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An exclusive remaster of “I Won’t Back Down” by Tom Petty and the Heartbreakers. The song was written by Petty and Jeff Lynne for the “Full Moon Fever” album. The single was released in April 1989 and reached to No. 12 on the Billboard Hot 100. George Harrison (The Beatles) played acoustic guitar and was part of the backing vocals. The album became a smash hit, peaking at No. 3 on the Billboard 200 chart, and it was certified as 5x Platinum sales in the U.S. All rights reserved to the copyright owners. Enjoy and share this with your fans and friends. Click Subscribe and notify to receive future remastered music tracks.
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Provided to YouTube by Label Worx Ltd Floating Museum (Original Mix) · DJ Playstation 1994 EP ℗ Copyright Control Released on: 2018-03-09 Composer: DJ Playstation Auto-generated by YouTube.
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Provided to YouTube by Music Video Distributors Inc. Suck My Ass it Smells · GG Allin & the Murder Junkies Hated ℗ Copyright Released on: 2009-01-27 Artist: GG Allin & the Murder Junkies Auto-generated by YouTube.
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Provided to YouTube by Universal Music Group Copper Kettle · Bobby Womack Lookin' For Love Again ℗ 1974 Capitol Records, LLC Released on: 1974-01-11 Producer: Bobby Womack Keyboards, Associated Performer: Barry Beckett Associated Performer, Keyboards: Clayton Ivey Associated Performer: Pete Carr Associated Performer: Tippy Armstrong Associated Performer: Jimmy Johnson Bass Guitar, Associated Performer: David Hood Associated Performer, Drums: Roger Hawkins Composer: Albert F. Beddoe Auto-generated by YouTube.
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Come ogni fine settimana oggi, Sabato 1 Luglio 2023, Digital-News.it (www.digital-news.it) vi presenta l'offerta sportiva targata... » Scopri il palinsesto
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I do not own the copyright to the music in this video...
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The pyroclastic flow deposits red-hot material on the slope of the volcano. After a few minutes, air heated by the deposit establishes a convective regime and due to the speed of the rising air a series of small tornados (also spelled tornadoes) are formed. During daylight it is difficult to imaging how hot the deposit is. To see a pyroclastic flow deposit glowing at night from same location as present video one can view: www.youtube.com/watch?v=LDJ4hmw9i6I Note: Video is played at 2x normal speed as flow is actually not very fast and video would otherwise be too long for most viewers. Copyright 2014, Photovolcanica. Please do not reupload this material on youtube or other platforms. Unauthorized copies will be removed.
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Police Capt. Adam Greer (Dennis Farina) needs some new cops who can go where other cops can't. Greer finds three young people on their way to jail: Lincoln Hayes (Omar Epps), the black one, is up for arson; Pete Cochrane (Giovanni Ribisi), the white one, is up for robbery; and Julie Barnes (Claire Danes), the blonde one, is up for assault. The three are given a choice: go to jail, or become a special undercover unit that will infiltrate L.A.'s underbelly and bring down the drug dealers and parasites that are preying on the young. Their only rules: no badges, no guns, and no turning in other kids. This "mod squad" encounters a major problem when a cache of drugs disappears from the police evidence locker. All clues point to dirty cops, while the cops want to close ranks and blame the new kids. With their first big case, the squad realize they'll receive no help from the L.A.P.D. and must solve it their own way.
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Psychedelic garage rock band from Redondo Beach, Los Angeles, CA, that through numerous changes of name and line-up came to record an album for UNI Records in 1969 as FIELDS. This fantastic track, written by band members George Caldwell and Robert Zinner has been included in several collections of psychedelic rock and is the A-side of their second single. COPYRIGHT STATEMENT: this video is for cultural and recreational purposes only, the music track comes from my private vinyl record collection. The video is an act of fair usage, therefore, a dispute should'nt occur over it. This material is not being used to make money in any way. Monetization for advertisements on this video is collected from the copyright holders and not from me.
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Song is by the female underground rapper Jean Grae. This is the fourth track on her album "Attack of the Attacking Things" Be sure to get all her music!!!!!!!!!!!! Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
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Song is by the female underground rapper Jean Grae. This is the seventh track on her album "Attack of the Attacking Things" Be sure to get all her music!!!!!!!!!!!! Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
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Song is by the female underground rapper Jean Grae. This is the fifth track on her album "Attack of the Attacking Things" Be sure to get all her music!!!!!!!!!!!! Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Via: https://whatthefuckjusthappenedtoday.com
1/ Trump’s voter-fraud commission asked all 50 states to turn over their full voter roll data for every voter in the US. The request includes a person’s voting history, party affiliation, name, addres
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FELICITÀ Will Ferguson - Parte bene: simpatico, giovane, carino, spiritoso...
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Hans Werner Henze (1926-2012): Un amour de Swann: dodici variazioni per orchestra su un tema della Sonata di Vinteuil (dalle musiche per l'omonimo film di Volker Schlöndorff) (1984) - Basel Radio Symphony Orchestra diretta da Hans Werner Henze ---- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
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Hans Werner Henze (1926-2012): Phaedra, Opera in due Atti su libretto di Christian Lehnert (2007). ATTO I° Morning I. The Labyrinth II. Edge of the Forest III. Thicket IV. The Snare V. Death of Hippolyt Phaedra: Maria Riccarda Wesseling Aphrodite: Marlis Petersen Hippolyt: John Mark Ainsley Artemis: Alex Köhler Ensemble Modern diretto da Michael Boder. Registrazkione della prima mondiale, Staatsoper Unter den Linden, Berlin, 06.09.2007. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
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Hans Werner Henze (1926-2012): Sinfonische Zwischenspiele aus dem lyrischen Drama "Boulevard Solitude" (1951) -- NDR Sinfonieorchester diretta da Peter Ruzicka -- Intermezzo I Intermezzo II Intermezzo III Intermezzo IV --- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
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Hans Werner Henze (1926-2012): Der Prinz von Homburg, Opera in 3 Atti su libretto di Ingeborg Bachmann (1958). Versione revisionata del 1991. Atto I° Friedrich Wilhelm: Eberhard Büchner (tenore) Brandenburg Prinzessin Natalie d'Orange: Marianne Haggänder (soprano) Die Elektrizin von Brandenburg: Susan Bickley (mezzo-soprano) Feldmarshall Dörfling: Robert Bork (baritono) Prinz Friedrich Artur von Homburg: François Le Roux (baritono) Obrist Kottwitzn: Alexander Malta (basso) Graf Hohenzollern: Martin Zysset (tenore) Choir and Orchestra of the Royal Flemish Opera diretti da Bernhard Kontarsky. Registrazione live, Antverp, 18 Marzo 1995. Cover image: Hans Werner Henze e Ingeborg Bachmann nel 1965. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
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Hans Werner Henze (1926-2012): Sinfonia n.7 per grande orchestra (1983/1984) -- City of Birmingham Symphony Orchestra diretta da Sir Simon Rattle -- I. Tanz. Lebhft und beseelt II. Ruhig bewegt III. Unablässig in Bewegung IV. Ruhig, verhalten -- painting by Max Ernst ---- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
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Hans Werner Henze (1926-2012): Symphony No.1 (1947/1963) Prima parte I. Allegro con grazia II. Notturno-Lento Rundfunk-Sinfonieorchester Saarbrücken diretta da Hans Werner Henze. Registrazione live, Saarbrücken, 27.11.1976. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be apreciated.
Three Navajo Nation Police Department officials take to the hot pavements of the Phoenix Valley to begin the groundwork for a new operation to bring Navajo people home.
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Song is by the female underground rapper Jean Grae. This is the twelfth and final track on her album "Attack of the Attacking Things" Be sure to get all her music!!!!!!!!!!!! Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
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Hans Werner Henze (1926-2012) Das Floß der Medusa (1968) The Raft of the Frigate “Medusa” Oratorio volgare e militare, in due parti Tekst: Ernst Schnabel Für / For Che Guevara Erster Teil – Part One Die Einschiffung zum Untergang – Embarkation for disaster 1. Prolog des Charon – Charon’s Prologue [0:00] 2. I. Motto (Pascal: Pensées, aus dem 383. Fragment – from fragment 383) [2:06] 3. II. Ordre und Musterrolle – Order of the day and roll-call [6:09] 4. III. Journal der Überfahrt – Journal of the passage [7:26] 5. IV. Eine Antwort – An answer [13:10] 6. V. Versuche der Rettung – Attempts to save ship and men [14:59] 7. VI. Die Ausschiffung – Disembarkation [18:37] 8. VII. Ballade vom Verrat – Ballad of betrayal [20:58] 9. VIII. Gesang mit neuen Stimmen – Song for new voices [25:06] 10. IX. Anweisungen für den zweiten Tag – Instructions for the second day [33:35] Zweiter Teil – Part Two Die neunte Nacht und der Morgen – The ninth night and the morning 11. X. Feststellung der Lage – Report on the situation [40:56] 12. XI. Motto (Pascal: Pensées, aus dem 205. Bis 207. Und dem 347. Fragment – from fragments 205 to 207 and 347) [43:34] 13. XII. Appell unter dem Mond – Roll-call under the moon [46:11] 14. XIII. Die Rechnung zum Tode – The fatal reckoning [54:37] 15. XIV. Die Ballade vom Mann auf dem Floß – The ballad of the man on the raft [57:10] 16. XV. Fuge der Überlebenden und Ankündigung der Rettung - Fugue of the survivors and the prospect of rescue [1:04:27] 17. XVI. Finale [1:08:14] Edda Moser, soprano (La Mort) Dietrich Fischer-Dieskau, baritone (Jean-Charles) Charles Regnier, speaker (Charon) Chor des Nordeutschen Rundfucks Chorus Master: Helmut Franz Members of the ST. Nikolai Boys’ Choir Chorus Master: Horst Sellentin Sinfonieorchester des Nordeutschen Rundfunks Hans Werner Henze Das Floß der Medusa, commissioned by the North Geman Radio, is Henze’s only oratorio. Das Floß was the earliest work in Henze’s decade of compositions to left-wing political causes. Dedicated to Ernesto “Che” Guevara, the revolutionary leader who was executed by the Bolivian government in October 1967, the work is subtitled oratorio volgare e militare, and was intended as a militant anti-establishment expression. Based on a historical event, the secular oratorio relates the tragedy of the French frigate Medusa, which King Louis XVIII dispatched to Senegal to recapture French colonial territory from the English. The Medusa sailed under an incompetent captain who was a protégé of the king. They set sail on 17 June 1816. On 2 July, just thirty hours from its destination, the Medusa struck a reef and had to be abandoned. The captain, officers, priests, and other dignitaries filled the life boats and left the 154 crew members and passengers, including women and children, with few provisions and a crudely constructed raft. At first the raft was pulled by the life boats, but soon, to save the lifeboats, the towline was cut and the raft was left to drift. There followed thirteen days of horror for those on the raft. People died daily from exposure, hunger, thirst, exhaustion, and fighting over water and wine; some went mad, some commited suicide. Finally a passing ship rescued the fifteen survivors, but six of those died soon afterwards. All of Europe was scandalized by the event. Théodore Géricault’s famous painting, Le radeau de la Méduse (1820), which hangs in the Louvre, memorializes the tragic event by representing the moment of rescue. Schnabel’s libretto relies on German versions of the report and upon Géricault’s painting. It incorporates a few lines from Pascal’s Pensées (sung in German) and many lines from Dante’s Divine Comedy (sung in Italian). Part one, “Embarkation for disaster”, tells the story as far as cutting of the towline. Part two, “The ninth night and the morning”, continues to the point of the rescue. There are two singing roles. One is Jean-Charles, baritone, who represents the mulatto in Gericault’s painting. The second role is that of La Mort, a high soprano. The narrative is told in past tense by a speaker. He is symbolically called Charon, after the boatman of Greek mythology who ferried the dead across the river Styx to Hades. The choral music is sung by a Chorus of the Living, a Chorus of the Dying, a Chrous of the Dead, and a Chorus of Children. Reference: Howard E. Smither, A History of the Oratorio, vol. 4, The oratorio in the nineteenth and twentieth centuries ~~~~~~~ The music published on this channel is exclusively dedicated to divulgation purposes and not commercial. This simply to share classical music with other people. If someone, for any reason, would deem that a video appearing on this channel violates the copyright, please inform me immediately before you submit a claim to Youtube. In the case of the latter, I will take care to remove the video immediately.
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A lauded hacker, known as Captain Crunch, is accused of unwanted sexual contact with teenagers.
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Song is by the female underground rapper Jean Grae. This is the third track on her album "Attack of the Attacking Things" Be sure to get all her music!!!!!!!!!!!! Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
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Viaggio alla scoperta di Pizzo Calabro, una perla calabrese in cui perdersi tra luoghi da sogno e buon cibo.
