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Sesta traccia e Primissimo singolo estratto dal nuovo album "McMAO" del Management Del Dolore Post-Operatorio, in uscita l'11 MARZO 2014, distribuito da UNIVERSAL Music Italia, per l'etichetta Color Sound Indie - Alternative Produzioni, in coproduzione con MArteLabel. Catturato, mischiato e inscatolato tra ottobre 2012 e ottobre 2013 presso il Baricentro di Produzioni Musicali NATURAL HEADQUARTER di Ferrara Masterizzato presso ABBEY ROAD STUDIOS di Londra (UK) LA POESIA DRIZZA LA VITA: "Abbiamo voluto privare la simpatica pilloletta della sua funzionalità sessuale e sostituire al concetto di erezione quello di elevazione. Chi ci segue, e magari ascolta fino in fondo le nostre canzoni, conosce il nostro gioco, ma questa volta abbiamo voluto fare di più. Ci siamo messi alla regia di questo video, che poi non è un video né un documentario, ma la testimonianza di un piacevole incontro. L'incontro con Paolo Maria Cristalli, un poeta ispirato dalla povertà e dal disordine, che si è concesso divertito alle nostre telecamere. Il resto lo capirete da soli, tutto si riduce ad un concetto: di fronte alla disfunzione erettile delle emozioni ci vuole la pasticca blu, una cura immaginaria fatta di poesia e musica, due portentosi rimedi al rimpicciolimento e alla banalizzazione della nostra esistenza." LA PASTICCA BLU può avere effetti collaterali, in caso prolungato di afflosciamento dei sentimenti rivolgersi al proprio Dottore (in Lettere). ----------------------------------------------------- @ Video CREDITs REGIA = Luca Romagnoli + MaDe DoPo FOTOGRAFIA = Tommaso Giallonardo MONTAGGIO e POST-PRODUZIONE = Giulia De Fabritiis RIPRESE = Tommaso Giallonardo + Luca Madonna SOGGETTO = MaDe DoPo + Marco Ciafarone COSTUMI = Napthaline di Michelle Iocco PRODUZIONE ESECUTIVA= MaDe DoPo + MarteLabeL si ringraziano l'HOTEL ANXANUM e l'HOTEL EXCELSIOR per la preziosa collaborazione. ---------------------------------------------------- @ Music CREDITs MUSICA = Marco Di Nardo TESTO = Luca Romagnoli ARRANGIAMENTI = MaDe DoPo + Manuele "Max Stirner" Fusaroli PRODUZIONE ARTISTICA = Manuele "Max Stirner" Fusaroli PRODUZIONE ESECUTIVA = MaDe DoPo + Claudio Ongaro per COLOR SOUND Indie + Raffaella Tenaglia per PIXIE PROMOTION Catturato, inscatolato e mischiato presso Natural Head Quarter studio di Ferrara. ----------------------------------------------------- Testo = Amore non ti posso sposare le tue scarpe sono troppo costose e tutti i giorni dal parrucchiere neanche fossi il re sole. E se ti sposo poi mi tocca lavorare la sai che l'urlo della sveglia non lo posso sentire non lo posso sentire! Ed io non riesco a guardarti più negli occhi te ne accorgi quando facciamo sesso? Che non riesco a guardarti più negli occhi forse è per questo che ti abbraccio tanto spesso. Non m'aspettavo certo che voi capiste che il mio volto non era serio no il mio volto non era serio il mio volto era triste. Tienilo presente la tua vita è una partita dura tu non sei una diva la cui partita è la partita iva! Ci vuole la pasticca blu per amarsi di più Ci vuole la pasticca blu contento io contenta tu Adesso che siamo così stretti riconosco tutti i tuoi difetti un tuo abbraccio sta all'arte materna come un cesso all'arte moderna. Ti porterò dove volevi tu ti porterò ad Holliwood dove le coppie durano poco dove l'amore è solo un gioco. E la mia pelle per te diventerà come una frontiera perchè presto tornerò single come il Papa molto più single del Papa Tienilo presente la tua vita è una partita dura tu non sei una diva la cui partita è la partita iva! Ci vuole la pasticca blu per amarsi di più Ci vuole la pasticca blu contento io contenta tu A volte mi capitava di parlarti di quello stupore ma siccome non l'hai mai capito alla fine l'ho dimenticato Ma come fanno in Africa ad amarsi col caldo che fa? Ma come fanno in Africa ad amarsi col caldo che fa? Ci vuole la pasticca blu per amarsi di più Ci vuole la pasticca blu non la senti la noia che mi butta giù? Mi serve la pasticca blu da quando non mi capisci più Io prendo la pasticca blu da quando tu non mi basti più Ho preso la pasticca blu contento io contenta tu

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Ann Woodward (Demi Moore) confronts Truman Capote (Tom Hollander) about spreading the rumor that she murdered her late husband.

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Track 3 from their fifth album “A Farewell to Kings” released in 1977 copyright Anthem Records and recorded at Rockfield Studios in the countryside near Rockfield, Wales. Their previous album “2112” had been their breakthrough and was followed by a hugely successful tour of North America, as well as Europe for the first time. The band continued to expand their sound and incorporated a new instrument: bass pedals synthesizers, played by both Lee and Lifeson. This album was another triumph of sonic beauty. It received average to excellent reviews and was followed by a tour of Canada, the U.S. and sixteen shows in the United Kingdom. It reached No. 11 in Canada, No. 22 in the U.K. and No. 33 on the Billboard chart. It went Gold in the U.K. and Platinum in Canada and the U.S. This was their third album cover designed by Hugh Syme, who would be involved with all their subsequent releases. Written by Neil Peart, Peter Talbot, Geddy Lee & Alex Lifeson and produced by Rush & Terry Brown. RIP Neil Peart. Featuring: Geddy Lee – Lead vocals, bass, 12-string acoustic guitar, Minimoog & Moog Taurus bass pedals synthesizers Alex Lifeson– Lead, rhythm, acoustic, 12-string acoustic & classical guitars & Moog Taurus bass pedals synthesizer Neil Peart – Drums, orchestra bells, wind chimes, bell tree, vibraslap, triangle, tubular bells & temple blocks Special Guest: Terry Brown – Spoken word on “Cygnus X1 book 1: The Voyage” And the men who hold high places Must be the ones who start To mold a new reality Closer to the heart, closer to the heart The blacksmith and the artist Reflect it in their art They forge their creativity Closer to the heart, yes, closer to the heart Philosophers and plowmen Each must know his part To sow a new mentality Closer to the heart, yes, closer to the heart, yeah, eh Whoa, whoa, you can be the Captain And I will draw the chart Sailing into destiny Closer to the heart, closer to the heart Well, closer to the heart, yeah, closer to the heart Closer to the heart, I said closer to the heart Well, closer to the heart, yeah, closer to your heart Closer to your heart, whoa, oh, oh, oh, oh-oh-oh-oh-oh-oh

Via: https://epilpoint.it

Pelle liscia e impeccabile con il nostro laser a diodo 810 NM. Scopri i vantaggi di EPIL POINT con oltre 100 centri in Italia.

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"You Can Dance" is the first remix album by American singer and songwriter Madonna. It was released on November 17, 1987. "You Can Dance" received generally positive reviews from critics, some of whom noted how the already known songs appeared to them in a complete new structure, calling it an essential album to be played at parties. Shortly after the Madonna's release, major acts of the day were following suit with their own, including Bobby Brown's "Dance!...Ya Know It!", New Kids on the Block's "No More Games/The Remix Album", Jody Watley's "You Wanna Dance with Me?' and Paula Abdul's 'Shut Up and Dance: Mixes" contributing that the dance remix albums weren't viewed as a "rarity". Steffanee Wang from Nylon has also noted album's influence in "Club Future Nostalgia" by Dua Lipa and in her own album "Confessions on a Dancefloor". COPYRIGHT DISCLAIMER Disclaimer: All the videos, songs, images, and graphics used in the video belong to their respective owners and I or this channel does not claim any right over them. Copyright Disclaimer under section 107 of the Copyright Act of 1976 "RA No 8293 -Act is known as the “Intellectual Property Code of the Philippines.”, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright statutes that might otherwise be infringing. For Educational and Entertainment Purposes only.

Via: https://www.lgraham.senate.gov

WASHINGTON – U.S. Senator Lindsey Graham (R-South Carolina) has introduced The COVID-19 Accountability Act which authorizes the President to impose sanctions on China if China fails to cooperate and provide a full accounting of the events leading up to the outbreak of COVID-19. “I’m convinced that without Chinese Communist Party deception the virus would not be here in the United States,” said Senator Lindsey Graham. “China refuses to allow the international community to go into the Wuhan lab to investigate. They refuse to allow investigators to study how this outbreak started. I’m convinced China will never cooperate with a serious investigation unless they are made to do so. This hard-hitting piece of legislation will sanction China until they cooperate with investigators. We must determine how the virus came about and take steps, like closing the wet markets, to ensure it never happens again. It’s time we push back against China and hold them accountable. More than eighty thousand Americans are dead and millions more are jobless today because of China’s failure to contain and prevent the spread of the virus.” “The Chinese Communist Party must be held accountable for the detrimental role they played in this pandemic. Their outright deception of the origin and spread of the virus cost the world valuable time and lives as it began to spread,” said Senator Jim Inhofe. “The COVID-19 Accountability Act will force China to provide a full account of the events leading up to this devastating outbreak. America is strong and we will come out of this crisis, but China must be forced to face the facts and take accountability for their actions. The Chinese Communist Party has proven time and time again they will only cooperate if their hand is forced.” “The Chinese Communist Party’s continued suppression of the truth amid the coronavirus outbreak cannot go unchecked,” said Senator Roger Wicker. “This legislation would authorize the President to take appropriate actions against the Chinese government to ensure similar outbreaks do not happen in the future.” “This legislation is about taking necessary actions against China to hold them accountable for the cover up of the COVID-19 outbreak and to prevent the spread of future pandemics,” said Senator Steve Daines. “We must send a clear and strong message to China that there will be consequences for their reckless actions.” “The Chinese government engaged in one of the biggest cover-ups in modern history—lying to the world and allowing the spread of COVID-19 outside its borders,” said Senator Thom Tillis. “This legislation begins the process of holding the Chinese government accountable for its egregious misconduct.” “The Chinese Communist Party’s mistakes enabled the coronavirus to grow from a local issue to a global pandemic. Instead of being transparent, Chinese diplomats are sharing propaganda. It is clear that China intends to use this crisis to their advantage by extending their influence around the world. We must not only hold China accountable, but get to the bottom of how this pandemic began and prevent it from happening again,” said Senator Todd Young. “China must be more forthcoming as investigations begin and we endeavor to learn lessons from this disaster,” said Senator Cindy Hyde-Smith. “This legislation will demonstrate to the communist regime in Beijing that the world needs answers on how this pandemic started and spread misery across the globe.” “I know firsthand China doesn’t play fair from building a business for 38 years, and their failure to operate on-the-level regarding COVID-19 has caused untold global devastation,” said Senator Mike Braun. “China must be held accountable, and if they do not cooperate with these reasonable measures to fairly investigate the origins of the coronavirus, close wet markets, and release pro-democracy advocates arrested during the pandemic, then they should face the serious consequences described by this legislation.” Senator Rick Scott said, “Communist China started a global pandemic and failed to provide any information that could have helped save thousands of lives. They need to be held accountable. If Communist China refuses to be honest about the origins of the Coronavirus, the U.S. will not wait for history to judge them harshly. We will take action and we will do everything we can to hold Communist China accountable for the devastation they have caused around the world.” Under the Graham legislation the President would be required to make a certification to Congress within sixty days that China has: Provided a full and complete accounting to any COVID-19 investigation led by the United States, its allies or UN affiliate such as the World Health Organization (WHO). Closed all operating wet markets that have the potential to expose humans to health risks through the introduction of zoonotic disease into the human population. Released all Hong Kong pro-democracy advocates that were arrested in the post COVID-19 crackdowns. Without certification, the President would be authorized to impose a range of sanctions such as asset freezes, travel bans, visa revocations, restricting United States financial institutions from making loans or underwriting to Chinese businesses, and prohibiting Chinese firms from being listed on American stock exchanges. The COVID-19 Accountability Act is cosponsored by Senators Thom Tillis (R-North Carolina), Cindy Hyde-Smith (R-Mississippi), Mike Braun (R-Indiana), Rick Scott (R-Florida), Steve Daines (R-Montana), Todd Young (R-Indiana), Jim Inhofe (R-Oklahoma), and Roger Wicker (R-Mississippi). #####

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"Midnight Love" is from the 'Midnight Love' LP, released in 1982. No copyright infringement intended. All copyrights belong to their original owners. Musical Videos and accompanying photos posted on this Channel are for entertainment purposes only. Reproduced solely for the listening pleasure of true music lovers.

Via: https://www.nicovideo.jp

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Oi \u30bf\u30cb\u30aa\u30ab\u30fc #6\u3010\u30e2\u30eb\u30ab\u30fc(\u6deb\u5922)\u3011","description":"\u30d0\u3007\u30c0\u30a4\u306e\u7533\u3057\u7acb\u3066\u306b\u3088\u3063\u3066YouTube\u306b\u4e0a\u3052\u3066\u3044\u305f\u52d5\u753b\u304c#1\u4ee5\u5916\u5168\u90e8\u7834\u58ca\u3055\u308c\u3066\u3057\u307e\u3044\u60b2\u3057\u304f\u306a\u3063\u305f\u306e\u3067\u3042\u308c\u4ee5\u6765\u52d5\u753b\u7de8\u96c6\u30bd\u30d5\u30c8\u3092\u89e6\u3063\u3066\u307e\u305b\u3093\u304c\u3001\u3068\u308a\u3042\u3048\u305a\u65e2\u306b\u5b8c\u6210\u3055\u305b\u3066\u3044\u305f6\u8a71\u3060\u3051\u3067\u3082\u4e0a\u3052\u3088\u3046\u304b\u306a\u3068\u601d\u3063\u3066\u30a2\u30c3\u30d7\u30ed\u30fc\u30c9\u3057\u307e\u3057\u305f<br>\u30cb\u30b3\u30cb\u30b3\u3060\u3051\u3067\u3082\u6295\u7a3f\u7d9a\u3051\u308d\u307f\u305f\u3044\u306a\u610f\u898b\u304c\u6563\u898b\u3055\u308c\u308b\u3088\u3046\u3067\u3057\u305f\u3089\u7d9a\u3051\u308b\u304b\u3082\u3057\u308c\u307e\u305b\u3093<br><br>\u524d\u2192<a 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TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields.

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Provided to YouTube by Universal Music Group Pressure · Ari Lennox Pressure ℗ 2021 Dreamville/Interscope Records Released on: 2021-09-10 Composer Lyricist, Producer: Jermaine Dupri Composer Lyricist, Producer: Bryan-Michael Cox Producer, Additional Producer: Elite Mixer, Studio Personnel, Mastering Engineer: Jaycen Joshua Studio Personnel, Assistant Mixer: Jacob Richards Assistant Mixer, Studio Personnel: Mike Seaberg Studio Personnel, Assistant Mixer: DJ Riggins Vocalist, Associated Performer: Ari Lennox A& R: Tim Glover A& R Coordinator: Alyssa Bautista A& R Admin: Alicia Graham A& R Admin: Marissa Wickliffe Recording Engineer, Studio Personnel: Timon Adams Mastering Engineer, Studio Personnel: Rachel Blum A& R: Justin LaMotte for Black Wax Composer Lyricist: Courtney Salter Composer Lyricist: Johnta Austin Composer Lyricist: Jai'Len Josey Composer Lyricist: Anthony Parrino Auto-generated by YouTube.

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A free AI companion for the thought you can't put anywhere else at 2am — anonymous, no login required. Funded by patrons, not a paywall on the help itself.

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Todo el contenido de mi canal de Youtube identificado como ; © 03agosto de 2020 by @etiquetalRadio26829 is licensed under CC BY-NC-ND 4.0 .CC BY-NC-ND 4.0 Attribution-NonCommercial-NoDerivatives 4.0 International This license requires that reusers give credit to the creator. It allows reusers to copy and distribute the material in any medium or format in unadapted form and for noncommercial purposes only. BY: Credit must be given to you, the creator. NC: Only noncommercial use of your work is permitted. Noncommercial means not primarily intended for or directed towards commercial advantage or monetary compensation.

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Provided to YouTube by The Orchard Enterprises Rotting Misery · Paradise Lost · Holmes · Mackintosh Lost Paradise ℗ 1991 Peaceville Records Released on: 2006-04-18 Producer: Paul "Hammy" Halmshaw Music Publisher: Vile Music (Concord Copyrights London Ltd) Auto-generated by YouTube.

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En Dortmund, un caso de fraude ha sacudido a las autoridades: siete inmigrantes habrían reconocido la paternidad de más de 120 niños para recibir ayudas estatales. Uno de ellos, de origen nigeriano, llegó a declarar 24 hijos y habría cobrado más de 1,5 millones de euros en prestaciones. Detrás de este entramado se esconde una red criminal. Mujeres engañadas con falsas promesas de trabajo terminan siendo explotadas y utilizadas en este sistema. El gobierno alemán prepara una nueva ley para cerrar los vacíos legales que permitieron el abuso. Otro caso más de las consecuencias de puertas abiertas para inmigración ilegal en Europa. ✔ Toda la actualidad nacional e internacional contada desde un punto de vista políticamente incorrecto, aquí: www.eltorotv.com ✔ SUSCRÍBETE al canal si no quieres perderte ningún momentazo #ElToroTV #alemania #dandocaña #albavila #inmigraciónilegal

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#luke #slater #techno #london #lukeslater #planetary #assault #systems Released:15 Jan 1996 Genre:Electronic Style:Techno DISCLAIMER : All tracks are uploaded in low quality, for promoting purposes . If either label, artist or third party copyright holder does not agree with their material being uploaded, please contact me and I will take it down immediately. MAIL - Jashiotar03@gmail.com

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Christmas Song but only in Alto | 9GAG it 9GAG it - Compiling interesting videos from 9GAG. Thank you for watching! Please don't forget like, comment and subscribe on my channel! ***************************************************************** Disclaimer: If one of your video or music appears on this compilation and you want credits, feel free to send me details I will add it in the description here so people can find you ;) All copyright issues please let's contact me.

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Shannon - Let The Music Play (Official Music Video) (1983) Shannon (born Brenda Shannon Greene,May 2, 1958) is an American singer. She is best known for her 1983 million-selling record, "Let the Music Play". The record re-defined the electro-funk sound that Arthur Baker and John Rocca (who produced "I.O.U" by Freeez) developed in 1982, which would eventually be called freestyle music. In the spring of 1983, Greene was enrolled at York College and toured with the New York Jazz Ensemble. Quintin Hicks, an associate of the production team of Mark Liggett and Chris Barbosa, later saw Shannon singing with a live band in her cousin's recording studio. Shannon auditioned for Liggett and Barbosa with the song "She Can't Love You Like I Do". They introduced her to the track "Fire and Ice", which would later evolve into Shannon's signature song, "Let the Music Play". This title would also be applied to Shannon's debut album. In July 1983, the "Let the Music Play" single was released and Shannon was invited back to record more songs with Liggett and Barbosa. The single reached #8 on the Billboard Hot 100 and #1 on the Billboard"s United States R&B and Hot Dance and Club Play Chart chart. Today, it is ranked #23 among Billboard's best dance songs of all time. Her debut album, Let the Music Play, was released in February 1984. The follow-up single from the album was "Give Me Tonight", which hit the top spot on the Hot Dance, Club Play and R&B chart. It also became a significant hit on Urban radio. It was one of Billboard's top 30 dance songs for the year 1985. In the U.S., the third single was "My Heart's Divided", another Latin freestyle track, featuring Jimmy Choo as one of the back up vocalists. "Sweet Somebody", a mid-tempo soul effort, made the Top 20 in Europe. Let the Music Play went on to sell over 2 million copies worldwide. Shannon was nominated for a Grammy and received numerous other awards, including the Dianah Washington (Jack the Rapper) Award, the Hall of Fame Award, the Gold Ampex Reel Award, a certified gold disc by the Recording Industry Association of America, and the Best Billboard Top 10 female R&B vocalist. In 1985, Shannon released her second album, Do You Wanna Get Away, which sported a sound similar to that of her debut album. The title track became her third #1 on the Dance charts and became her third hit on the Billboard Hot 100. She scored three more dance hits from the album, including "Stronger Together", a cover of "Urgent" by Foreigner, and "Stop the Noise", with a video sponsored by Pepsi and Black Angus. Her third album was 1986's Love Goes All the Way. This album was not as successful as her previous LPs. Shannon was Executive Producer against all odds. Shannon asked to be released from her recording contract with Atlantic Records in 1987. She recorded soundtracks and jingles, Criminal", for the movie Fatal Beauty and budweiser . While touring the world, Shannon attended and graduated from the American Academy of Dramatic Arts in New York City. #80s #80smusic #letthemusicplay #supertopsongs @SuperTopSongs #freestyle In the late 1990s interest in Shannon rekindled, when VH1 spotlighted her on their One Hit Wonders series. Entertainment Tonight also taped a special about her life. In 1998, she co-wrote and sang on multi tracks produced by Todd Terri, Tony Moran, Germany's Sash Les Rythmes Digitales Les Rythmes Digitales In 1999, Shannon released her fourth studio album, The Best Is Yet to Come, on which she is credited as 50% writer of the album (contracted by BMG). Chris Barbosa was invited back as a producer, along with Andy "Panda" Tripoli and Tony Moran. A greatest hits album was released in November 2004 without Shannon's knowledge and agreement. On April 20, 2006, Shannon participated in the Freestyle Extranvaganza concert along with Judy Torres, George Lamond, Cynthia, Lisette Melendez, Lisa Lisa and Cult Jam, The Cover Girls, Hanson and Davis, Coro, and Stevie B.. The event was sponsored by WKTU, WSKQ, and WCAA in New York. A fifth studio album, "A Beauty Returns", was released in 2007 without the knowledge and agreement of Shannon. Today Shannon is a voting member of the Grammy's (Recording Academy) touring the world (Kuwait, Badghdad and Iraq) with the US Soldiers. She is also in the studio working on new hits for the year 2010.

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Pauly Shore in a riotous comedy of disorder in the court as a freeloader who gets appointed to a sensational murder trial. (Original Title - Jury Duty) © 1995 TriStar Pictures, Inc. All Rights Reserved.

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L'événement gratuit et accessible qui célèbre la richesse du jeu de société dans toute la francophonie. Venez découvrir, partager et vous amuser avec nous !

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The popularity of the Vikings and the Viking Age in Scandinavian history cultures never seems to fade. As a projection surface for meaning-making needs in the present, the Viking Age constantly finds new ways to mirror the present, thus voicing new history-cultural trends. However, the Vikings carry heavy history-cultural traditions that tend to lead them to being portrayed as national symbols and masculine warriors. This paper explores the malleability of representations of the Vikings and the Viking Age by analysing tropes about them in state-funded museums in contemporary Scandinavia. This study compares three exhibitions: Víkingr at the Museum of Cultural History in Oslo, The Viking World at the Swedish History Museum in Stockholm, and The Viking World at the Danish National Museum in Copenhagen. This article's relevance extends beyond the case study by introducing a method to define and analyse historical cultural tropes as they appear in museum exhibitions. Four key tropes emerge from the analysis: 1) The multicultural world of the Vikings, reflecting modern society, particularly in Sweden and Norway; 2) The Vikings as nation-builders, a trope strongly present in the Danish exhibition; 3) The androcentric Viking as seafarer, warrior, trader, and farmer, recurrent in all exhibitions; 4) How Women also existed during the Viking Age, which appears in all exhibitions but is less emphasised in Denmark. The exhibitions' tropes correspond to either a tradition or a trend in their respective history cultures, thus highlighting tensions between their diachronic and synchronic dimensions.

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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. #peacemaker #vainsofjane#dccomics #Peacemake

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L’antisémitisme a souvent charrié son lot de mépris même au sein d’une démocratie comme la France. Ainsi le capitaine Dreyfus, dont on célèbre la réhabilitation ce jour, a-t-il été injustement envoyé au bagne sur des fausses accusations de trahison à la fin du XIXe siècle. Pourtant, il n’a jamais cessé de croire dans la France. Cette foi inébranlable, l’historien Jules Isaac, né en 1877 et mort en 1963, aurait pu la confesser avec cette même candeur. Cet enseignant profondément laïc, à l’origine des célèbres manuels scolaires Malet & Isaac, a contribué de façon décisive à réformer les relations entre l’Eglise et la religion juive. Compagnon de Charles Péguy, il se bat dans les tranchées de la guerre de 14. C’est lors de l’occupation allemande de 1940 et l’instauration du régime de Vichy qu’il prend conscience douloureusement de son ascendance juive. Il est chassé de l’enseignement, son épouse Laure et sa fille Juliette sont toutes les deux arrêtés puis déportées à Auschwitz. Malgré ces tragédies personnelles, Jules Isaac ne cessera d’oeuvrer pour la paix, d’abord avec les Allemands puis avec le monde chrétien. Ses recherches sur les racines de l’antisémitisme le conduiront à rencontrer Pie XII et Jean XXIII et à contribuer de façon décisive à la déclaration du concile Vatican II Nostra Aetate (1965) qui modifie radicalement le regard de l’Eglise sur le judaïsme. Un documentaire qui donne la parole a des intervenants comme les historien André Kaspi et Carol Iancu ou l’auteur canadien Norman Tobias. L’Historien Jules Isaac - de l’enseignement du mépris à l’enseignement de l’estime - Une coproduction KTO/ BEAMLIGHT 2023 (53’) - Réalisée par Emmanuel Chouraqui

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Artist: Eluvium Album: Copia (2007) Track: 10 - Ostinato LISTEN IN HQ! -- If you like the track, buy the album! Disclaimer: I am in no way associated with the content of this video, and in no form am I trying to take credit for the content shown. (c) Eluvium, Temporary Residence Limited

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<p>Did you ever hear the story about 1,186 men kidnapped in Arizona and dumped in a desert 200 miles away?</p>

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I Am What I Am The Danish Radio Big Band & Veronica Swift Music: Jerry Herman Arrangement: Veronica Swift, David Mann DR Big Band / The Danish Radio Big Band: Trumpet: Dave Vreuls, Ari Bragi Karason, Erik Kimestad, Mads la Cour, Gidon Nunes Vaz Trombone: Peter Dahlgren, Petter Hängsel, Annette Saxe, Gustaf Wiklund, Jakob Munck Saxophone: Peter Fuglsang, Nicolai Schultz, Hans Ulrik, Karl-Martin Almqvist, Anders Gaardmand Rhythm section: Kaspar Vadsholt (bass), Søren Frost (drums), Artur Tuznik (piano), Gary Joseph Potter jr. (guitar) Producer and sound producer: Rasmus Holm Production manager: Nicolas Koch Futtrup Artistic director: Birger Carlsen Sound engineer: Ossian Ryner Production tech: Steven Winter, Johnny Wiinholt, Andreas Wigger Live sound: Morten Büchert Monitor: Gustav Feldman Light design: Christian Bonde Director of photography: Karsten Andersen TV Production Manager: Tanya Fassbinder Producer assistent: Fimmer Engel CCU: Erik Lundby Madsen Teko.: Thomas Lund Camera: Thomas Jessen, Amdi Brøner, Jepper Kjær, Kristian Graven, Tobias Hansen, Nicolas Koch Futtrup Recorded at DR Koncerthuset, July 2024 as part of Copenhagen Jazz Festival

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Provided to YouTube by Universal Music Group Cupid · Lloyd · Awesome Jones!!! King Of Hearts ℗ 2011 Interscope Records Released on: 2010-01-01 Composer Lyricist: B. Green Composer Lyricist: Polow Da Don Composer Lyricist: Jason Perry Composer Lyricist: Greg Curtis Auto-generated by YouTube.

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1) 0:00 - Main Title 2) 1:15 - Abort 1 3) 2:48 - Abort 2 4) 3:23 - Capricorn Control 5) 3:51 - Mars 6) 5:12 - Docking 7) 8:01 - Working Overtime 8) 8:47 - We Have Landed 9) 9:49 - The Message 10) 13:44 - Kay's Theme [Trio Source]/Elliot Is Missing 11) 17:25 - The Letter 12) 20:23 - Break Out 13) 25:30 - The Desert 14) 26:01 - Bedtime Story 15) 28:37 - The Helicopters 16) 29:44 - Hide And Seek 17) 31:10 - No Water 18) 33:59 - Flare No. 1 19) 34:30 - The Long Climb/Flare No. 2 20) 38:23 - The Snake 21) 41:59 - To Bru From Kay 22) 43:48 - The Station 23) 49:20 - The Celebration 24) 50:59 - End Title 25) 53:10 - Fanfare Source 26) 53:25 - Break Out (LP Imitation)