Via: https://thedailyblog.co.nz

Via: https://lastregiment.com

The Last Regiment of Syncopated Drummers are a marching drum corps from Portland, Oregon.

Via: https://youtube.com

the story of young hanada opening hanada shonen shi opening "The One" by Backstreet Boys Backstreet Boys - The One Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Via: https://youtube.com

Alwin Nikolais (dancer/choreographer, born November 25, 1910, Southington, Connecticut; died May 8, 1993) It was August 1976 at the Beacon Theater in New York. A white-haired man dressed in white stepped gingerly out of the wings to take a bow. The audience, which filled little more than half the vast orchestra section, rose in tribute to Alwin Nikolais, whose Dance Theatre's 25th anniversary season had just completed its final performance and who has been called "perhaps America's least appreciated genius." The modern choreographer, composer, and designer was also called a "magician," a "wizard," "the P.T. Barnum, the Tome Swift, the Yellow Submarine of dance," the father of multimedia," an acknowledged pioneer in the use of lighting, design and imaginative stage props, who in his dances, created a total theatre of shape, sound, motion, color and light and not only inverted the choreography but the electronic music, costumes, and lighting design as well." He was also known, to those who know him, as "Nik." He created dozens of visual masterpieces that influenced generations of choreographers. His work was acknowledged with a National Medal of Arts, presented by former president Regan during a White House Ceremony in 1987; a Samuel H. Scripps American Dance Festival Award, 1985; a decoration as a Knight of the Legion of Honor, France, 1984; a Capazio Award for Career Excellence, 1982; a Circulo de Criticos Award, Chile, 1973; and in 1968, my and Dance magazine awards. Of Russian ancestry, Nikolais was the youngest of six and studied piano along with his siblings.. With the advent of "talking pictures" in 1929, Nikolais lost his job and returned to Southington, where he accompanied dance classes and played at roadside inns. "Spellbound," consequently he went to her former student Truda Kaschmann to study percussion, but she persuaded him that he ought to learn dancing as well. While taking dance classes, Nikolais worked as director of the Hartford Parks Marionette Theatre, a post he held from 1935-1937. He later recalled: "I learned a lot from those puppets. They are all motion and no nerves. I found out that art is motion, not otion." In 1937, he founded his own dance company and school in Hartford, where he choreographed, danced, and taught. In 1940, he received his first commission as a choreographer--along with his first modern dance teacher, Truda Kaschmann--to create a ballet. Two years later, Nikolais was inducted into the Army and sent overseas. Following World War II, he relocated in New York City where he studied with Hanya Holm, eventually becoming her assistant. In 1948, he was appointed Director of Henry Street Playhouse and formed the Playhouse Dance Company, later known as the Nikolais Dance Theatre. Utilizing his war experiences in his dance, he began to develop his own world of abstract dance theatre portraying man as part of a total environment, placing his work in another realm which was previously untouched by choreographers. It was at this time that he defined dance as "the art of motion which left on its own merits becomes the message as well as the medium." His total dance theatre had begun to take shape and form. Among his best known early works are Tensile Involv ent (1953) and Kaleidoscope (1956). The latter was hailed as "evidence of a new force in the modern dance world." In 1956, the Company was invited to its first of many appearances at the American Dance Festival, where it established itself in the forefront of contemporary dance in the United States. Nikolais' impact on dance grew internationally with the Company's 1968 Paris season, which was followed by performances throughout the world. In 1978, the French National Ministry of Culture invited Nikolais to form the Centre Nationals de Dance Cont poraire in Angers, France, and in December 1980, he created his 99th choreographic work, Sch e, for the Paris Opera. At the same time, his choreography for an opera by Gian Carlo Menotti was being staged at the Vienna Staatsoper. The French critics' appraisal of Nikolais as "the most original exponent of American contemporary dance," was echoed throughout Europe and on subsequent tours to South America and the Far East. Included in his long list of celebrated repertory is Allegory (1959), Tot (1960), Imago (1963), Sanctum (1964), Tent (1968), Crossfade (1974), Gallery (1978), Mechanical Organ (1982), Graph (1984), Illusive Visions (1985) and Velocities (1986). In 1987, Nik and Murray, a documentary film by Christain Blackwood, aired on American Master. Over the course of his career, Alwin Nikolais blended his many talents into a single aesthetic force and continued to challenge himself while creating dances, proving the verity of one critic's statement: "No one interested in the arts of the theater can afford to ignore Mr. Nikolais, who combines the roles of poet and showman in a strangely meaningful way."

Via: https://youtube.com

In this session recorded at Unreal Fest Stockholm, Sandfall Interactive shares their experience of shipping their first game, ‘Clair Obscur: Expedition 33’ as a new studio. They discuss the technical challenges with stability, content management, and optimization when scaling up both scope and team, and going from a prototype to a multi-platform commercial release in a project with a lot of legacy assets and loose reference management. The talk also explores the studio's methods and tools to chunk their packaged game data to support technologies like PlayGo for PS5 and StreamingInstall for Xbox, and their approach to enable late-stage changes without compromising the stability of the game at launch. Learn more about Unreal Engine here: unrealengine.com #ClairObscurExpedition33, #SandfallInteractive, #UnrealEngine, #UE5, #UnrealFestStockholm

Via: https://youtube.com

Provided to YouTube by The Orchard Enterprises March Of The Chrome Police (A Cold Clammy Bombing) · Chrome Half Machine Lip Moves + Read Only Memory ℗ 2011 Cleopatra Records Released on: 2011-10-25 Auto-generated by YouTube.

Via: https://youtube.com

KHAN - Wring Out The Ground Loosely Now (live 1972) (Prog Rock) (Canterbury Scene) Steve Hillage - Guitar, Vocals Dave Stewart - Keyboards Nigel Griggs - Bass, Vocals Eric Peachey - Drums, Percussion The band promoted the album (Space Shanty-June 1972) with a UK tour supporting Caravan, during which time Canadian organist Val Stevens joined the line-up. In the summer of 1972 Hillage put together a new version of the band, retaining Peachey but permanently adding Dave Stewart on keyboards and Nigel Griggs on bass. New material was written and rehearsed, and a few live performances took place in September and October 1972, but Decca's refusal to commit to the release of a second album led Hillage to break up the band and team up with Kevin Ayers, before moving on to join Gong. COPYRIGHT STATEMENT: This video is not being used to make money in any way and is for entertainment and leisure purposes only. This is an act of fair usage as described by the Copyright Offices, therefore, a dispute should not occur over this video. No copyright intended. This is strictly for non-profit and educational purposes only. All rights belong to the original owners and content creators of this material. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. It is not to be used for copying and selling. No copyright infringement intended.

Via: https://youtube.com

The United States Armed Forces is the most powerful and technologically advanced force on our planet. We examine the US military in detail, including the Army, Navy, and Air Force. We examine its state-of-the-art aircraft, formidable naval fleet, and advanced tanks and missiles. ----------------------- VSB Defense is the world's first YouTube channel founded for the purpose of comparing military forces of different countries. We review and rank the military forces (armies; land forces, air forces, navy forces, special forces and more) of more than 100 countries in the light of recent news. In this channel we rank and review the best, most expensive, fastest, strongest military vehicles, weapons, equipments, aircrafts, helicopters, carriers, destroyers, tanks, rifles, submarines and more, in terms of technological advancement. We keep an eye on recent military matters and make videos on recent news. If you enjoy these kind of videos, do not forget to subscribe to VSB Defense! ------------------ "The appearance of U.S. Department of Defense (DoW) visual information does not imply or constitute DoW endorsement." “This video is suitable for general audiences and contains no real combat footage.”

Via: https://waltonso.org

WALTON COUNTY, FLA— Two Texas parents are facing child abuse charges after deputies respond to the beach in Miramar Beach in Walton County regarding a six-month-old child left unattended beneath a tent. Around noon Friday, October 10th, Walton County Sheriff’s Office responded to 4000 Sandestin Boulevard following reports of an unattended infant on the beach....

Via: https://youtube.com

Why K-pop Demon Hunters WORKS and Elio SUCKS K-Pop Demon Hunters and Elio have a lot in common. They both showed up this summer, original animated movies from two of the biggest studios on the planet. They both promised fresh stories, worlds we've never seen before, and a break from the endless sea of sequels. And they're both supposed to be the future of animation. K-Pop Demon Hunters is a certified banger from Sony, lighting up Netflix and the music charts. And Elio was Pixar's next big swing, a trip to the stars. But the way people reacted to each of them was COMPLETELY different. K-Pop Demon Hunters is one of the most beloved animated films in years, an absolute global sensation. But nobody really likes Elio. The movie got a lot of hate right from the start, bombing at the box office, and Disney is blaming the audience for it all. But why is that? There are five reasons that explain it. Fair Use Disclaimer: All media materials on the Animated Evolutions channel are used for educational, research and commentary purposes only, and fall within the guidelines of fair use under Section 107 of the Copyright Act 1976. No copyright infringement is intended. If you represent the copyright owner of the materials used in this video and have a problem with the use of said materials, please contact me on my email in the "about" page section on my channel. Animated Evolutions

Via: https://youtube.com

Provided to YouTube by Kontor New Media GmbH Frustration · Olympe X2 ℗ Just This Released on: 2022-08-19 Artist: Olympe Composer: Laura Marzullo Music Publisher: Copyright Control Auto-generated by YouTube.

Via: https://youtube.com

Written by James Brown and Johnny Terry as a James Brown and the Famous Flames single on Federal Records in 1956, "Please, Please, Please", is the group's debut recording, first chart hit, and signature song. James Brown, according to Etta James, "used to carry around an old tattered napkin with him, because Little Richard had written the words, 'please, please, please' on it and James was determined to make a song out of it". "Please, Please, Please" was released on February 26, 1956, selling slowly at first, the record reached the top 10 of the R&B charts by late summer, and eventually peaked at No. 6, selling between one and three million copies. In 2001, it was inducted into the Grammy Hall of Fame, and in 2011, "Please, Please, Please" was ranked No. 143 on Rolling Stone magazine's list of the "500 Greatest Songs of All Time".

Via: https://www.netflix.com

A brilliant investigator incurs the wrath of a shadowy foe when he travels to a border town to tackle crimes and misdeeds on behalf of Empress Wu Zetian.

Via: https://youtube.com

**I don't own the rights and all copyright goes to Black Sabbath band**

Via: https://getpalliativecare.org

A program called Music & Memory, can help people with Alzheimers disease or another form of dementia, cope with loss in memory and brain function. 

Via: https://www.techdirt.com

This administration isn’t content to be normal awful. It insists on being ghastly awful as often as possible. Not content to eject hundreds of migrants into foreign torture prisons, the admin…

Via: https://youtube.com

Band: Symphony X Album: Iconoclast (Special Edition) Genre: Progressive Power Metal Country: United States Released: June 17th, 2011 Label: Nuclear Blast Records Copyright © 2011 Nuclear Blast Records / Symphony X

Via: https://youtube.com

Copyright Disclaimer: These videos are designed specifically for entertainment purposes and research only. It is a non profit channel. If any copyright owner objects to the use of any music or images appearing in these videos, please contact me and I will remove the video and music with immediate effect #fleetwood #fleetwoodmac Artist: Fleetwood Mac Album: The Dance Lyrics: I'm So Afraid Written by Lindsey Buckingham I been alone All the years So many ways to count the tears I never change I never will I'm so afraid the way I feel Days when the rain and the sun are gone Black as night Agony's torn at my heart too long So afraid Slip and I fall and I die I been alone Always down No one cared to stay around I never change I never will I'm so afraid the way I feel Days when the rain and the sun are gone Black as night Agony's torn at my heart too long So afraid Slip and I fall and I die

Via: https://youtube.com

No copyright infringement intended (Lyrics Video of Randy Crawford - Give Me The Night - 1995)

Via: https://dunlap.directory

Rock Island Massage addresses the challenges of stress and physical discomfort through therapeutic massage.

Via: https://www.nydailynews.com

Via: https://blog.maryannedemasi.com

Via: https://youtube.com

Here's a complete broadcast of the premiere episode ("Goodbye Buddy, Hello Skip," S01E01) of a short-lived sitcom set in a struggling animation studio, The Duck Factory, as aired on the NBC Network over WMAQ Channel 5. The main star was a young Jim Carrey, years before he became a breakout star on the sketch comedy series In Living Color (and all that followed from there), in the role of budding animator Skip Tarkenton. The series also featured the likes of legendary Hanna-Barbera voice artist Don Messick, plus Julie Payne, Nancy Lane, Jay Tarses (former co-writer for The Bob Newhart Show), Clarence Gilyard Jr. (pre-Matlock), Teresa Ganzel (before she became the last Matinee Lady to Johnny Carson's Art Fern on The Tonight Show), and veteran comic actor Jack Gilford. In this series premiere, Skip arrives to the studio in time for the funeral of the man who offered him his job. Includes: Station ID / Channel 5 News promo with Ron Magers ("Mayor's State of the City Address") Episode prologue/setup, followed by opening titles Commercials for: Cadbury's Roast Almond chocolate candy bars Final Touch concentrated fabric softener (with Bob and Anne Caltabiano) Episode Act I The Duck Factory bumper (with lower-third Channel 5 ID showing below) Commercials for: Vaseline Intensive Care Sears Days Sale Promo for People Are Funny (with Flip Wilson as host), Mama's Family and The Yellow Rose, for Saturday (voiceover by Danny Dark) Today promo with Jane Pauley (previewing space shuttle landing, Peter Fonda and state-of-the-art sound) Episode Act II Commercials for: A&W Root Beer (with John Goodman) Theatrical trailer for "Iceman" Ending credits (with local voiceover promo by Ron Magers previewing upcoming Channel 5 News at 10pm including: uncovering of a $1m marijuana farm and arrest of a Cook County judge's daughter in connection therewith; and whether "Race Car Killer" was involved in a recent abduction and killing) Promo for Jesus of Nazareth miniseries, for Sunday (voiceover by Danny Dark) NBC News Digest with Connie Chung (opening voiceover by Bill Hanrahan - one of his last before retiring from network), with these stories before recording ends: - 5 terrorists holding civilian bus hostage in Israel, PLO claims responsibility - Collision of school bus and train in Carsonville, VA (midway through story when end comes) This aired on local Chicago TV on Thursday, April 12th 1984 during the 8:30pm to 8:58pm timeframe. About The Museum of Classic Chicago Television: The MCCTv (FuzzyMemoriesTV) is a 501(c)(3) non-profit whose primary mission is the preservation and display of off-air, early home videotape recordings (70s to early 80s, mostly) recorded off of TV (in Chicago or other cities now too); things which would likely be lost if not sought out and preserved digitally. If you have any old 1970s videotapes recorded off of TV please email: tapes@fuzzy.tv Even though (mostly) short clips are displayed here, we preserve the entire broadcasts in our archives - the complete programs with breaks (or however much is present on the tape), for historical preservation. For information on how to help in our mission, to donate or lend tapes to be converted to DVD, please e-mail tapes@fuzzy.tv Thank you for your help!

Via: https://www.tumblr.com

???? 0  ???? 3  ❤️ 2 · FBI Raids Soros-Funded Voter Group with Fraud History · Dems said this NEVER happens...

Via: https://www.fox13memphis.com

ALLEGED POLICE BEATING CAUGHT ON VIDEO: Mark Lesure said what started as a typical afternoon earlier this month of cutting hair in his living room turned violent.

Via: https://youtube.com

When things really take a bad turn. I claim no ownership of any of the video presented here but believe it falls under the fair use guidelines. The fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.

Via: http://www.socialisme-libertaire.fr

Contribution de la Fédération Anarchiste Francophone, 9e congrès de l'IFA, août 2012. Né dans le sillage des mouvements ouvriers qui se cristallisèrent autour de l'AIT, l'autogestion est un concept qui a disparu des débats et des pratiques révolutionnaires,...

Via: http://www.solidarites-usagerspsy.fr

Les Groupes d’Entraide Mutuelles (GEM) sont des associations portées par et pour des usagers en santé mentale ; ils reposent sur le principe de pair-aidance. Souvent implantés au cœur de la ville, ils permettent de se retrouver, de s’entraider, d’organiser des activités visant au développement personnel, de passer des moments conviviaux et de créer des liens. Ce sont des espaces pensés et organisés au quotidien par les adhérents eux-mêmes, avec l’aide d’animateurs salariés et bénévoles. Par ailleurs, ils n’ont pas vocation à informer ou à soigner. Même s’ils permettent souvent de renseigner ou d’orienter les usagers ou les proches. Chaque structure est dotée d'un local d'une surface comprise entre 80 et 150 m² incluant une cafétéria, un personnel d'encadrement salarié dénommé « animateurs » et organise une série d'activités qui vont de simples échanges à des ateliers thématiques (activités artistiques comme la peinture, la sculpture, le théâtre, la photographie… ateliers informatique… ateliers de cuisine, de relaxation… ateliers d’écriture…), réunions festives, sorties culturelles, loisirs, voyages ou toute autre activité spécifique entrant dans le cadre de leur projet d'entraide. À la différence des hôpitaux de jour ou des CMP, les activités se déroulant dans les GEM sont largement portées par les adhérents eux-mêmes, suivant leurs envies et leurs possibilités. Il n'y a ni psychiatre, ni psychologue, ni thérapeute, même s’il peut y avoir des animateurs salariés non usagers. Les GEM sont des lieux non médicalisés. Cela permet aux adhérents de se responsabiliser et de reprendre une confiance en soi souvent fortement ébranlée par les difficultés rencontrées par les personnes souffrant de troubles psychiques. L'innovation des GEM tient à ce que pour la première fois des personnes présentant un handicap psychique et/ou cognitif ont été invitées par les pouvoirs publics à se responsabiliser en prenant une part active à la définition et à l'organisation d'un projet les concernant : le projet d'entraide du GEM dont ils peuvent librement fixer les modalités. Les attentes étant importantes, environ 350 GEM ont été créés en dix ans, regroupant plus de 15.000 adhérents sur toute la France. Cf. annuaire et carte des GEM en France sur le site du PSYCOM.

Via: https://www.secretflying.com

Last minute flights from Rio de Janeiro, Brazil to Boston, USA for only $537 USD roundtrip with Copa Airlines.

Via: https://www.toobit.com

Toobit is a leading cryptocurrency exchange offering spot, contract, and copy trading services for Bitcoin, Ethereum, and crypto coins.