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???? BREAKING: Records Show Rob Bresnahan Refused to Fund Crime Prevention Center Requested By Police
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wake up breathe keep breathing you don't trade money here you trade information and skin right now there are thousands of forgotten people trying to remember you children are killed because they write an enemy's name backwards on the wall young girls tie ribbons around their slender throats trying to keep their heads on chocolate boy walks to icecream truck for vanilla cone is shot dead three times this city kills its young the angels all have guns now the angels aren't anyone you'd wanna pray to no-one here has goals like: get a job, get married, have kids the ambitions are wake up breathe keep breathing no desire to get rich become famous move out the ambitions are wake up breathe keep breathing every woman who walks by is every woman you'll never have beautiful, quick and poisonous as mercury the city is full of women slim and busy hoping there is room in some man's life for them women sort through the dead bodies like bags of laundry with exhausted mama eye sigh because they are too dry for tears people huddle in kitchens, clasp their hands, celebrating something has tried to kill them and failed nightclub men twitch too subdued to recognize apocalypse the ambitions are wake up breathe keep breathing the ambitions are wake up breathe keep breathing you've driven these streets a thousand times and all they offer is their exhaustion your nightmares have your name now you exit the glitter storm, go home alone and embrace the violence instead the city has claimed all your blood and memory this is cool and unusual punishment you go for years without touching another never think of the 'why?' you are so casual about brutality doctor says: take this, it'll settle you down doctor says: take this, it'll settle your system doctor says: take this, it'll we'll settle the bill doctor says: take this, it'll settle the score the ambitions are wake up breathe keep breathing the ambitions are wake up breathe keep breathing there's a voice on the loudspeaker and she speaks your language doesn't need to stay it can disappear when the wife walks in here comes the interrogation room scene today is the day you're gonna get caught you're terrified of what you crave don't get delighted they want you scared the sweet things don't stick around but the bullshit lasts forever please press pound you're dual-channeling for new friends or just new things to envy who's running the machine you run on? wish you had someone to speak code with wish you had someone to steal things for wish you had someone to fuck you so you could finally go to sleep you just wanna die a little bit ink and paint is making you faint in your pale pale shirt stolen from uptown stores watch the girls in the twin sweater sets smoke, cough, throw up teeth-scraped knuckles are a tell-tale sign get in the car get in the car get in the car and what you hear is a sound of impact turn around slowly and check your body for bruises there is no-one here to take care of you open-mouthed, waiting for a candy kiss and all you get is rain communion between lapdances and laptops you see girls who fuck like they're boneless you're 38 and your job is telling 14 year old boys what to think is cool are you laughing? they are and this one is a fire and that one is a flame and this one is a spark and that one is a match you put out in your mouth when no-one was looking and in your dreams your grandparents live forever and you throw your love into the air like glitter swallowing stars, spitting up stardust the ambitions are wake up breathe keep breathing the ambitions are wake up breathe keep breathing mothers wring their hands and say: I'm so at a loss best friend says: I've come not to praise you, but to destroy with my bare fucking hands girl on the television says: you all work for me now boss says: come here, let me hit you just once man on the street says: I can make any woman kill herself in a year so you drive your dead body home at night and when you sleep the angels kisses are mercury mercury breaking love into lust grinding pearls into dust breaking love into lust grinding pearls into dust breaking love into lust grinding pearls into dust the ambitions are wake up breathe keep breathing the ambitions are wake up breathe keep breathing
Via: https://www.propublica.org
A Judiciary Committee chair said stories by the Anchorage Daily News and ProPublica about sluggish court proceedings “stab my heart.” Fixing the problem will take more than a state Supreme Court order last year limiting new delays, he said.
Les sarcophages de Karajia sont d'étranges tombeaux de 2,5 mètres perchés sur une falaise au Pérou. Découvrez les rites funéraires des Chachapoyas.
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Scoprite i muri della gentilezza: hanno attaccapanni su cui i cittadini possono lasciare gli abiti che non utilizzano più per donarli a chi ne ha bisogno
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Provided to YouTube by The Orchard Enterprises Hold up the Light · Stretch · Gantry · Kirby Why Did You Do It? –the Best of Stretch ℗ 2007 Repertoire Records Released on: 2007-01-12 Music Publisher: Fleetwood Music Ltd. / Copyright Control Auto-generated by YouTube.
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Provided to YouTube by Chrysalis Copyrights Amerita / Sense of Direction · Climax Blues Band Sense of Direction ℗ 1974 Chrysalis Copyrights Ltd., a BMG Company Released on: 1974-01-01 Keyboards, Vocals, Bass Guitar: Derek Holt Drums: John Cuffley Sound Engineer: Jeffrey Lesser Saxophone, Vocals, Guitar: Colin Cooper Vocals, Guitar: Peter Haycock Producer: Richard Gottehrer Composer: Colin Cooper Composer: Peter Haycock Composer: Derek Holt Composer: John Cuffley Auto-generated by YouTube.
Via: https://mrmondialisation.org
Publié pour la première fois en 2015 dans sa version anglo-saxonne sous le titre de Drinking Molotov Cocktails With Gandhi, le livre de Mark Boyle a enfin été traduit dans la langue de Molière pour soumettre au public francophone une perspective injustement diabolisée : l'écologie radicale. Finie d'être une option, elle est devenue une urgence
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Sharing my favorite movie moments with you guys :) I do not own this video. No copyright or Infringement Intended.
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Summoned by their mysterious former colleague, four psychics arrive at a secluded hotel where they are stalked by a group of murderous puppets.
Via: https://ir.library.louisville.edu
The lash and shackles remain two primary symbols of material degradation fixed in the historical memory of slavery in the Americas. Yet as recounted by states, abolitionists, travellers, and most importantly slaves themselves, perhaps the most terrifying and effective tool for disciplining black bodies and dominating their space was the dog. This article draws upon archival research and the published materials of former slaves, novelists, slave owners, abolitionists, Atlantic travelers, and police reports to link the systems of slave hunting in Cuba, Jamaica, Haiti, and the US South throughout the eighteenth and nineteenth centuries. Slave hounds were skillfully honed biopower predicated upon scenting, hearing, sighting, outrunning, outlasting, signaling, attacking, and sometimes terminating, black runaways. These animals permeated slave societies throughout the Americas and bolstered European ambitions for colonial expansion, indigenous extirpation, economic extraction, and social domination in slave societies. as dogs were bred to track and hunt enslaved runaways, slave communities utilized resources from the natural environment to obfuscate the animal's heightened senses, which produced successful escapes on multiple occasions. This insistence of slaves' humanity, and the intensity of dog attacks against black resistance in the Caribbean and US South, both served as proof of slavery's inhumanity to abolitionists. Examining racialized canine attacks also contextualizes representations of anti-blackness and interspecies ideas of race. An Atlantic network of breeding, training and sales facilitated the use of slave hounds in each major American slave society to subdue human property, actualize legal categories of subjugation, and build efficient economic and state regimes. This integral process is often overlooked in histories of slavery, the African Diaspora, and colonialism. By violently enforcing slavery’s regimes of racism and profit, exposing the humanity of the enslaved and depravity of enslavers, and enraging transnational abolitionists, hounds were central to the rise and fall of slavery in the Americas.
[GER/AT][18+][Place+]????⚕️Spooktober im MD?!????⚕️ !commands !rp !discord #roleplay #safespace #starcitizen #gtarp #austrianstreamers | Streaming grand theft auto v.
Jump into the time capsule with me and return to 1991. The news of the moment: Supreme Court Justice Thurgood Marshall, the first black Justice, announces his retirement. The call goes up in the media that this is the “black seat” on the Supreme Court. President George H.W. Bush obliges by nominating Appeals Court Judge Clarence Thomas, an African-American.
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Track 5 from his first live album and fifth solo release “Frampton Comes Alive” released in 1976 copyright A&M Records. It was recorded primarily at the Winterland Ballroom in San Francisco, as well as at the Long Island Arena in Commack, NY and on the campus of the State University of New York College in Plattsburgh, NY. The recordings were taken from four performances. The Winterland shows were recorded using a 24-track recording console, which was an improvement over previous live recordings and greatly improved the sound quality. Originally intended to be a single album, after hearing the quality of the recordings, A&M insisted that it should be released as a double album. After releasing four studio albums without much success, this was Frampton’s breakthrough and it was a monster, breaking the record for sales of a live album. It remains one of the best-selling live albums with worldwide sales of over nineteen million copies. The album received above average reviews, reaching No. 1 in four countries and the Top Ten in nine more. It achieved Gold status in a month and went Platinum soon after. It was certified 8X Platinum in 2011 for sales in the U.S. alone. Written and produced by Peter Frampton. RIP John Siomos & Bob Mayo. Featuring: Peter Frampton – Lead vocals, lead, rhythm & acoustic guitars & talkbox Bob Mayo – Rhythm guitar, piano, Fender Rhodes electric piano, Hammond B-3 organ & background vocals Stanley Sheldon – Bass & background vocals John Siomos – Drums Yeah, yeah, yeah, doo, doo, doo Do what you do, don't bring me down I went to the doctor, he's just another clown Don't stand alone, you might turn to stone I'm sure there is a pill for that, you're on your own Can't you see what it's doin' to me? All I wanna be is by your side I don't care if they cut my hair All I wanna be is by your side, well All I wanna be is by your side, yeah By your side Shake me down, you wanna put me underground There's money in my pocket, I won't make a sound Well, you can run me over or pick a four-leaf clover Now they cut the lights down, this record's going slower Can't you see what it's doin' to me? All I wanna be is by your side I don't care if they cut my hair All I wanna be is by your side, yeah All I wanna be is (by your side) All I wanna be is by your side, yeah All I wanna be is by your side
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Boys Don't Cry were a British studio band known for the hit single "I Wanna Be a Cowboy" discovered by Paul Oakenfold, who was a talent scout for Profile Records in London in the mid-'80s. Best known for being Run DMC's record label at the time, Profile signed the band for the U.S. market and Legacy retained the rights to the band's UK releases. Mercury Records won the bidding for Canada and Intercord Tonträger GmbH handled their releases in Germany. The tune "I Wanna Be a Cowboy" was released in 1986. A novelty song with deadpan humour and kitschy references, the song has been described as the perfect musical realisation of a spaghetti western movie. It hit #12 on the Billboard Hot 100 and #13 on the Hot Dance Music/Maxi Singles Sales chart in 1986-1987, and was R&R #8. "I Wanna Be A Cowboy" was also a top 10 hit in Australia and South Africa. They would go on to release two full-length albums: a self-titled debut in 1986, which included "I Wanna Be a Cowboy," and a follow-up the following year titled Who the Am Dam do You Think We Am. The second album was simply released in America as "Boys Don't Cry," creating some confusion there, since the band now had two consecutive self-titled albums released within a year of each other. On July 30, 1997, co-writers Nick Richards and Brian Chatton sued Paula Cole, Warner Brothers Records, and Imago Records, along with remix producers DJ EFX, Big Ed, and the E-Team, for $7 million in the U.S. District Court for the Central District of California, claiming that Cole's remix "Where Have all the Cowboys Gone?" used the phrase "I wanna be a cowboy" 24 times in the same style and syntax as their song and constituted copyright infringement. Side A: I Wanna Be A Cowboy [12" Saddle Mix] 6:05 Side B: I Wanna Be A Cowboy [Instrumental Saloon Mix] 6:05 Release Information: Label: Profile Records Catalog#: PRO-7084 Format: Vinyl, 12", Single, 33 RPM Country: US Released: 1985 Genre: Electronic Style: Synth-pop Credits: Engineer – Chris Potter, Tony Taverner Photography – Simon Fowler Producer – Boys Don't Cry Written-By – Chatton*, Seopardie*, Richards*, Ramsden* Notes: Jacket Made In Canada Message in run-out groove, side A: This Cowboy Ride is BLAZE-"ing" HOT!!! 1985 Legacy Records (London)
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Jump into the time capsule with me and return to 1991. The news of the moment: Supreme Court Justice Thurgood Marshall, the first black Justice, announces his retirement. The call goes up in the media that this is the “black seat” on the Supreme Court. President George H.W. Bush obliges by nominating Appeals Court Judge Clarence Thomas, an African-American.
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Hi! I've uploaded this PV before with the audio of the LAST LIVE but after the re-release of the most famous FANATIC◇CRISIS singles now as FANTASTIC◇CIRCUS, I can avoid the copyright strike by mixing both versions into one haha, So the audio it's hundred times better than the previous upload, So... I hope you enjoy it!! Long live FtC! Song: SLEEPER Single: SLEEPER Album: ONE - one for all - DVD: THE BEST of FANATIC◇CRISIS des[Clip]tion [DVD] Artist: FANATIC◇CRISIS Release Date (Single): October 29th, 1997 Release Date (Album): March 4th, 1998 Release Date (DVD): May 11th, 2005 Members: Vo: Tsutomu Ishizuki Gu: Kazuya Gu: Shun Ba: Ryuji Dr: Tohru #fanaticcrisis #ファナティッククライシス #fantasticcircus
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LinkedPT — real problems and solutions for physical therapists.
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Yasuko Kawamura - piano recording date: c. 2011 00:00 - 1. Floating Andante 04:00 - 2. Romance in Time 06:56 - 3. Capriccio for Bird 09:45 - 4. Anima in Crystal 13:08 - 5. Bagatelle in Afternoon 15:26 - 6. Directivity Allegro If you are the copyright owner of any of the material used in the video and wish for it to be removed, please send me an e-mail to the address in the "About" page in my channel, and I will remove the offending video accordingly.
Via: https://catholicscientists.org
Nicolaus Copernicus (the Latinized version of the Polish name Mikolaj Kopernik) (February 19, 1473 to May 24, 1543) Copernicus was a Polish astronomer whose heliocentric theory helped set in motion […]
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One Million Years B.C. One Million Years B.C. is a 1966 British adventure/fantasy film starring Raquel Welch and John Richardson, set in a fictional age of cavemen and dinosaurs. The film was made by Hammer Film Productions and Seven Arts, and is a remake of the Hollywood film One Million B.C. (1940). It recreates many of the scenes of the earlier film, such as an Allosaurus attacking a tree full of children. Location scenes were filmed on the Canary Islands in the middle of winter, in late 1965. The British release prints of this film were printed in dye transfer Technicolor. The film was released censored in the United States in 1967, printed in DeLuxe Color. Like the original film, this remake is largely ahistorical. It portrays dinosaurs and humans living together, whereas, according to the geologic time scale, it is assumed the last dinosaurs became extinct 65 million years BC, and it is assumed Homo sapiens (modern humans) did not exist until about 200,000 years BC. Ray Harryhausen, who animated all of the dinosaur attacks using stop motion techniques, commented on the US King Kong DVD that he did not make One Million Years B.C. for "professors... [who] probably don't go to see these kinds of movies anyway." "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
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Muddy Waters – guitar James ‘Pee Wee’ Madison – guitar Luther “Snakeboy” Johnson – guitar Otis Spann – piano Paul Oscher – harmonica Sonny Wimberley – bass S.P. Leary – drums Copenhagen Jazz Festival October 27, 1968
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CHVRCHES The Mother We Share - Official Song The Bones of What You Believe Album (Copyright Statement) This video is not intended to infringe any copyright laws in any way. This is for the sole purpose of entertainment; no profit is gained from this. It is the copyrighted property of its respective owner(s) Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use
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Learn more about Chalk It Up for Democracy on Grapevine.org
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"Word of Dog" is UNFUNFAIR'S first ever single! ???? UNFUNFAIR is a Gothic Ska Core band consisting of seven horrid little goblins who crept out of grotty holes in South London. This has been a labour of love and years in the making, so needless to say we are beyond excited to shove it right inside your skulls. A big thank you to Ian Sadler of Ermaline studios for putting up with us for two whole days and recording and mixing such a beautiful bit of filth. You will find it for free on streaming services, however if you wish to purchase a copy of this sordid sensory sensation, you can head over to our Bandcamp where we will have this delightfully dirty ditty up for a donation fee. All proceeds go towards Crisis to help find the homeless a place to stay this Christmas. We hope to haunt everyone soon in a venue near you! // UNFUNFAIR // Vocals - THE GOBLIN KING Guitar - DAVE Bass - ROOF Trumpet - VAL Trombone - PEDRO Baritone Sax - GROG Drums - RHIB Lyrics Written by THE GOBLIN KING Music by HIS GOBLIN HOARD Art & Animation - ROOF Recording & Mixing - IAN SADLER Special Thanks to: Sisyphus 55 Kay Hazel
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Mon père est mort à la guerre, Mon frère se tue au travail, Et les salauds s'en moquent bien, Que l'on crève comme des chiens. Les salauds ! Les salauds ! C'est à la sueur de notre front, Que les salauds gagnent leur pognon, Et ils nous jettent pour faire ripaille, Les copeaux de notre travail. Les salauds ! Les salauds ! Oui mais un jour on sera fort, Et dans les villes et dans les ports, Les hommes lèveront leurs poings, Pour foutre sur la gueule des rupins. Des salauds ! Alors ils enverront la police, Mais comme on est plus nombreux on leur foutra sur la gueule, Et on va leur faire bouffer leur képi, Parce que moi s'il y en a un qui vient m'emmerder J'lui fous ma guitare à travers la gueule ! Alors merde ! On va pas s'faire emmerder par les flics, non ? Mais ta gueule, toi, salaud ! C'est la luuuuutte finaaaaale !
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No copyright infringement intended. For promotional and entertainment purposes only. The "Rhythm Stick" edit of this 90's club hit.. Series 2, Issue 2 Edit by Steve Bourasa.
Via: https://www.bbc.com
Did someone get away with murder? A German detective re-examines a case 5,300 years old.
Via: https://www.psychologytoday.com
As we remember, the kaleidoscope turns, the pieces shift, and a new image emerges. In Alzheimer’s, we see certain features of memory more clearly.
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I do not own the copyright to this recording. This video is for historical and educational purposes only. Speckled Red (Rufus Perryman):Vocals & Piano Recorded in Chicago, IL. Tuesday, April 8, 1930 Originally issued on the 1930 single (Brunswick 7151) (78 RPM) This recording taken from the 1993 album "Speckled Red (1929-1938)" (Document DOCD-5205) (CD) (Austria)