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Track 1 from their first live album “Procol Harum Live: In Concert with the Edmonton Symphony Orchestra” released in 1972 copyright A&M Records. Their biggest-selling release, it reached number 5 on the Billboard Top 200 and was certified Gold that same year. Recorded November 18, 1971 at the Northern Alberta Jubilee Auditorium before a capacity audience of 3,000 with the Wally Heider Mobile Studio. They were one of the first rock bands to find success recording with a symphony, with orchestral arrangements written by Gary Brooker. Recorded from the original vinyl. Written by Gary Brooker & Keith Reid and produced by Chris Thomas. RIP B.J. Wilson, Dave Ball, Alan Cartwright & Gary Brooker. Featuring:
Gary Brooker – Lead vocals & piano
Chris Copping – Organ
Dave Ball – Lead & rhythm guitars
Alan Cartwright - Bass
B.J. Wilson – Drums
Special Guests:
The Edmonton Symphony Orchestra
The Da Camera Singers
Conquistador your stallion stands in need of company
And like some angel's haloed brow, you reek of purity
I see your armour-plated breast has long since lost its sheen
And in your death mask face, there are no signs which can be seen
Though I hoped for something to find
I could see no maze to unwind
Conquistador a vulture sits upon your silver shield
And in your rusty scabbard now, the sand has taken seed
And though your jewel-encrusted blade, has not been plundered still
The sea has washed across your face, and taken of it's fill
Though I hoped for something to find
I could see no maze to unwind
Though I hoped for something to find
I could see no maze to unwind
Conquistador, there is no time, I must pay my respects
And though I came to jeer at you, I leave now with regret
And as the gloom begins to fall, I see there is no, only all
And though you came with sword held high
You did not conquer, only die
Though I hoped for something to find
I could see no maze to unwind
Though I hoped for something to find
I could see no maze to unwind
And though I hoped for something to find
I could see no maze to unwind
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???? Imagine Dragons and Sia collide in "Unbreakable Wings" – a heart-shattering, fist-pumping emotional pop anthem about rising from the ashes of heartbreak and finding strength in pain. This mid-tempo cinematic banger blends Imagine Dragons’ stadium-sized drums and soaring choruses with Sia’s raw, soul-baring vocal power, creating the ultimate empowerment duet you didn’t know you needed. If you’ve ever been broken but refused to stay down, this song will light a fire in your chest. ????✨
Every lyric hits like lightning – two voices trading scars, turning wounds into wings, and screaming into the storm together. Perfect for late-night drives, workout playlists, or those moments when you need to remind yourself you’re still unbreakable. Feel the goosebumps, sing at the top of your lungs, and let this emotional pop masterpiece carry you higher.
Turn it up, share your story in the comments, and join the fire. ????️????
#ImagineDragons #Sia #UnbreakableWings #EmotionalPop #EmpowermentAnthem #ImagineDragonsTypeBeat #SiaVibes #HeartbreakMusic #CinematicPop #Anthem2025 #NewMusic2025 #PopRock #Duet #RiseUp #MotivationMusic
Disclaimer: This is an AI-generated music concept inspired by the style of Imagine Dragons & Sia. It is not an official release or a copyrighted work of the artist.
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Isaac Hayes is the title character action film, but it's cast-against-type Nichelle Nichols (Star Trek’s Lieutenant Commander Uhura ) as Dorinda, the provocatively dressed, homicidally ruthless, astoundingly foul-mouthed whorehouse madam, who walks away with the movie.
Strong-arming and bitch-slapping her way through the fulfillment of a crime vendetta, Nichols appears to be enjoying herself as she shoots for the stars and boldly goes where her talents have never taken her before.
Also, the 'clothes on display in this clip are a great time-capsule glimpse of '70s fashion.
Directed by Jonathan Kaplan. Screenplay by Michael Allin and Oscar Williams. Co-starring Yaphet Kotto, Annazette Chase, Stan Shaw, and Dick Miller.
No Copyright Ownership Implied.
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Dans une interview parue le 23 juin, Noam Chomsky parle de « l’ampleur et de la portée absolument sans précédent » des protestations contre les meurtres par la police de George Floyd et Breon…
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Provided to YouTube by Virgin Music Group
Murder at the Bingo Hall · Amigo The Devil
Murder at the Bingo Hall
℗ 2021 Liars Club/Regime Music Group
Released on: 2021-03-26
Composer, Writer: Daniel Kiranos
Auto-generated by YouTube.
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SUBANG JAYA: Police detained a group of men who were trying to gather near the Sri Maha Mariamman in USJ 25, Putra Heights early today.
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#TheRollingStones #wildhorses #thesummeriturnedpretty
Catching Fire: The Story of Anita Pallenberg
"Wild Horses" is a song by the English rock band the Rolling Stones. It was first released in 1970 by the Flying Burrito Brothers, as the Rolling Stones did not consider their demo of the song to be worth recording fully. It was subsequently recorded by the Rolling Stones for their 1971 album Sticky Fingers when they felt it was worth reconsideration. It was also released on 12 June 1971 as a single, with "Sway" as its B-side.
Rolling Stone ranked the song number 334 in its "500 Greatest Songs of All Time" list in 2004 and number 193 in its 2021 update
Catching Fire: The Story of Anita Pallenberg is a 2024 documentary film about The Rolling Stones muse Anita Pallenberg. The film is based on Pallenberg's unpublished autobiography Black Magic that her children found after her death in 2017; passages from the document are read out in the film by Scarlett Johansson.The film released in the United Kingdom and Ireland on 17 May 2024.
Disclaimer: I own nothing but the editing. The resources used in the video belongs to their respective owners.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
LYRICS
Childhood living
Is easy to do
The things you wanted
I bought them for you
Graceless lady
You know who I am
You know I can't let you
Slide through my hands
Wild horses
Couldn't drag me away
Wild, wild horses
Couldn't drag me away
I watched you suffer
A dull aching pain
Now you've decided
To show me the same
No sweeping exit
Or offstage lines
Could make me feel bitter
Or treat you unkind
Wild horses
Couldn't drag me away
Wild, wild horses
Couldn't drag me away
I know I've dreamed you
A sin and a lie
I have my freedom
But I don't have much time
Faith has been broken
Tears must be cried
Let's do some living
After we die
Wild horses
Couldn't drag me away
Wild, wild horses
We'll ride them some day
Wild horses
Couldn't drag me away
Wild, wild horses
We'll ride them some day
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Cornell Dupree at the Bottom Line, NY. 2000. "TEE" Video produced by Larry Blumenstein Video Productions. Contact : LarryBlumenstiein@aol.com, 917-817-2112. (Copyright 2000) (c)
--------------------------------------------------------------------------------------------
James Allen Smith
From the Heart... One of the best!!!! A Long time friend.....
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Cornell Luther Dupree (December 19, 1942 -- May 8, 2011) was an American jazz and R&B guitarist. He worked at various times with Bill Withers, Donny Hathaway, King Curtis and Steve Gadd, appeared on David Letterman, and wrote a book on soul and blues guitar: Rhythm and Blues Guitar ISBN 0-634-00149-3. He reputedly recorded on 2,500 sessions.
Biography
Dupree began his career playing in the Atlantic Records studio band, recording on albums by Aretha Franklin (Aretha Live at Fillmore West) and King Curtis as a member of Curtis's band "The King Pins" (having grown up with King Curtis in Fort Worth, Texas). He appeared on the 1969 Lena Horne and Gábor Szabó recording, and on recordings with Archie Shepp, Grover Washington, Jr., Snooky Young and Miles Davis.
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“I know better than you, so…” Someone living with diabetes can work with the same people for years. Then you get to a place in your life where you want to take care of yourself, but to do so,…
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Voir l’article pour en savoir plus.
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IPOH: A total of 42 people have been arrested to facilitate police investigation on the Sri Maha Mariamman temple riot on Monday.
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No Copyright Intended
I don't own it
Blah Blah
Songs of Love and Hate (1971)
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** I didn't expect this video to get so many views. It was made while I was feeling quite amused at my life. So, thanks. =)
Well, I was not sleepy and I was also listening to this song, which happens to be one of my favourite Sick Puppies songs. And, yeah, that's the story [or it?!]. =) ENHOY!
DISCLAIMER:
The song and lyrics belong to their rightful owners [The Sick Puppies]. No copyright infringement intended.
(It felt like you and me were getting better)
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Provided to YouTube by The Orchard Enterprises
Silver Bullets · Wednesday 13
Calling All Corpses
℗ 2019 Napalm Records Handels GmbH
Released on: 2019-06-14
Music Publisher: Copyright Control
Auto-generated by YouTube.
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© 2026 Napalm Records
Lyrics:
Plazas of carnage, bloody rewards
Fields of poppies, gifts from the lord
Act with the Devil, piling dead
Ransom slaying, payment in lead
Kingdoms ruled with fear and distress
Leaders killed on sanguine egress
Mangled bodies litter the streets
Masked sicarios, death repeats
Killing, a way of life
Murder, innocents die
Trono de narco tortura
Massacre 3111
Product is good, profits are high
Cartels reign, nowhere to hide
Wolves hunt, weak are the prey
Blood-drunk sadist, live for the taste
Underworld running it all
Mothers cry as brothers fall
Those in power turn a blind eye
They make the money selling the lie!
Killing, a way of life
Murder, innocents die
Trono de narco tortura
Massacre 3111
Unto the eyes of death you will stare
We poison the earth without compassion or care
Execution and murder, they win every time
Morgues overflowing, a tempest of crime
The price is blood, and now the world will pay
Into our grip, we lead you into the grave!
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Adopted by Hank Marvin and the Shadows this classic echo unit was the first – and some still contend, best – of its kind.
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Provided to YouTube by Rhino Atlantic
Murder · Malice
License To Kill
℗ 1987 Atlantic Recording Corp.
Writer: James Neal
Writer: Reynolds
Auto-generated by YouTube.
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Videoclip de Metal & Ca que nos traslada al maravilloso mundo de la fabricación de vinilos, otrora pujante industria que jamás volverá a ser lo que fue.
Tenemos una duda, como no aparece ninguna grafía titulando el tema, no sabemos si pertenece a PISTA LIBRE (1982) o a bien a CAJA DE RITMOS (1983), así que agradeceríamos cualquier aclaración al respecto, ya que esta formación grabaría para ambos programas.
Del DVD recopilatorio "El arcón de los tesoros Z. España 80's: Tecnopop y modernos Vol.1".
NOTA: El clip original que poseemos dura alrededor de dos minutos (entendemos que falta metraje), pero ahora lo ampliamos con el audio entero tomado del cd de Metal & Ca "SuperAvit", volviendo a repetir algunos pasajes del mismo para llegar a los 3 minutos (la composición lo merece).
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What's happening in your city? Join the next-gen multiplayer GPS game with cops, dragons, and zombies.
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#Dewweapons, #15mincity, #eliteagendas
Shout Outs: Anonymous Official Check out his full Maui videos
Jonathan Herzog-Maui Lahaina Wild Fire Escape
Hawaii Real Estate- He has many detailed vids
Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
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Tema principal del primer EP de Metal y Ca. "Datos", publicado en mayo de 1982 y primera referencia de Discos Lollipop. Incluido en su recopilación "Superavit". tecno-pop minimal en español
Main song from their first EP "Datos", published in may 1982 and the first reference of Lollipop Records. Minimal techno-pop in spanish and included in their compilation "Superavit"
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Provided to YouTube by IIP-DDS
Had To Cry Today / Outro · Blind Faith
The Summer of '69 (Hyde Park FM)
℗ 2022 The Media Champ
Released on: 1969-06-07
Music Publisher: Copyright Control
Composer: Steve Winwood
Lyricist: Steve Winwood
Auto-generated by YouTube.
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Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
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Free eBook digitized and proofread by volunteers.
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From beginning to end, I had goosebumps! Definitely in my feelings.
no copyright infringement intended. Just sharing goodness
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The year is 2027, and robotic dreams of the past have turned into a present nightmare with artificial organs turning humans into machines, and advanced AI making androids more like people. With the boundaries of humanity and morality blurring, it's the inhumanity of modern crime that the Advanced Police have to face every day on the dark streets of MegaTokyo - everything from masochistic cyborgs to subway murders.
Welcome to Anime Vault, the new home of unmissable anime shows and films. We upload new episodes every week, from cult classics to your old favourites. Be sure to subscribe so you don’t miss out!
This channel is part of the Little Dot Network. Any queries, please contact owned-enquiries@littledotstudios.com
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Jim Europe's 369th Infantry "Hellfighters" Band plays "On Patrol In No Man's Land"
Noble Sissle sings.
This is on Pathe 22089, recorded in mid-March 1919.
The exact recording date is unknown since Pathe ledgers are unavailable--probably lost.
This was recorded two months before the death of James Reese Europe at age 39. He was murdered in Boston on May 9, 1919.
This record is UNIQUE!
No company had issued any recording like this before.
It is one things to make a film that documents World War I--here, the forum or medium is sound instead of film.
No "popular song" of this time talked about Minenwerfers or Very lights (a term for flares used during trench warfare).
What the time? Nine? Fall in line.
All right, boys--now, take it slow.
Are you ready? Steady! Very good, Eddie.
Over the top--let's go!
Quiet, lie it--else you'll start a riot.
Keep your proper distance--follow 'long.
Cover, brother, and when you see me
hover, obey my orders
and you won't go wrong!
There's a Minenwerfer [German mortar]
coming--look out (bang!). Hear that roar
(bang!)! There's one more (bang!).
Stand fast--there's a Very light [flare].
Don't gasp or they'll find you all right.
Don't start to bombing with those hand
grenades. (Rat-a-tat-tat-tat.)
There's a machine gun, holy spades!
Alert, gas! Put on your mask.
Adjust it correctly and hurry up fast.
Drop! There's a rocket from the Boche
[German] barrage.
Down, hug the ground--close as you can!
Don't stand!
Creep and crawl--follow me, that's all.
What do you hear? Nothing near.
Don't fear--all is clear.
That's the life of a stroll when you take a
patrol out in No Man's Land. Ain't it
grand out in No Man's Land?
Europe's music on Pathé discs is different from that of Europe's Society Orchestra issued on Victor discs five years earlier.
The musicians were different; popular music had changed; instead of making dance records, he now worked in a military band tradition, conducting different instruments than in earlier years.
Whereas none of the Victor recordings featured vocals, some Pathés feature singers Noble Sissle and C. Creighton Thompson.
Moreover, different technology was used. It is unfortunate that his final discs are vertical-cut records. In the year the records were issued, hill-and-dale technology was quickly losing favor with record buyers. By 1920 nearly all talking machines were made for lateral-cut discs. Equipment for playing Pathé discs became relatively scarce in subsequent years. Had his records been made with lateral-cut technology, they might have enjoyed more popularity and his name might have been better remembered by subsequent generations.
After four sessions with Europe, the Pathé company issued a special flier announcing new titles: "Eleven records of the world's greatest exponent of syncopation just off the press." In bold type, the flier announced, "Jim Europe's jazz will live forever." Sadly, the music became relatively obscure.
Europe's musicians perform more in a military band tradition than in the new jazz idiom. Nonetheless, Europe is a significant pre-jazz artist or transitional figure, the most important African-American musical leader in the period when ragtime was on the wane but before the reign of King Oliver and Louis Armstrong.
Europe suffered a fatal stabbing two days after his band cut six titles for Pathé on May 7, 1919. There was no clear motive for the backstage attack during a Boston's Mechanics Hall concert.
Accounts differ, but it seems that Europe reprimanded Herbert Wright for the drummer's unprofessional habit of walking on and off stage while other acts performed. Herbert Wright was already simmering from what he perceived as favoritism, feeling the bandleader never blamed Steven Wright for mistakes but only criticized Herbert (together, Steven and Herbert Wright made up the "Percussion Twins"--they shared surnames but were not related).
When Europe ordered Wright to leave a dressing room, the unstable drummer produced a penknife and stabbed the bandleader in the neck. Others in the room, including Sissle, were unable to stop Wright. Europe was rushed to City Hospital but soon died.
Jim Europe's 369th Infantry "Hellfighters" Band "On Patrol In No Man's Land" James Reese Europe, WWI
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"The Looney Tunes Show S01E11 Peel of Fortune
Original Air Date July 12, 2011"
Bugs: What are you wearing?
Daffy: Mall Pants. Pants to wear at the mall. Its a sign of respect.
Bugs: Then why aren't you wearing a shirt?
Daffy: Too much respect. Its the mall. Not church...................Also, I can't afford a shirt.
Copyright disclaimer: I do NOT own this video nor the image featured in the video. All rights belong to it's rightful owner/owner's. No copyright infringement intended.
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In a rough neighborhood where police rarely intervene, Nabi runs a quiet little hair salon. But behind her sweet appearance lies a deadly secret: she's a man-eating monster who only targets intruders, specifically sexual predators.
With her "supply" running low, Nabi captures an unexpected trespasser, a contract killer named Kang Eunchan who was sent to assassinate her. Before he knows it, he's overpowered and locked away in her secret underground shelter.
As Nabi begins to care for him in her own strange way, Eunchan finds himself reluctantly drawn to her and even offers himself up as her next meal.
Between a beautiful predator and a killer too charming to eat, their twisted relationship begins to spiral, just as other men start appearing with their own reasons for wanting to fall under Nabi's control.
A sharp, bloody love thriller with one hell of a bite.