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The famous "epic" scene. Logan pours his heart out in the best LoVe scene ever. No copyright infringement intended. All rights belong to the CW and creators of the show.

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Adam Dunn hits a walk-off grand slam as the Cincinnati Reds defeat the Cleveland Indians at Great American Ball Park in Cincinnati, Ohio, on June 30, 2006. AUDIO: Marty Brennaman on the Reds Radio Network. The multimedia presented here is from a public broadcast. Placed for educational/comment use only under the "Fair Use Law" (17 U.S.C. 107 (1988 & Supp. IV 1993). Section 107). This work remains under its original copyright and may not be sold or used to gather income without that original owner's written permission.

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Honolulu Hawaii bus driver Natasha doesn't want the Personal Care Assistant who pushes my wheelchair to come on the bus ramp with me. Sometimes he has to push me up the ramp even when I have a power assisted wheelchair, too. (I use both types) After he pushed me onto the bus she yelled at him for standing behind me instead of waiting at the sidewalk. People who push wheelchairs can't wait at the sidewalk. He usually swipes my annual bus pass for me when the reader is too high. He also guides me into the securement area on the bus. A PCA assists with stabilizing the wheelchair during boarding ensuring that the disabled person navigates the ramp safely and minimalizing risk of accidents. When I experience difficulties such as losing control or balance the PCA is immediately present to provide physical assistance and intervene. Forcing the PCA to board separately makes a wheelchair user feel isolated and and unnecessary dependent on strangers, it also is disrespectful to the handicapped person's dignity. When he told Natasha he was going to report her she called the police and claimed he threatened her. Remember the Karen who called the police and claimed a black man was threatening her, when clearly he wasn't? This is how liars use the cops to intimidate disabled people. I have had multiple incidents where hostile bus drivers discriminate against me. The bus supervisor told us we could get on bus 4004, which was waiting directly behind this bus. Of course, the driver of 4004 told my PCA to follow me, on the ramp, into the bus. Natasha is just on example of how Honolulu bus drivers repeatedly have mistreated me. Under the Americans with Disabilities Act (ADA), public transportation providers are required to make reasonable modifications to policies and practices to ensure accessibility for individuals with disabilities. This includes accommodating personal care attendants (PCAs) who assist passengers with disabilities. Relevant Regulations: 49 CFR Part 37 – Transportation Services for Individuals with Disabilities: This regulation mandates that transit agencies must provide services in a way that does not discriminate against individuals with disabilities. It requires reasonable modifications to policies to avoid discrimination. 49 CFR § 37.5(e): This section prohibits transit entities from requiring that an individual with a disability be accompanied by a personal care attendant. Conversely, if a PCA is present, the transit provider must accommodate them as part of the passenger's assistance needs.

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Provided to YouTube by Parlophone Spain Valle del Cas · Ramoncín ¡Corta! ℗ 1982 The Copyright in this sound recording is owned by EMI Music Spain, S.L. Composer: Ollie Halsall Composer: Ramoncín Composer: Zanna Gregmar Auto-generated by YouTube.

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Oggi sabatoi 18 e domani domenica 19 maggio, nella Casa dello Sport di Sky, spazio in esclusiva ai campionati esteri, con... » Scopri il palinsesto

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Sarà in diretta esclusiva Sassuolo - Roma, sabato alle 20.30, ad aprire la 37esima giornata di Seria A TIM su DAZN una sfida... » Scopri il palinsesto

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Artist: Paul Simon Album: The Essential Paul Simon 432hz No copyright infringement intended. All images and audio belong to Paul Simon.

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Swing You Sinners! is a 1930 animated cartoon short, directed by the Fleischer Brothers. The cartoon is notable for its surreal, dark and sometimes even abstract content. Plot: Bimbo is seen late at night, trying to steal a chicken. After several attempts he accidentally grabs a policeman by the hand. As he tries to walk away as if nothing happened the chicken follows him anyway, as does the policeman. Eventually the chicken and its little chickens flee, while Bimbo enters a cemetery. To his fear he finds out that the place is haunted, complete with ghosts and monsters who tell him that he will be punished for his sin. Throughout the rest of the film Bimbo is threatened and chased by them until a huge skull devours him. Background: The cartoon was released on September 24, 1930 in the Talkartoons series and animated by Ted Sears and Willard Bowsky. George Cannata, Shamus Culhane, Al Eugster, William Henning, Seymour Kneitel and Grim Natwick also worked on it, but are uncredited in the title card. The cartoon was animated by a complete new staff who'd never worked in animation before because the studio had to replace some animators who quit. It is now in public domain. The man with the bowler hat, beard and Yiddish accent who appears in front of Bimbo at one point, shrugging and saying: "Ah, you needed it!" is a caricature of Jewish comedian Monroe Silver. Music: The soundtrack was composed by W. Franke Harling, with lyrics by Sam Coslow. Legacy: John Kricfalusi named it one of his favorite cartoons and played during a retrospective of his personal favorite animated shorts. He also compared it to Walt Disney's The Skeleton Dance (which was also set on a cemetery) and felt Swing You Sinners was superior. In 2012 Cracked hosted an article describing "5 Old Children's Cartoons Way Darker Than Most Horror Movies" and listed "Swing You Sinners" at No. 1. Video game developers Chad and Jared Moldenhauer based the atmosphere of their game Cuphead on several Fleischer cartoons, including "Swing You Sinners". Chad Moldenhauer called Fleischer Studios "the magnetic north of his art style". Kill Screen described Max Fleischer's studio (run with his two brothers) as having "transportive, transformative, and massively fucked up" short films, such as "Swing You Sinners!" (Source: Wikipedia)

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Nelsinho Trombone - O NÓ - Candinho Trombone. Album: Candinho na interpretação de Nelsonho. Ano de 1979. Dino - Violão 7 cordas; Neco - violão; Alceu - cavaquinho; Jorginho do Pandeiro - pandeiro; Paulinho Braga - bateria; Gabriel Bezerra - baixo; Anselmo Mazzoni - piano; Juarez Assis de Araújo - sax-tenor; Jaime Araújo - flauta; Nelson Martins dos Santos (Nelsinho) - trombone; Darcy da Cruz - piston; Nelson Martins dos Santos (Nelsinho) - arranjo e regência Moacyr Garrafa - copista.

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This video features materials protected by the Fair Use guidelines of Section 107 of the Copyright Act. All rights reserved to the copyright owners. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Funny How Time Slips Away · Al Green Call Me ℗ 2009 Hi Records Under Exclusive License to Fat Possum Records

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"The Unexplained: Witches, Werewolves & Vampires... Are they real?", hosted by Peter Graves ("Mission Impossible"), features a spellbinding look at the legends and lore as well as the facts surrounding these intriguing and frightening entities. Included in this hour of bizarre case histories are interviews with the present day vampires , investigations into the practices of modern witches, and a look at the psychological and medical disorders which causes people to believe they are werewolves. I do not own this material. It's on the side of lost media. It's here for entertainment and historical purposes only and not monetized or meant to be monetized in any way shape or form. First aired in Oct 1994, as of the date of upload, 30 years old! ------------------------------------------- This was created by pulling the original episode off of a DVD copy, uprezzed, and the audio remastered ------------------------------------------ Landau Entertainment Inc Vision Films #witches #werewolves #vampire #witch #90s #1994 #petergraves #horror #horrorstory #halloween #scary #documentary #eerie #creepy #witchcraft #nostalgia #dracula #nosferatu #bramstoker #1990s

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Reported Crime Trend Report PPBopendata@police.portlandoregon.gov

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The wrong rental can cost you weeks of stress, extra fees and a daily commute you regret by the second morning. If you are working out how to find a flat to rent, the quickest route is not viewing everything available - it is narrowing your options before you ever book a viewing. In the UAE rental market, speed matters, but so does judgement. Good flats move quickly in busy areas, especially when the price is realistic and the building is well maintained. At the same time, rushing into the first listing you see can leave you stuck with poor access, hidden costs or a landlord who is difficult once the contract is signed. How to find a flat to rent without wasting time Start with the three things that shape every sensible rental decision: budget, location and non-negotiables. Most renters get into trouble when they are flexible on all…

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Alan Colie acquitted of aggravated malicious wounding in shooting of Tanner Cook of ‘Classified Goons’ YouTube channel

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I've uploaded this song before, but a version with new lyrics was just released on the 2018 re-release of Nightfall in Middle-Earth. Besides one other person who posted a video of their vinyl playing this song, I haven't seen any other videos of it. This is taken from the CD version. I honestly don't know which version of this song I prefer; this one or the one with altered lyrics from Beyond the Red Mirror's limited edition. Note: I don't actually have the "special edition" featured in the Traveler's Guide boxset, and this song isn't on that version. This is just the cover I am using for my digital copy, because I found it more epic than the common one. Lyrics: How did I get here? What will I find here? The field is lost All hope's now gone I understand There is no chance The curse lives on My children mourn You'll be with me For a long time This place You won't leave it no more Forever Forever I'm wondering Who is it for? There's nothing more I won this war Dared Valinor You won't enter You're deceived They've sealed the secret place out And day won't come again, no So there's no relief When truth shall be revealed By now you know the answer So there's no relief But deceit Abandoned, forgotten, deceived Wherever they may roam So faithful, so loyal Still no one will come You're alone Don't call it destiny We will remember Skies may fade And stars may wane We won't forget And your light shines bright Yes, so much brighter Shine on We will remember Until the skies will fall We won't forget We will remember We all shall follow doom It's going down Going down And there's nothing you can do Look into my eyes And see Your seed It may grow This is no vision It's the curse I set upon your kin You'll be deceived Their cries shall come true It shall be me You blame Now watch and see I'll set doom Upon you Your offspring shall bloom Wherever they may roam I'll bind them I'll split them In solitude Sorrow shall grow Unknown We will remember Skies may fade And stars may wane We won't forget And your light shines bright Yes, so much brighter Shine on We will remember Until the skies will fall We won't forget We will remember We all shall follow doom If that's your choice Your descendants They wish they have never been born Redeem the oath And pay the price If you want Here on these fields Where truth shall be revealed In doom you'll find the answers Still there's no release You shall feel Let's face it Since everything's shown You've been through this alone The deeper the wounds So much greater the sorrows will grow There is no sense in it We will remember Skies may fade And stars may wane We won't forget And your light shines bright Yes, so much brighter Shine on We will remember Until the skies will fall We won't forget We will remember We all shall follow doom

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In vista del weekend, Domenica 27 Ottobre 2024, Digital-News.it vi presenta la programmazione sportiva della Rai. » Scopri il palinsesto

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1964 recording of the Poulenc Bassoon/Oboe/Piano trio with Allard (Bassoon), Casier (Oboe), and Fevrier (Piano). The piece was composed in 1924-1926, and Poulenc passed away a year prior to this recording (1963). I believe that this clip is from a Poulenc documentary. I. 00:00 Presto II. 05:50 Andante III. 10:20 Rondo _____ © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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This is a clip from a 1963 French documentary, "history of an instrument," and features Pierre Pierlot and Maurice Allard talking about the development of the oboe and bassoon respectively. Afterwards, excerpts are played and they are joined by Jean Lemaire for the III. Rondo of the Poulenc trio, FP43. My apologies that there are no subtitles, as I can not translate French. _____ © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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Sergio Azzolini plays the Weber Bassoon Concert, Op. 75, in addition to a bassoon trio encore - a Telemann sonata arrangement - with the orchestra bassoonists (names unknown). The concert date was January 11, 2005. The orchestra is the Lausanne Chamber Orchestra conducted by Christian Zacharias. Stravinsky's Pulcinella suite was played prior to this during the concert. _____ © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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Zelenka's 5th trio sonata in F Major from a French radio production. Oboe: Maurice Bourgue, Thomas Indermuhle Bassoon: Klaus Thunemann Harpsichord: Colette Kling Bass: Gérard Soufflard _____ © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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Milan Turkovic plays the Kozeluch Bassoon Concerto in C Major at the Mozartwoche Salzburg, 1998 with the Camerata Academica Salzburg. _____ © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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We explore the most persistent theory surrounding Jeffrey Epstein - that he may have operated as a confidential informant rather than a rogue criminal acting alone. Drawing on law enforcement experience, we examine how informant agreements work, why they are protected long after death, and what that could mean for transparency. We also break down the three most plausible explanations for Epstein’s fate and why each one raises serious questions. The result is an uncomfortable look at how justice, secrecy, and power collide at the highest levels.

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Beer, Skymall, and other nice things. I do not own the rights to this video and no copyright infringement is intended.

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"Korn" Pala Chayutnitiroj is a Thai actor and singer from Pathum Thani under iQIYI Thailand. He was previously managed by Copy A Bangkok. (Source: MyDramaList)

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Provided to YouTube by DistroKid The Mos Eisley Rap Show · Wordburglar SpaceVerse ℗ Wordburglar Released on: 2019-09-13 Auto-generated by YouTube.

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New Remastered Audio (2023). Enjoy Friends. Lyrics in the description. Rockets, moon shots Spend it on the have-not's Money, we make it Before we see it, you take it Oh, make you want to holler The way they do my life Make me want to holler The way they do my life This ain't living, this ain't living No, no baby, this ain't living No, no, no Inflation no chance To increase finance Bills pile up sky high Send that boy off to die Make me want to holler The way they do my life Make me want to holler The way they do my life Hang ups, let downs Bad breaks, set backs Natural fact is I can't pay my taxes Make me want to holler And throw up both my hands Yeah, it makes me want to holler And throw up both my hands Crime is increasing Trigger happy policing Panic is spreading God knows where we're heading Mother, mother Everybody thinks we're wrong Who are they to judge us Simply because we wear our hair long

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In a town affected by planetary alignment, a man fights to save his family and a woman from mass murders, a rogue police chief, and an angry butcher.