janssens Producer: Johan Kerckhof Unknown: Michel Andina Recorder: Michel Andina Clarinet, Keyboards, Producer: Peter Vermeersch Mastering Engineer: Pierre Vervloesem Masterer: Pierre Vervloesem Trombone: Pieter Lamotte Accordion, Guitar, Piano, Vocals: Raymond Van Het Groenewoud Harmonica: Steven De Bruyn Bass: Steven Van Gool Guitar: Thomas Vanelslander Composer: Raymond Van Het Groenewoud Auto-generated by YouTube.

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The Aristocats is a 1970 American animated romantic musical comedy film produced by Walt Disney Productions and directed by Wolfgang Reitherman. The 20th Disney animated feature film, the film is based on a story by Tom McGowan and Tom Rowe, and revolves around a family of aristocratic cats, and how an alley cat acquaintance helps them after a butler has kidnapped them to gain his mistress's fortune which was intended to go to them. The film features the voices of Phil Harris, Eva Gabor, Hermione Baddeley, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby. In 1962, The Aristocats project began as an original script for a two-part live-action episode for Walt Disney's Wonderful World of Color, developed by writers Tom McGowan and Tom Rowe and producer Harry Tytle. Following two years of re-writes, Walt Disney suggested the project would be more suitable for an animated film, and placed the project in turnaround as The Jungle Book (1967) advanced into production. When The Jungle Book was nearly complete, Disney appointed Ken Anderson to develop preliminary work on The Aristocats, making it the last film project to be approved by Disney personally before his death in December 1966. Longtime Disney collaborators Robert and Richard Sherman composed multiple songs for the film, though only two made it in the finished product. The Aristocats was released on December 24, 1970, becoming a critical and commercial success. A live-action remake is currently in development.

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Provided to YouTube by Epitaph Cruel Bloom · Converge Axe To Fall ℗ Epitaph Released on: 2009-10-20 Music Publisher: Copyright Control (Steven Von Till) Music Publisher: Soul Desert (ASCAP) Music Publisher: Slim Reaper (ASCAP) Music Publisher: Kurt Ballou (BMI) Music Publisher: Riffblaster General (ASCAP) Composer Lyricist: Kurt Ballou Composer Lyricist: Nate Newton Composer Lyricist: Ben Koller Composer Lyricist: Jacob Bannon Composer Lyricist: Steven Von Till Auto-generated by YouTube.

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L'arte del gelo incontra quella casearia per dare vita a un gelato insolito e irresistibile al gusto burrata. Scoprite la nostra ricetta per l'estate

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Younger Dryas and early Holocene Western Stemmed Tradition occupants of the northern Great Basin appear to have practiced a broad-based subsistence strategy including the consumption of a wide variety of small animal and plant resources. However, much of our evidence for human diet and land use during this period comes from dry cave and rockshelter sites where it can be challenging to distinguish plant and small animal remains deposited as a result of human versus nonhuman activity. This study presents new direct evidence for Younger Dryas and early Holocene human diet in the northern Great Basin through multiproxy analysis of nine human coprolites from the Paisley Caves, Oregon, USA. The evidence indicates that Western Stemmed Tradition occupants consumed plants, small mammals, fish, and insects, including direct evidence for consumption of whole rodents and several types of beetle. Occupation of the caves occurred during the summer and fall by individuals foraging on wetland, sagebrush grassland, and riparian ecological landscapes suggesting geographical and seasonal variability in land-use patterns during the Younger Dryas and early Holocene periods. This research suggests that Western Stemmed Tradition settlement patterns were seasonally centered on productive valley bottom lakes and wetlands but also included forays to a variety of ecological landscapes. The results highlight the importance of plant and small animal resources in the human diet during the terminal Pleistocene settlement of North America and contribute to debates about the process of the peopling of the Americas.

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ALFRED, N.Y. (WETM) — Four men from Elmira were arrested over the weekend after an incident at Alfred State College led to the assault of a student. According to officials at Alfred State College, …

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HORNELLSVILLE, N.Y. (WETM) — An Arkport woman was arrested on several felony charges after a crash in Hornellsville injured three New York State Department of Transportation workers on Wednesday, a…

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Wayne Bertram Williams (born May 27, 1958) is an American convicted murderer and suspected serial killer who is serving life imprisonment for the 1981 killing of two men in Atlanta, Georgia, and is believed to be responsible for at least 24 of the 30 Atlanta murders of 1979–1981, also known as the Atlanta Child Murders. He was never tried for the other murders (mostly of children). Wayne Williams, son of Homer and Faye Williams, was born on May 27, 1958, and raised in the Dixie Hills neighborhood of southwest Atlanta, Georgia. Both of his parents were teachers. Williams graduated from Douglass High School and developed a keen interest in radio and journalism. He constructed his own carrier current radio station and began frequenting stations WIGO and WAOK, where he befriended a number of the announcing crew and began dabbling in becoming a pop music producer and manager. Atlanta murders Williams first became a suspect in the Atlanta murders on the morning of May 22, 1981, when a police surveillance team, watching the James Jackson Parkway bridge spanning the Chattahoochee River (a site where several victims' bodies had been discovered), heard a "big loud splash", suggesting that something had been thrown from the bridge into the river below. The first automobile to exit the bridge after the splash, at roughly 2:50 a.m., belonged to Williams. When stopped and questioned, he told police that he was on his way to check on an address in a neighboring town ahead of an audition the following morning with a young singer named Cheryl Johnson. However, both the phone number he gave police and Cheryl Johnson turned out to be fictitious. Two days later, on May 24, the nude body of 27-year-old Nathaniel Cater, who had been missing for four days and was last seen with Williams, was discovered in the river. The medical examiner ruled he had died of probable asphyxia but never specifically said he had been strangled. Police thought that Williams had killed Cater and that his body was the source of the sound they heard as his car crossed the bridge. Williams failed three polygraph tests. Hairs and fibers retrieved from the body of another victim, Jimmy Ray Payne, were found to be consistent with those from his home, car, and dog. Co-workers told police they had seen Williams with scratches on his face and arms around the time of the murders which, investigators surmised, could have been inflicted by victims during struggles.[7] Williams held a press conference outside his home to proclaim his innocence, volunteering that he had failed the polygraph tests, which would have been inadmissible in court.[8] Williams was questioned again by police for 12 hours on June 3 and 4 at FBI headquarters and released without arrest or charge, but remained under surveillance.[9] Arrest and trial[edit source] Williams was arrested on June 21, 1981, for the murders of Cater and Payne.[10] His trial began on January 6, 1982, in Fulton County. During the two-month trial, prosecutors matched to a number of victims 19 sources of fibers from Williams's home and car: his bedspread, bathroom, gloves, clothes, carpets, dog, and an unusual trilobal carpet fiber. Other evidence included witness testimony that placed Williams with several victims while they were alive, and inconsistencies in his accounts of his whereabouts.[11] Williams took the stand in his own defense but alienated the jury by becoming angry and combative.[11] After 12 hours of deliberation, the jury found him guilty on February 27 of the murders of Cater and Payne. He was sentenced to life imprisonment.[12] After Williams became a suspect, the killings stopped.[2] Media Williams appears as the main antagonist in several media portrayals of the case. He was first depicted in the 1985 television miniseries The Atlanta Child Murders and was played by Calvin Levels. In 2000, Showtime released a drama film titled Who Killed Atlanta's Children? with Clé Bennett playing Williams. In 2019, Williams was featured in season 2 of the Netflix series Mindhunter alongside others such as Charles Manson and David Berkowitz;[41] Williams's character was portrayed by Christopher Livingston.

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Provided to YouTube by Mute Biting My Nails · Renegade Soundwave Soundclash ℗ 1989 The copyright in this sound recording is owner by Mute Records Limited Composer: Renegade Soundwave Auto-generated by YouTube.

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Child-abusing parents should receive no special or lenient treatment because of their religion, and child consultation centers and local governments should promptly report such cases to police, according to welfare ministry guidelines.

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From the album Sugarloaf released January 1, 1970 on Liberty Records cat. #LST_7640 DISCLAIMER: This is for evaluation purposes. I do not own legal rights to this music. I do not intend to profit from this demonstration in any way. If you enjoy this music, please obtain a copy for yourself and support the artist.

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Giovedì 27 giugno, il via ai quarti di finale della FIFA Women's World CupTM, il mondiale femminile per nazioni in corso... » Scopri il palinsesto

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Another Richard Armitage video. I hope you like it. No copyright infringement intended.

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Provided to YouTube by Epitaph She Got Arrested · The Interrupters Say It Out Loud ℗ 2016 Hellcat Released on: 2016-06-24 Mixer: Aimee Allen Producer, Engineer, Mixer: Tim Armstrong Mixer: Kevin Bivona Producer, Engineer: The Interrupters Music Publisher: This Is My Family Publishing (BMI) Music Publisher: The Interrupters Music Publishing (ASCAP) Music Publisher: I Want To Go Where The Action Is Music (ASCAP) Composer, Lyricist: Aimee Allen Composer, Lyricist: Jesse Bivona Composer, Lyricist: Tim Armstrong Composer, Lyricist: Justin Bivona Composer, Lyricist: Kevin Bivona Auto-generated by YouTube.

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This is early jazz-rock fusion from 1966, showing the heaviest side of the genre-to-be, all for an anti-Vietnam war tune. It has frantic piano, bass cranked to 11, tough-as-nails vocals, and written horn parts played on THREE GUITARS(!!!!). This was done on purpose by its writers, David Clayton Thomas and Tom Collacott. In fact, the whole recording was distorted FAR WORSE than what you'll hear here... Pictured is my 45, but I didn't use it here. RCA used a better copy for the track to appear on the compilation "Made In Canada: Our Rock N' Roll History (Volume Three)" in 1990. Apparently master tapes don't exist for so many tracks, the 4-volume compilation saved a lot of Canadian classics from total obscurity. To get the results you hear here, the RIAA EQ curve was removed and the 'record' was cleaned up first. With two separate files (RIAA re-applied to the cleaned version, and the cleaned version without RIAA) carefully mixed together, the dynamic range was greatly improved. A de-clipping filter was then used to greatly reduce the recording's severe distortion.

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Watch full episodes of Oxygen true crime shows including Snapped, Killer Couples, and Three Days to Live. Visit Crime Time for breaking crime news and listen to the Martinis & Murder podcast.

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Banda: BAL-SAGOTH Tema: The Scourge Of The Fourth Celestial Host Album: THE POWER COSMIC (1999) Películas: Varias. Lester Lestegas: 01 octubre de 2012 LETRA: Uatu: They possess power unparalleled... ageless, remorseless. Without pity or conscience. Manipulators of evolution on countless worlds. Gods of the stars... the Celestial Host! Norrin-Radd: Zenn-la! (My homeworld, denied me by the whims of Galan of Taa! I vow that another world shall not be taken from me while I live!) I beseech thee, great ones... spare this insignificant planet... this earth. The Living Tribunal: Humankind, behold your creators... behold your destroyers. Arishem, Exitar... Judge and executioner! Uatu: They who sow the fields of the stars... They return to reap the evolution harvest. Arishem, Exitar... Judge and executioner! The Infinity Watch: Time, space, soul, mind, reality, power... Norrin-Radd: I am the last scion of Zenn-La, Never more to embrace Shalla-Bal. I was born to soar beyond the stars... Uatu: And lo, the Exterminator, the Destroyer of Worlds, the Purifier of Galaxies... Norrin-Radd: The edge of oblivion beckons... (the blood of countless billions stains these silvern hands... but I must... I will endure!) I am the protector of this world! I wield the Power Cosmic! (Behold, from the Realm Eternal my ally speeds to lend his might and the power of his Uru hammer to the fray!) Arishem, Exitar... Judge and executioner. I shall scatter your atoms to the four cosmic winds! The Infinity Watch: Time, space, soul, mind, reality, power. Hail Arishem! Hail Exitar! The Star-Gods have returned! Norrin-Radd: The vast sea of stars stretches into infinity before me... I am the last scion of Zenn-la, Never more to embrace Shalla-Bal, I was born to soar beyond the stars. “Paradise unearned is but a land of shadows.”

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Raga Bhairavi. Sri Ram Narayan (Sarangi) & Sri Mahapurush Mishra (Tabla). A 1968 concert held in Berkeley. Mahapurush Mishra was a music teacher at Berkeley then. Alap, followed by compositions in Chachar Taal & Teental. Many thanks to KPFA radio and The American Society for Eastern Arts for making these records avail. to the public. Photo credit - The late Tawfiq's website Disclaimer - For educational and entertainment purposes only. There is no commercial intent or intent to infringe on copyright in sharing these recordings. To the best of our knowledge, the music posted here is not available for a number of years. Music from any label (if posted) was procured by family & friends many years ago. The only goal behind sharing these records is to make beautiful classical music accessible to audiences.

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This is "Amanda Palmer & The Grand Theft Orchestra Want It Back Official Music Video (Uncensored NSF... (HD)" by Amanda Palmer on Vimeo, the home for high quality videos and the people who love them.

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Topaz 3.0.11 Proteus Relative to Auto. AS ALWAYS PLEASE SUPPORT THE ARTIST. If you like the performance displayed in this upscale example please purchase the album, purchase some of their official merchandise, hell donate to their favorite charity, please support them. Seriously, this wouldn't be possible without the great artist in the video above. This video is created for education purposes under fair use. I do not and will not profit from monetization from this video. The purpose of this creation is to educate and demonstrate the possibilities of current technologies (AI Video Upscaling and Artificial Interpolation). All my videos are constantly proving exactly how far this technology has come and I am extremely impressed with every new creation. All rights reserved to the respected copyright owner. The copyright holder may run ads on this video, but I can assure you I will not. Email Contact: MusicAIUpscaleArchive@gmail.com

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Provided to YouTube by CDBaby Black Woman · Moron Police Defenders of the Small Yard ℗ 2014 Sondre Skollevoll Released on: 2014-04-14 Auto-generated by YouTube.

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Dopo l'eliminazione degli azzurrini di Gigi Di Biagio (a cui sono seguite le dimissioni dello stesso ct), l'Europeo Under 21... » Scopri il palinsesto

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This is a direct DVD rip from the movie. I've tried to enlarge the file as much as I could so it wouldn't be compressed on YouTube, but the actual digital file from the film wasn't great to begin with. The DVD dates from 1999, and I believe all subsequent releases of the movie have used the exact same digital copy. After over 25 years, we've still not received any better transfers from this film. If you can look past the cheesy dinosaur costumes, the plot isn't half bad, and with a runtime of over 70 minutes, the movie doesn't overstay its welcome. I'd say if the effects were handled by Willis O'Brien or Harryhausen, then Unknown Island would've certainly held up in the vintage dinosaur genre. Until the day a new transfer is made, or better yet, the movie receives a Blu-ray release, enjoy the best available copy of Unknown Island

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Clarence Profit (June 26, 1912 – October 22, 1944) was a jazz pianist and composer associated with swing. He came from a musical family and began studying piano at the age of three and he led a ten-piece band in New York City in his teens. A visit to his grandparents in Antigua resulted in his staying in the Caribbean for five years. He also led a group in Bermuda. He returned to the US and led a trio. He co-composed "Lullaby In Rhythm" with Edgar Sampson. He was respected in his era, but after his early death fell into obscurity. He was born, and died, in New York City. "I Didn't Know What Time It Was" is a popular song. The music was written by Richard Rodgers and the lyrics by Lorenz Hart for the musical Too Many Girls (1939). Wikipedia Disclaimer: I do not own the copyright to this recording. This video is for historical and educational purposes only.

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PC Principal, at it again. By far my favorite character this season. I do not own the copyrights. Please don't ban my channel PC Youtube. "Did you just upload something without permission. The abuse of copyright claims will not be tolerated at our school."

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Known for: Dial M for Murder, Rear Window, To Catch a Thief

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This doesn't happen very often, so listen up: you're about to receive some FREE advice from certified therapists. And even better, these are pieces of