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Outnumbered and under sanctions, Rhodesia built one of the most lethal counterinsurgency tools of the Cold War. Fireforce paired helicopter gunships...

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From the classic TV series Police Squad.

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Codex Sinaiticus is one of the most important books in the world. Handwritten well over 1600 years ago, the manuscript contains the Christian Bible in Greek, including the oldest complete copy of the New Testament. The Codex Sinaiticus Project is an international collaboration to reunite the entire manuscript in digital form and make it accessible to a global audience for the first time.

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Hunter Hayes - "Rainy Season" from Encore. Please support Mr. Hayes and purchase a copy of Encore!

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Outnumbered and under sanctions, Rhodesia built one of the most lethal counterinsurgency tools of the Cold War. Fireforce paired helicopter gunships...

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All clips used in this video are protected by the Fair Use Doctrine within Title 17 of the United States Code. This doctrine safeguards the use of copyrighted material for transformative purposes, such as commentary, criticism, review and news reporting. Under Title 17 U.S.C. § 512(f), any person who makes a false, bad faith, or misleading copyright claim or uses a copyright takedown to infringe on free speech, criticism, or commentary can be held liable for damages to the content creator. Hosseinzadeh v. Klein, 276 F.Supp.3d 34 (S.D.N.Y. 2017); Equals Three, LLC v. Jukin Media, Inc., 139 F. Supp. 3d 1094 (C.D. Cal. 2015) FAIR USE COPYRIGHT NOTICE: The Copyright Laws of the United States recognizes a "fair use" of copyrighted content. The videos and this Youtube channel in general may contain certain copyrighted works that were not specifically authorized to be used by the copyright holder(s), but which we believe in good faith are protected by federal law and the fair use doctrine for purposes such as criticism, comment, news reporting, teaching, parody, or research, is not an infringement of copyright. All video is for educational purposes only. We believe this constitutes a fair use of any such copyrighted material as provided for in section 107 of the US Copyright Law. FAIR USE COPYRIGHT NOTICE: The Copyright Laws of the United States recognizes a "fair use" of copyrighted content. The videos and this Youtube channel in general may contain certain copyrighted works that were not specifically authorized to be used by the copyright holder(s), but which we believe in good faith are protected by federal law and the fair use doctrine for purposes such as criticism, comment, news reporting, teaching, parody, or research, is not an infringement of copyright. All video is for educational purposes only. We believe this constitutes a fair use of any such copyrighted material as provided for in section 107 of the US Copyright Law.

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1. Democracy Spawns Bad Taste 2. Go Bankrupt And Die 3. You Give Me The Creeps 4. Marching For Trash 5. Legal Genocide 6. I Am The Establishment 7. Cops For Fertilizer 8. Hinkley Had A Vision 9. By The Door 10. Oh Where, Oh Where? 11. I Was 12. Similar Items 13. Official Terrorism 14. No One Can Make Me Play Along With This 15. Down On My Knees

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Disclaimer: This video is a compilation of the full sermon "Heaven: Close Encounters of the God Kind" by Jesse Duplantis. I do not own the rights to this content. All rights to the original material belong to Jesse Duplantis Ministries and the respective copyright holders. This upload was made solely to provide access to the complete sermon in one video for educational and informational purposes. Fair Use Notice: This video contains copyrighted material, which is used under the fair use provisions of U.S. copyright law (Section 107, Copyright Act 1976). The material is presented for educational, informational, and non-commercial purposes only. If you are the copyright owner and wish to have this video removed, please contact me.

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"The Ballad Of Ira Hayes" Ira Hayes, Ira Hayes [CHORUS:] Call him drunken Ira Hayes He won't answer anymore Not the whiskey drinkin' Indian Nor the Marine that went to war Gather round me people there's a story I would tell About a brave young Indian you should remember well From the land of the Pima Indian A proud and noble band Who farmed the Phoenix valley in Arizona land Down the ditches for a thousand years The water grew Ira's peoples' crops 'Till the white man stole the water rights And the sparklin' water stopped Now Ira's folks were hungry And their land grew crops of weeds When war came, Ira volunteered And forgot the white man's greed [CHORUS:] Call him drunken Ira Hayes He won't answer anymore Not the whiskey drinkin' Indian Nor the Marine that went to war There they battled up Iwo Jima's hill, Two hundred and fifty men But only twenty-seven lived to walk back down again And when the fight was over And when Old Glory raised Among the men who held it high Was the Indian, Ira Hayes [CHORUS:] Call him drunken Ira Hayes He won't answer anymore Not the whiskey drinkin' Indian Nor the Marine that went to war Ira returned a hero Celebrated through the land He was wined and speeched and honored; Everybody shook his hand But he was just a Pima Indian No water, no crops, no chance At home nobody cared what Ira'd done And when did the Indians dance [CHORUS:] Call him drunken Ira Hayes He won't answer anymore Not the whiskey drinkin' Indian Nor the Marine that went to war Then Ira started drinkin' hard; Jail was often his home They'd let him raise the flag and lower it like you'd throw a dog a bone! He died drunk one mornin' Alone in the land he fought to save Two inches of water in a lonely ditch Was a grave for Ira Hayes [CHORUS:] Call him drunken Ira Hayes He won't answer anymore Not the whiskey drinkin' Indian Nor the Marine that went to war Yeah, call him drunken Ira Hayes But his land is just as dry And his ghost is lyin' thirsty In the ditch where Ira died *I do NOT own any footage or music used within my videos. They are made for fun. No copyright infringement intended.

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Îmi scrie o prietenă pe facebook: ”Eugen, am sunat la „Clounella„, compania care cică are animatori pentru copii. I-am rugat să ne dea un animator (pe care am să-l plătesc) ca să mergem la Spitalul Oncologic, secția Pediatrie, să le ducem niște cadouri de Paști. Vreau să fac o campanie de Paști. Au spus că … Continuă lectura „Clounella, companie de handicapați morali?”

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Digitally copied from the vinyl album "A Jazz Message" by Art Blakey's Quartet ,1964 Art Blakey drums, Sonny Stitt tenor saxophone, McCoy Tyner piano, Art Davis bass.

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Gérard Grisey - L’Icône paradoxale (1992-1994) (Hommage à Piero della Francesca) for soprano, mezzo-soprano and grand orchestra divided in 2 groups Uploaded as 200-subscribers special Performers: Catherine Dubosc & Lani Poulson, singers - SWR Sinfonieorchester des Südwestrundfunks - Sylvain Cambreling, conductor I do not own neither the score, nor the recording used in this video. This is only for educational purposes. If the video violates any copyright laws, please contact me: bsch1929@gmail.com

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Thrilling, complex crime novel set in the Mediterranean during the seventies. Many 5-star reviews and happy readers.

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Dans la suite de ses alertes sur l’essor de la fraude bancaire (1), et face à la forte recrudescence des litiges pour refus injustifiés de remboursement adressés à ses associations locales, l’UFC-Que Choisir, qui a analysé pas moins de 4 300 signalements, dépose plainte contre 12 établissements pour pratiques commerciales trompeuses : La Banque Postale, Crédit Agricole, Banque Populaire, BNP Paribas, Société Générale, CIC, LCL, Boursorama, ING, Nickel, Cetelem et Floa Banque. L’Autorité de contrôle (ACPR) ayant vainement appelé, l’an dernier, les banques à améliorer leurs pratiques de remboursement, l’association saisit de nouveau l’ACPR et Bercy pour intensifier les contrôles et instaurer un cadre garantissant l’effectivité du droit au remboursement des victimes de fraudes.

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Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use. raymond harper - african blood - prince buster records...enjoy!!!

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TX: 25.10.86 - "Man Talk" Neil Buchanan, Harry Stern: Nick Staverson Martin Edwards: Richard Addison Geoffrey Edwards: Nicholas Barnes Samantha's Voice: Kate Copstick Dawn Lodge: Andrea Arnold Kim Goody Hazel Edwards: Jeannie Crowther David Taylor Shaw Taylor Our thanks to: The Chrome Angels, Paul Downton, Jimmy the Street Conjurer, Kent Koi Kompany, Owen Paul, Paul Spooner, Telemagination Film: The 'Z' Team Script by: Richard Morse Director: Janie Grace Originally Devised by: John Dale Script Co-ordinator: Richard Morss Executive Producer: J. Nigel Pickard Producer: Janie Grace Director: Graeme Matthews TVS Production © 1986 Television South plc

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Second Generation VHS Tape Copy

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Learn more about the latest developments in the murder of Rhonda Richardson, whose murder was investigated on Cold Justice.

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Taken from the Big Lines 2012 remaster. The copyright is owned by Virgin Records Ltd.

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Provided to YouTube by Kontor New Media GmbH First Song in the Day · Cecil McBee · Chico Freeman Music from the Source ℗ enja records Released on: 2020-12-18 Artist: Cecil McBee Featured Artist: Chico Freeman Bass, Composer: Cecil McBee Saxophone: Chico Freeman Drums: Don Moye Trumpet: Joe Gardner Piano: Dennis Moorman Drums: Steve McCall Music Publisher: Copyright Control Auto-generated by YouTube.

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Guido Deiro plays 'Dream of the Rarebit Fiend,' recorded for Columbia in New York on 5 August 1912. From Wikipedia: Count Guido Pietro Deiro (September 1, 1886 – July 26, 1950) was a famous vaudeville star, international recording artist, composer and teacher. He was the first piano-accordionist to appear on big-time vaudeville, records, radio and the screen. he usually performed under the stage-name 'Deiro.' Guido and his younger brother Pietro Deiro (known as 'Pietro') were among the highest-paid musicians on the vaudeville circuit, and they both did much to introduce and popularise the piano accordion in the early 20th century. Born Guido Pietro Deiro in the village of Salto Canavese, in the fraction of Deiro, near Turin, Italy. He was born into a family of rural Italian nobility that were involved in raising dairy cattle, growing wine grapes, tending orchards, and operating general stores to sell their produce. While a young boy, Guido entertained himself by playing the ocarina, an ancient flute-like wind instrument usually made from ceramic or wood. His uncle Fred noticed Guido’s unusual musical ability on the ocarina, and decided to get him a more sophisticated instrument, a diatonic button accordion. Guido started to play the accordion when nine years old. His father allowed Guido to play this two-row accordion in the street outside his stores because Guido’s playing would draw a crowd and attract potential customers. Deiro became a student of the famous Italian accordionist-composer Giovanni Gagliardi. Deiro left his home to avoid an arranged marriage, and defying his father's wishes that he manage the family businesses, he became a professional entertainer and took engagements in France and Germany playing the chromatic accordion. His success as a performer led the Ronco-Vercelli accordion company in Italy to ask him to demonstrate their new piano-accordions at the Alaska–Yukon–Pacific Exposition in 1908. This world's fair was held in Seattle from June to October 1909. After the fair, he stayed on in Seattle working as a musician in saloons. By this time, he had become a virtuoso at playing a piano accordion. In 1910 he was discovered by an agent for the Orpheum Vaudeville Circuit. His opening debut was at the American Theatre in San Francisco (managed by Sid Grauman) on June 15, 1910. He became an immediate sensation, and began travelling the vaudeville circuit routinely back and forth across the United States and Canada (and other countries as well) as a headliner. During his travels, he met and became friends with another famous Italian accordionist: Pietro Frosini. In addition to playing the popular hits of the day and light classical and operatic fare, Deiro composed his own original compositions... During his lifetime, he recorded more than 110 songs (primarily for Columbia Records, and occasionally for Edison phonograph cylinders). The records were enormously popular, and, along with his vaudeville stardom, helped to propel Deiro to the status of a minor celebrity in American culture. Throughout the teens and well into the 1920s, Deiro was a dominant voice of accordion... Deiro's son Guido claims...that Deiro married West in 1914, yet it was not made public as she was married to fellow vaudevillian Frank Szatkus. West and Deiro travelled together, appearing all over the country, before their alleged divorce in 1920. According to the American Masters documentary 'Mae West: Dirty Blonde,' West aborted Deiro's child on the advice of her mother, the procedure nearly killing her and leaving her barren, and Deiro was devastated when he learned what she had done, thus ending the relationship. Deiro's other marriages were to Julia Tatro (1913), Ruby Lang (1920-1927?), and Yvonne Teresa Le Baron de Forrest (1937–1941). Deiro continued to play vaudeville shows until at least 1935 and performed on two world tours, although after 1929, he travelled less and focused his career on the west coast of the United States. During the 1930s, he opened a number of accordion studios and taught and sold accordions... After World War II, he lost most of his studios. He became ill in 1947, and died of congestive heart failure in 1950 at age 63. Although Deiro's substantial musical contributions were forgotten in no small part due to his brother's promotional claims and the passage of time, beginning in 2001 there has been a revival of interest in the music of Guido Deiro, primarily due to the efforts of his son, Count Guido Roberto Deiro...

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Experience the Back to the Future trilogy like never before in this fan-made trailer featuring a stunning 1080p restoration. This edit brings the iconic 80s sci-fi adventure to life with a fresh look at the classic movie trailer aesthetic. Fans of the franchise will appreciate the high-quality visuals that showcase the best moments from Marty McFly and Doc Brown's time-traveling journey across all three films. Whether you are a longtime collector of the Back to the Future Blu-ray editions or just discovering the series, this edit captures the spirit of the original films. We have compiled these clips to highlight the cinematic scope of the series, focusing on the visual upgrades found in the latest 1080p restoration. It is a tribute to the legacy of the Back to the Future trilogy and a celebration of the film's enduring popularity among audiences worldwide.

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Provided to YouTube by CNR Music (NL) B.V. Lenen Lenen Betalen Betalen · Youp van 't Hek · Hans van Gelder Man Vermist ℗ 2014 CNR Music B.V. Music Publisher: COPYRIGHT CONTROL(STEMRA) Composer: Van Gelder Lyricist: van 't Hek Auto-generated by YouTube.

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Provided to YouTube by Pias UK Limited The Sea · The Neon Judgement Horny As Hell ℗ 1987 Play It Again Sam [PIAS] Released on: 1987-09-07 Producer: The Neon Judgement Composer: Timmermans Composer: Vloeberghs Lyricist: Timmermans Lyricist: Vloeberghs Auto-generated by YouTube.

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The gendarmerie and the national police support you in your efforts

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Provided to YouTube by The Orchard Enterprises She's Like a Shot · Cop Shoot Cop Consumer Revolt ℗ 1990 Circuit Records Released on: 2019-03-08 Producer: Martin Bisi Auto-generated by YouTube.

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Parole de Vélomoteur: Je revois notre voiture rouge Filant à toute allure sur les routes Moi, les cheveux dans le vent Tu regardes au loin, droit devant Tant de choses auraient pu se passer Que je n'aurai pas regrettées (Oh non !) Mais tu es toujours trop pressé Et on ne s'est même pas arrêté Je t'assure que je n'ai pas peur Je n'ai pas non plus mal au cœur Je n'suis même pas de méchante humeur Mais je préfère les vélomoteurs Qui font : pa pa pa pa pa... Pa pa pa pa pa pa pa pa... Pa pa pa pa pa pa pa pa... Qui donc veux-tu rattraper ? Ou à qui veux-tu échapper ? Moi, j'ai des poussières plein les yeux Et me voilà toute ébouriffée Tu vas bien trop vite mon chéri On risque d'avoir des ennuis (Oh oui !) C'est sûrement ce que pensent aussi Les deux motards qui nous poursuivent Je t'assure que je n'ai pas peur Je n'ai pas non plus mal au cœur Je n'suis même pas de méchante humeur Mais je préfère les vélomoteurs Qui font : pa pa pa pa pa... Pa pa pa pa pa pa pa pa... Pa pa pa pa pa pa pa pa... Ton automobile préférée A eu raison de notre amour Maintenant tu peux bien foncer Je t'ai oublié pour toujours Je t'assure : je n'avais pas peur J'n'avais pas non plus mal au cœur J'n'étais même pas de méchante humeur Mais je préfère les vélomoteurs Qui font : pa pa pa pa pa... Pa pa pa pa pa pa pa pa... (Tu-dut-tut tu-dut-tut) Pa pa pa pa pa pa pa pa...

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From the 1989 demo All material uploaded to the channel is for entertainment purposes only. All rights and credits go to the owners of the audio recordings, with no intention of copyright infringement. The channel does not monetize or add the ads on the videos. This is done through YouTube and the license holders, all proceeds goes to the rightful owners.

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Absolutely fantastic house tune from the summer of 2005! Remixed by english DJ turned producer Micheal Gray. Scape is a new producer from Finland who produced an instrumental track that caught our ears. The track was the given to Ultra Nate who wrote a great song, Diane Charlemagne (aka D'Empress) sang it and Seamus Haji produced and remixed it. Remix & additional production by Paolo Martini & Gianni Bini for H.O.G Productions. Published by MCPS/Ultra Blue Music/Copyright Control.

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Robocop and the friends go to arrest the drug gang at their HQ all rights go to they're respective owners MGM and Orion