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Provided to YouTube by WM Poland/WMI Zaćmienie słońca · Józef Skrzek Ojciec chrzestny Dominika ℗ 1980 The Copyright in this sound recording is owned by Polskie Nagrania, A Warner Music Group Company Lyricist: Julian Matej Composer: Józef Skrzek Auto-generated by YouTube.

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Porter Wagoner –The Rubber Room Country Music, Psycho Country Music Written and sung by Porter Wagoner RCA Records 1971 Tribute Music Video to this Song. Any copyright use of this music or visual images are for educational and archival use. This is a Non profit , Fan based hobby video only.

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मेष लव राशिफल (Aries Love Horoscope)  आज अपने पार्टनर के साथ गहरे और अर्थपूर्ण संवाद होंगे, एक-दूसरे

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Mark Knopfler Explains How He Came Up With "Money For Nothing" — We Post Videos Like This Every Day, If You’re Interested In These Kind Of Videos SUBSCRIBE! We respect the rights of the content owner and share this for educational purposes only. If you are the copyright holder and have concerns, please DM us, and we'll address them promptly.Eddie Van Halen On His Guitar Rig!

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Provided to YouTube by Paradise Entertainment & Distribution GmbH Love Is Stronger (Dr. Motte & Tom Wax Short Mix) · Dr. Motte, Westbam/ML, Tom Wax Love Is Stronger (The Official 2024 Rave The Planet Anthem) ℗ 2024 Rave The Planet Released on: 2024-07-19 Associated Performer: Dr. Motte Associated Performer: Westbam/ML Associated Performer: Tom Wax Composer: Matthias Roeingh Composer: Maximilian Lenz Composer: Thomas Wedel Music Publisher: Copyright Control Music Publisher: WG Musikverlag Music Publisher: Edition WaxWorx / RoBa Music Publishing Auto-generated by YouTube.

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The Proclaimers second single from the "Like Comedy' album 'Whatever You've Got' video. Craig and Charlie with the band Stevie Christie / Keyboards, Garry John Kane / Bass, Zac Ware / Guitar and Clive Jenner / Drums are captured by director Colin Usher performing the song in their Edinburgh studio. Director/ Producer: Director : Colin Usher Producer: David McAfee Production Company: Coffee With A Lid Credits: Produced by Steve Evans Written by Reid/Reid Published by Hornall Brothers Music Ltd Recorded and mastered at Strangefruit and Evansson Audio Media, Bath (P) & (C) 2012 The Proclaimers under exclusive license to Cooking Vinyl ltd. All Rights of the producer and owner of recorded work reserved. Unauthorised copying, hiring, renting, public performance and broadcasting of this record is prohibited. www.cookingvinyl.com info@cookingvinyl.com Made In The EU LC:7180

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The Glitch Mob Crush Mode Mixtape, its not my work, i just bassboosted it, all royalites go to the artist. Listen in 1080p for the best sq! This was a Flac copy, boosted in audacity, exported in wav, the video file is an mkv with a pcm audio stream for purity at -3db, no clipping, 100% clean!

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#MBC1 About my story (Investigative TV ) Accurate details of Nada's story Behind Nada's story are very exciting details that tell her escape from her house first To be kidnapped by Al-Qaeda group Until she became finally a human right activist to defend children rights

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Jazz Funk Masterpiece!! 1977.. :p NO COPYRIGHT INFRINGEMENT INTENDED - - - - - - - - - - COPYRIGHT - - - - - - - - - - I own nothing used in this video and do not claim it as my own This video is purely for entertainment purposes and should be used for private entertainment only - - - - - - - - - - COPYRIGHT - - - - - - - - - - Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in Fair use.

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First Light Optics - Suppliers of Astronomy telescopes, binoculars and accessories from Skywatcher, Celestron, Meade, William Optics, Atik, Imaging Source, Starlight Xpress, ADM, Moonlite, Catseye, Hutech and others.

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Cheap flights from New York to Cali, Colombia for only $353 roundtrip with Copa Airlines.

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Jeffrey Lanigan Mayor Rome gained its reputation as the Copper City during the Industrial Revolution when the city produced an estimated 10-percent of all

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Provided to YouTube by The state51 Conspiracy Sin (2015 Version) · Carter Tutti Carter Tutti Plays Chris & Cosey ℗ 2014 Conspiracy International Released on: 2015-02-17 Producer: Chris Carter Producer: Cosey Fanni Tutti Composer: Chris Carter Music Publisher: Copyright Control Composer: Cosey Fanni Tutti Lyricist: Cosey Fanni Tutti Auto-generated by YouTube.

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Influencers Andrew and Tristan Tate are known the world over. The American-British brothers, key figures in the manosphere, live in Romania, where they are being prosecuted for rape and human trafficking, among other offences. Their ideology is violently misogynistic and seems to be influencing a generation of young men.

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The history of Jerome, Arizona, one of the world's newest and largest ghost towns, is the story of a once thriving Copper mine, now a mecca for artists.

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Primal Scream Screamadelica (Side One) 1991 1. "Movin' On Up" 0:00 2. "Slip Inside This House" 3:41 3. "Don't Fight It, Feel It" 8:54 4. "Higher than the Sun" 15:42 5. "Inner Flight" 19:18 Their third studio album. It was released in September of 1991 in the United Kingdom (on Creation Records) and in October of 1991 in the United States (on Sire Records.) The album marked a significant departure from the band's early indie rock sound, drawing inspiration from the blossoming house music scene and associated drugs such as LSD and MDMA. Much of the album's production was handled by acid house DJ Andrew Weatherall & engineer Hugo Nicolson, (who remixed original recordings made by the band into dance-oriented tracks.) The album was very well received by critics. In a contemporary review for Spin, Simon Reynolds called it a "totally mind-blowing" record whose best songs were "almost unclassifiable".bAllMusic writer Stephen Thomas Erlewine deemed Screamadelica "an album that transcends its time and influence." AllMusic lists the album as the band's best. It was voted number 135 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000). Pitchfork praised the album on their 2003 list of the "Top 100 albums of the '90s," saying: "Screamadelica's atmospheric and imaginative hybrid of past, present and future captured its moment in vivid color and splendor, and it still radiates with a kaleidoscopic glow." Robert Christgau of The Village Voice, on the other hand, assigned it a "neither" rating, indicating an album that does not warrant repeated listening despite coherent craft and one or two highlights. It was Melody Maker's album of the year in 1991. It was also Select's album of the year in 1991, while NME placed it at no. 3 in its "Best Albums of 1991" list. The album won the first Mercury Music Prize in 1992. In 1996, Select named it as the number 1 album of the 1990s. In 2000, Q placed the album at number 18 on their list of the "100 Greatest British Albums." In 2001, Q placed it at number 81 on a list of the "Top 100 Albums of All Time." The album ranked number 2 in Q's "Best 50 Albums of Q's Lifetime" list. In 2003, NME placed it at no. 23 in its "100 Best Albums Ever" list. In 2003, Pitchfork placed it at number 77 in a list of the "Top 100 Albums of the '90s." Also in 2003, the album topped The Scotsman's list of 100 Best Scottish Albums. In 2006, the magazine also placed it at no. 15 in its "Greatest British Albums Ever" list. It appeared in Channel 4's list of the "100 Greatest Albums of All Time." In a 2009 review, the BBC hailed the album as "a solid gold classic." NME also named it the "Druggiest Album Ever" in 2011. It was ranked number 437 in the 2020 revised edition of Rolling Stone's list of the 500 Greatest Albums of All Time, and No. 1 on BrooklynVegan's "Creation Records' 21 Best Records" list. #primalscream #1991 #screamadelica #sideone

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Red 2010 - action/comedy Former Black-Ops Frank Moses reunites with his old team to take down the assassin that vowed to kill him. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.

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Artiste : Corrente De Força Label : Atlantic Pays : Brésil Année : 1978 DISCLAIMER : We do not own any rights on the material in this video. Just for promotional use. Please write us a direct message if you have complains about this upload concerning copyright issues. In that case, we will remove the video immediately ! Thank you very much for your understanding.

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The Arkansas Department of Human Services acknowledged making "a mistake" when it promised to publicly release findings about how the agency failed to act on 29 abuse reports over 11 years, citing the same confidentiality laws that existed when the promise was made. In a Sept. 15 letter to Baxter County Prosecutor David Ethredge, Tiffany

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Words:Peter Cordwell,Music:Dave Marshall, Performed by:Dave Marshall. Dedicated to Peters Grand daughter, Charlotte. Copyright:Marshall/Cordwell. Filmed By Dean Mannering. (deany61)

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Provided to YouTube by NMC United Entertainment Ltd משהו כמו תה · Habiluim שכול וכישלון ℗ 2007 NMC United Entertainment Ltd. Released on: 2007-08-01 Music Publisher: Copyright Control Composer: Noam Enbar Lyricist: Noam Enbar Lyricist: Yami Wisler Auto-generated by YouTube.

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US Army General Wesley Clark, talks about the future plans to invade 7 Muslim Countries. General Wesley Clark: Because I had been through the Pentagon right after 9/11. About ten days after 9/11, I went through the Pentagon and I saw Secretary Rumsfeld and Deputy Secretary Wolfowitz. I went downstairs just to say hello to some of the people on the Joint Staff who used to work for me, and one of the generals called me in. He said, "Sir, you gotta come in you've gotta come in and talk to me a second." I said, "Well, you're too busy." He said, "No, no." He says, "We've made the decision we're going to war with Iraq." This was on or about the 20th of September. I said, "We're going to war with Iraq? Why?" He said, "I don't know." He said, "I guess they don't know what else to do." So I said, "Well, did they find some information connecting Saddam to al-Qaeda?" He said, "No, no." He says, "There's nothing new that way. They just made the decision to go to war with Iraq." He said, "I guess it's like we don't know what to do about terrorists, but we've got a good military and we can take down governments." And he said, "I guess if the only tool you have is a hammer, every problem has to look like a nail. "So I came back to see him a few weeks later, and by that time we were bombing in Afghanistan. I said, "Are we still going to war with Iraq?" And he said, "Oh, it's worse than that." He reached over on his desk. He picked up a piece of paper. And he said, "I just got this down from upstairs" -- meaning the Secretary of Defense's office -- "today." And he said, "This is a memo that describes how we're going to take out 7 countries in 5 years, starting with Iraq, and then Syria, Lebanon, Libya, Somalia, Sudan and, finishing off, Iran." These are their evil plans! Invading innocent and poor countries for stealing (robbing) natural resources and then installing their puppet (slave) regimes or governments, raping women and girls, committing acts of ruthless barbarianism and terrorism by murdering and torturing the people (physically & mentally) of that country. Even the kids are not left, the Kids are also the target of Terrorism committed by the Americans, British and their allies.

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In this episode of TFBTV, Bill Rapier, 20 year Navy SEAL and owner of AmTac Shooting teaches James Reeves, Seattle Cop Chris Tran (@christranfiveoh), Roger Barrera of QVO Tactical, and Andrew Wright of Surefire how to handle a carjacker who has entered your vehicle on the passenger side.

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The final chapter in Phonica's 2018 Mix Series comes in the form of an intricate and eclectic 75-minute long recording from Optimo's JD Twitch. For more than three decades, JD Twitch has been at the very forefront of Scotland (and indeed the rest of the world’s) clubbing scene. JD Twitch and Optimo's other-half, JG Wilkes' legendary event series Optimo (Espacio) used to run at Glasgow’s Sub Club every Sunday, from 1997 to 2010 and has gone down in history as one of the cities most iconic residencies of all time. Over the past fifteen years, Twitch has been releasing music under his various monikers Betty Botox, Mount Florida and Sonic Assasins, to name but three. Alongside his own musical output, Twitch is the main man behind the Optimo Music and Autonomous Africa imprints, which have collectively seen original works and top-class reissues from the likes of Coil, The Golden Filter, Tafi All-Stars, Midland and Auntie Flo in recent years. He also co-manages the Selva Discos label with Brazilian duo Selvagem. JD very kindly found some time in his busy schedule to answer a few questions for us too. You can check out the sublime DJ mix and interview below!DOWNLOAD | SUBSCRIBECheck out the previous mixes in the series here:Hey Keith, thanks for joining our mix series! How are you doing? Thanks for having me. I’m good, thanks.First up, can you please shed a little light on the mix. Were there any particular themes behind it?I am often debating with friends “what is techno?”. For the first ten years, I was a DJ most people thought of me as a techno DJ but I don’t think I’d ever be described as such today. Dare I say a lot of this mix is what I think techno is in 2018, as opposed to the codified massive kick sound that is currently universally regarded as techno. The mix also features some very old music, but hopefully presented and reconfigured in a way that gives it a new context. It is in 3 distinct sections and the starts off mid-tempo, but also going straight for the jugular on the first track rather than any kind of traditional build up. It then accelerates quite a lot over the first 20 minutes. The middle of the mix gets very dense with a lot of points where there are 3 or more tracks playing at once and a lot of very intense on the fly live editing is going on. I was trying to have it be just on the edge of being disorientating for about fifteen minutes. I had a huge amount of fun doing the mix but particularly during the middle section. The mix then comes back down to earth towards the end and melody and emotion starts to come to the fore. Are any of the records in this mix recent discoveries? If so, where did you stumble across them and what drew you to them? Yes, lots of recent discoveries. A lot of UK tracks (although there is music from over a dozen countries) and a quarter of them are upcoming releases on two new labels of mine - Optimo Music Digital Danceforce and Against Fascism Trax. It may appear that I am just spamming my upcoming releases but if I release something it is because it is something that excites me enough that I want to play it in my DJ sets. I think this mix reflects where my head is with regard to dancefloor music just now. Over the summer we played a LOT of festivals and at those, the size of the crowd often dictates how we play; perhaps more slamming and trying to get it to go right off. As we head back into playing clubs through the winter, this is what I really enjoy playing in that environment. Less 4 to the floor kick drums, more space, more dub, more tripped out, more weird melodies and more rhythmic variety. Several of the tracks perhaps take inspiration from 90s hardcore (which is something I was in love with at the time but don’t feel the need to revisit) but this music is not aping it or recreating hardcore but rather taking inspiration from it and coming up with something that sounds quite fresh and futuristic to my ears. Could you tell us a little bit about your musical background, perhaps where you grew up and what first got you interested in electronic music?I grew up in a small suburban village outside Edinburgh. Around the age of 11 or 12, two things happened. A girl I was friends with who was slightly older than me started giving me her copies of the music magazine Smash Hits (which then was a pretty good magazine covering everything from Top 40 pop to The Slits, to disco, to Throbbing Gristle). I was also given a radio and would trawl the airwaves trying to hear this music I was reading about. At that age, you are like a sponge and I was absorbing everything and for the first time in my life, I discovered something I was really, really excited and passionate about; music. I was also looking for something that felt as if it was mine. Quite soon after this, I started reading music papers and in particular one called Sounds. The quality of music writing was very high and I would be introduced to all sorts of music simply from reading someone write very passionately about it. I seemed to have a tendency to be drawn to the weirder, lesser-known sides of music and one type of music that sounded particularly exciting to me is what is now known as Industrial. As time moved on I was more and more drawn to the electronic side of things and this developed into what I called electrobeat, but it is now known as EBM, although I think that term narrows it down to a far too defined sound. When the first house and techno records appeared they felt like another part of this continuum and very quickly I became obsessive about these forms of electronic music too, as well as their UK and European hybrids. Let’s talk a bit about your latest Kreaturen Der Nacht compilation on Strut. How did this one come about and where did you discover these German post-punk oddities? Half of the music on it is music I fell in love with as a teenager. I was fascinated with a lot of left field German music of the early to mid-80s and while a lot of the records reached Scotland, it was quite hard to dig much deeper back then. The love and fascination remained and as the methods of finding music changed, combined with many, many trips to Germany I discovered a whole load more great music. The idea to do a compilation had been brewing for many years. Initially, the compilation was going to be on Optimo Music as a follow up to my DIY "Cease & Desist” compilation of UK post-punk / DIY but the licensing was proving to be extremely challenging. Quinton at Strut and I had long talked about doing a project together and this seemed the perfect candidate to take to Strut which is ultimately how it came to be.What’s the one piece of studio gear you couldn’t live without?My studio is currently dismantled and has been for over a year while I try to figure out where I want it to be and try out some new working methods. So, at the moment my studio is my laptop so that is the bit of gear I couldn’t be without.Looking forward to 2019, are there any exciting releases coming that we can look forward to? Yes, lots! I recently started two new labels - Optimo Music Digital Danceforce which is a digital label that will allow me to get releases out a lot quicker and then maybe consider doing them as vinyl releases down the line. Sometimes the lag in getting records manufactured is extremely tiresome so this feels like a way that my excitement for a new release can be shared a bit quicker. There are a plethora of releases lined up for 2019. I also just announced a new vinyl label, Against Fascism Trax which is (obviously) trying to get a serious message across about the rise of the far-right and how one might respond to that, and will raise funds for Hope Not Hate which campaigns to counter racism and fascism. Lots of releases lined up for it too, including one that features the legendary Kool Keith, which I think is a particular coup. I will continue to manage Selva Discos for my dear Brazilian friends, Selvagem and also will be co-running, or rather managing a new label for my friend Kristina called Weaponise Your Sound. I also have a few albums and mini albums due on Optimo Music, including one by Bergsonist that I am very excited about.Thanks, Keith! 

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David Coverdale's & deep Purple's classic blues jam gets the Ritchie Blackmore treatment once more with Rainbow, live in Germany. DISCLAIMER: there is no profit or copyright infringement intended with these videos/this channel. Thank you for watching/subscribing/commenting. Take care & see you soon with more great songs!

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Police Officer William Robertson was shot and killed from ambush when a shot was fired into his police van.

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Creed II Ending HD Creed 2 - "Life has become a balancing act for Adonis Creed. Between personal obligations and training for his next big fight, he is up against the challenge of his life. Facing an opponent with ties to his family's past only intensifies his impending battle in the ring. Rocky Balboa is there by his side through it all and, together, Rocky and Adonis will confront their shared legacy, question what's worth fighting for, and discover that nothing's more important than family." Stars: Michael B Jordan, Sylvester Stallone, Dolph Lundgren, and Tessa Thompson All Rights Reserved to MGM - This video belongs to MGM This video is not monetized To whomever it may concern: "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.

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Live From Blackbird Studio - January 30, 2021 Set List: 01 - Broken Boy 02 - Cry Baby 03 - Spiderhead 04 - Too Late To Say Goodbye 05 - Cold Cold Cold 06 - Ready To Let Go 07 - Social Cues 08 - Tokyo Smoke 09 - Mess Around 10 - Trouble 11 - Skin and Bones 12 - Ain't No Rest For The Wicked 13 - It's Just Forever 14 - Telescope 15 - House of Glass 16 - Come A Little Closer 17 - Shake Me Down 18 - Teeth 19 - Cigarette Daydreams 20 - Sabertooth Tiger

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Provided to YouTube by Sony Music UK Police On My Back (Remastered) · The Clash Hits Back ℗ 2013 Sony Music Entertainment UK Limited Released on: 2013-08-26 Producer, Associated Performer: The Clash Lyricist, Composer: Edmond Grant Auto-generated by YouTube.