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Marianna Corona, figlia di Mauro, racconta in un libro la rinascita dopo la sconfitta del tumore. E la riscoperta del rapporto col padre, che le ha insegnato tanto
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Copyright 2002 Soulfuric
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Sabato 16 e domenica 17 agosto si apre la Coppa Italia Serie C con le prime partite ufficiali della stagione 2025-26. » Scopri il palinsesto
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Disaster Recovery Quick Links If you have a life-safety emergency, please call 9-1-1. If you need immediate assistance - such as food, clothing, debris removal, or shelter - due to impacts from an incident, please complete a Request for Assistance or call Hawaiʻi County Civil Defense Agency at (808) 935-0031. Stay health and safe during cleanup: May 22, 2026 Earthquake - Disaster Recovery Resources Agriculture, Farming, and Ranching Assistance USDA Farm Service Agency (FSA) in Hawaii County can answer questions about addressing farm and ranch damages from the earthquake disaster event that occurred on May 22, 2026. Call (808) 033-8334. Kona Low Storms - Disaster Recovery Resources County of Hawaiʻi Business Recovery Grant Program The County of Hawaiʻi Department of Research and Development in partnership with the State of Hawaiʻi Department of Business, Economic Development and Tourism, will provide targeted grant assistance to eligible Hawaiʻi Island businesses that experienced storm-related physical damage and/or business interruption losses through the Kona Low Business Recovery Program. The Kona Low Business Recovery Grant Program is intended to assist eligible non-agricultural businesses operating within the County of Hawaiʻi. Grant funds may be used for eligible storm-related recovery needs, including equipment repair or replacement, inventory replacement, temporary relocation costs, rent and utilities, cleanup, and water damage. Grant awards will be made based on the applicant's gross annual revenue as reflected in the most recent filed federal tax return: Apply Now! Applications are due by Monday, August 31, 2026 at 4:30 pm. No hard-copy applications will be accepted. Applications must be submitted through the Department of Research and Development's Grant Portal. FEMA Disaster Recovery Resources Under the President's Major Disaster Declaration, FEMA's Individual Assistance program is available to help eligible individuals and households with basic, disaster-related needs that are not covered by insurance or other sources. If you have homeowners' or renters' insurance, you should file a claim as soon as possible. By law, FEMA cannot duplicate benefits for losses covered by insurance.FEMA Registration Deadline: June 14, 2026 at 11:59 pm - FEMA is still accepting applications, but will require additional information. If you are unable to apply online, please call the FEMA Helpline at (800) 621-3362 | Daily 7:00 am - 10:00 pm HST.Be Ready with Key Information: What FEMA Individual Assistance May Provide: U.S. Small Business Administration LoansKona Low Storms - Physical Damage Loan Application Deadline: August 13, 2026Kona Low Storms - Economic Injury Loan Application Deadline: January 7, 2027Apply for low interest disaster loans - available to both businesses and residents: What to do if you have damage to your home or business Individuals and businesses are encouraged to report incident related damages to Hawaiʻi County Civil Defense Agency. Reports help officials and non-profit partners better understand the extent of damage and its impact on the community. Step 1: Document Damage Take clear photos and videos of all affected areas, including structural damage, personal belongings, and appliances. Please save all receipts related to stabilizing and cleanup. Step 2: File a Damage Report You can report damage one of two ways. Civil Defense will verify the information provided via submitted photographs or by visual inspection. Step 3: Contact Your Insurance Provider Reach out to your insurance company as soon as possible to begin the claims process. Step 4: Prepare for Clean-Up Safety First - Review safety guidance before beginning any cleanup work: Step 5: Dispose of Flood and Storm Debris This is the first step in the Disaster Recovery process to determine if the County of Hawaiʻi qualifies for any state or federal assistance. Participating in this process does not mean that state or federal assistance will be available to residents for the incident. Reporting Damages Residential and Commercial damage reports do not constitute an application for assistance. Affected parties will need to file claims with their insurance companies and if Individual Disaster Assistance or State Disaster Assistance is approved, then state or federal agencies may provide assistance. Utility outages should be reported to your local utility provider. Residential Damage Report: Commercial Damage Report: Agriculture Damage Report: Request for Assistance If you require immediate assistance - such as food, clothing, debris removal, or shelter - from a coalition of nonprofit, business, and government due to issues caused by an incident, please complete a request for assistance. For more information, contact Hawai'i County Civil Defense Agency at (808) 935-0031. Hawaiian Electric - Report Outages and Get Updates
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This is the much better version of the tune. I hope I have not bothered any copyright people it is not my intention to claim any rights on this. . Jesse was a fantastic musician. Check him out on wiki.
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Questa sera all'Olympic Stadium del Pireo di Atene (diretta su Prime Video) va in scena la finale di Supercoppa UEFA tra Manchester... » Leggi i dettagli
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Provided to YouTube by Redeye Worldwide Ghosts & Pains · Wildbirds & Peacedrums Rhythm ℗ Copyright Control Released on: 2014-11-03 Artist: Wildbirds & Peacedrums Auto-generated by YouTube.
Stone Cold tells the story of John Cold, a renegade cop played by failed NFL player Brian Bosworth, whose most notable football accomplishment was having a bad haircut. We’re just kidding of course. The character’s name is John Stone. Otherwise that first sentence would be ridiculous. When the FBI wants to bust a notorious biker gang by sending in an undercover agent, there’s
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SpiderMan On Broadway... Reeve Carney, Jennifer Damiano and T.V. Carpio perform TURN OFF THE DARK (written by Bono and The Edge) Late Show With David Letterman - March 2, 2011 NO COPYRIGHT INFRINGEMENT INTENDED. THIS VIDEO IS FOR POSITIVE ADVERTISEMENT PURPOSES. #bono #ReeveCarney #JenniferDamiano #Carpio #Broadway #spiderman #TURNOFFTHEDARK #TheEdge)
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US Copyright Act of 1976 17 U.S.C. § 107 allows for the use of work that is used for comment, criticism, or education and is non-profit in nature. #remaster
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Dormirse en 5 MINUTOS | Destruye los Bloqueos Inconscientes y la Negatividad | Noche Estrellada Esta música está destinada a ayudarlo a relajarse y dormir más fácilmente. También se puede utilizar para el estudio, el spa, la meditación de los chakras, la curación, el alivio del estrés, el sueño y la relajación. Gracias por escuchar y espero que mi trabajo te ayude ???? Intente escuchar con sus auriculares en un entorno silencioso para obtener los mejores resultados. # Curación, #Dormir, #Relaxarse © Copyright: Se prohíbe cualquier reproducción o reedición de todo o parte de este video / audio. Copyright ⓒ2021 Soul Healing Musica®. Reservados todos los derechos
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The probe is the latest of the PAC’s troubles, with a major shakeup happening in late July.
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Tra oggi, venerdì 16, e domenica 18 agosto, nella Casa dello Sport di Sky,spazio in esclusiva ai campionati esteri, con l'inizio... » Scopri il palinsesto
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We Carry On by Voivod. From their self-titled album. Copyright: 2003 Surfdog Records.
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Roxanne's Theme Music from the film (October 3, 2010) No copyright intended
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Lockdown all'italiana Commedia di Enrico Vanzina con Ezio Greggio, Paola Minaccioni, Martina Stella e Ricky Memphis. » Scopri il palinsesto
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Provided to YouTube by Label Worx Limited Undiscovered Terrain (Yage Remix) · Sundial Aeon · Yage Regenesis ℗ Impact Studio Records Released on: 2023-04-21 Producer: Brian Dougans Producer: Radoslaw Kochman Composer: Brian Dougans Composer: Radoslaw Kochman Music Publisher: Copyright Control Auto-generated by YouTube.
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Interview with James Horner. Copyright Südwestfunk Baden-Baden 1986
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History: Freedom Riders begin journey, Birmingham police use dogs and firehoses
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मेष लव राशिफल (Aries Love Horoscope) आज का लव लाइफ में रोमांस की कमी देखने को मिलेगी। साथी को आपकी कही हुई कोई बात बुरी लग सकती है।
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Our Double IPA gracefully boasts grapefruit rind, pineapple and honeysuckle notes with a hint of earthy forest floor. Behold the wonder!
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Charlotte Holmes, Lady Sherlock, is back solving new ca…
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Parlami d'amore E' il racconto di un ragazzo diciottenne che intraprende un viaggio dentro di se, per scoprire tutte le risposte... » Scopri il palinsesto
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1. Intro 0:00 2. Jesus Has a Place 4 Me (Rock The 40 Oz.) 1:12 3. Nazi White Trash 4:13 4. S.T.I. (Stop The Insanity) 7:57 5. Muppet Namblin' 9:19 6. The Good The Bad and The LöC 11:13 7. Outro 13:17 8. Crack City Rockers 13:57 9. Muppet N.A.M.B.L.A. (Feat. the Distillers) 16:41 10. Atheist Anthem (4-Track Demo) 17:43 11. Nobody Is Free (4-Track Demo) 19:28 12. Rock The 4-Track Oz. 20:58 13. Gay Rude Boys Unite (Instrumental '99) 23:23 14. Apple Pie and Police State 26:56
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From August 19 to 23, 2026, experience world-class beach volleyball at Parc Jean-Drapeau. Sport, sun, and electric vibes in the heart of Montreal. Sign up for the newsletter to get early access to tickets!
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Signed to Sire Records, Ofra recorded „Shaday” with producers Izhar Ashdot and Wally Brill in both Tel Aviv and England, released in 1988. Her emergence onto the global stage coincided with the rise of a new genre, which quickly came to be tagged as "world beat". It became her most successful album to date, selling a million copies worldwide with its masterfully mixed dance-flavoured songs in Hebrew and English. We provide full English translations for the mixed language songs. El Shaddai or just Shaddai is one of the names of the God of Israel. El Shaddai is conventionally translated into English as God Almighty. Lyrics (English translation): Almighty, I want you to know As I look back on yesteryear A picture's coming clear As I look back on yesteryear A picture's coming clear I see my father work in the fields My mother holds me near I see my father work in the fields My mother holds me near I travelled far, but now I'm here To sing for you my tears I travelled far, but now I'm here To sing for you my tears The yellow moon shines in my eyes And watches while I cry The yellow moon shines in my eyes And watches while I cry Oh, oh, Almighty God Oh, oh, Almighty God Tell me who am I? Tell me who am I? Oh, Almighty God Many years and tears ago My people were scattered Taken with their broken souls From homes where time once mattered My lovely Land, my lonely Land Alone two thousand years And now returned our Holy Land But fields are filled with tears Oh, my soul, my mother See me, where is my home? Oh, my soul, my mother See me, where is my home? I am oppressed, oh, my mother Far away from you I am oppressed, oh, my mother Far away from you Oh, oh, Almighty God Oh, oh, Almighty God Tell me who am I? Tell me who am I? Oh, Almighty God Oh, my mother
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Tracklist 1 Enlightenment 2 Love In Outer Space 3 Space Is The Place 4 Discipline 27-11 / What Planet Is This? / Life Is Splendid / Immeasurable 5 Watusi 6 Outer Spaceways Incorporated Sociétés, etc. Phonographic Copyright (p) – Alive/Total Energy Records Copyright (c) – Alive/Total Energy Records Recorded At – Ann Arbor Blues & Jazz Festival Mastered At – Catasonic Studios Crédits Alto Saxophone – Larry Worthington* Alto Saxophone, Flute – Danny Davis, Marshall Allen Baritone Saxophone – Pat Patrick Baritone Saxophone, Flute – Danny Thompson* Bass Clarinet – Leroy Taylor (2) Design [Cover] – Patrick Boissel Drums – Alzo Wright, Lex Humphries Drums [Space] – Harry Richards, Robert Underwood Lead Vocals – June Tyson Mastered By, Transferred By [Digitally Transferred From The Original Stereo Recordings] – Mark Wheaton Percussion – Russell Branch, Stanley Morgan Photography By – Leni Sinclair Piano, Organ [Space], Keyboards, Lead Vocals – Sun Ra Producer [Original Recording] – Jimmie Douglass*, Michael Cuscuna, Tunc Erim* Producer, Liner Notes, Other [Production Consultation] – John Sinclair (2) Recorded By – Jimmie Douglass* Supervised By [Original Recording] – Mark Meyerson Tenor Saxophone, Percussion – John Gilmore Trumpet – Lamont McClamb Trumpet, Flugelhorn, Vocals – Akh-Tal Ebah* Voice [Space Ethnic Voices] – Cheryl Bank*, Judith Holton, Ruth Wright Notes Recorded in performance at Otis Spann Memorial Field, Ann Arbor, Michigan, at the Ann Arbor Blues & Jazz Festival, 1972 for Atlantic Records. Production consultation for the Rainbow Multi-Media Corporation. Produced for Big Chief Productions in association with Saturn Research. Digitally transferred from the original stereo recordings and mastered at Catasonic on October/September 1999. Total time: 37:11 (P) & (C) 1999 Alive!/Total Energy Records.
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Loyset Compère (c. 1445 – 16 August 1518) was a Franco-Flemish composer of the Renaissance. Of the same generation as Josquin des Prez, he was one of the most significant composers of motets and chansons of that era, and one of the first musicians to bring the light Italianate Renaissance style to France. His exact place of birth is not known, but documents of the time assign him to a family from the province of Artois (in modern France), and suggest he may have been born in Hainaut (in modern Belgium). At least one source from Milan indicates he described himself as coming from Arras, also in Artois. Both the date and probable place of birth are extremely close to those of Josquin des Prez; indeed the area around the current French-Belgian border produced an astonishing number of excellent composers in the 15th and 16th centuries, composers whose fame spread throughout Europe. Often these composers are known as the Franco-Flemish, or as the Dutch School. In the 1470s Compère worked as a singer in Milan at the chapel of Duke Galeazzo Maria Sforza, during the time that composers such as Johannes Martini and Gaspar van Weerbeke were also singing there. The chapel choir in the early 1470s grew into one of the largest and most famous singing ensembles in Europe. After the murder of the duke in 1476, Compère appears to have been "laid off" from the chapel, and he may have returned to France at this time. Sometime during the next ten years he began to work at the French court, and he accompanied Charles VIII on his invasion of Italy in 1494 (in what capacity is not known). He was in Rome in early 1495 during the occupation of the city by Charles and his army. Next he had a series of church positions. By 1498 Compère was at Cambrai, and from 1500 to around 1504 he was at Douai; his final appointment was at a church in Saint-Quentin. Throughout this time he seems to have been in part-time service to the French court, as evidenced by his many compositions for official and ceremonial occasions. He died at Saint-Quentin. Unlike his contemporaries, Compère seems to have written few masses (at least very few survive). By temperament he seems to have been a miniaturist, and his most popular and numerous works were in the shorter forms of the day—primarily chansons and motets. Two stylistic trends are evident in his music: the style of the Burgundian School, which he seems to have learned in his early career before coming to Italy, and the lighter style of the Italian composers current at the time, who were writing frottolas (the light and popular predecessor to the madrigal). Compère had a gift for melody, and many of his chansons became popular; later composers used several as cantus firmi for masses. Occasionally he seems to have given himself a formidable technical challenge and set out to solve it, such as writing quodlibets (an example is Au travail suis, which combines no less than six different tunes written to the same text by different composers). Compère wrote several works in a unique form, sometimes called a free motet, which combines some of the light elegance of the Italian popular song of the time with the contrapuntal technique of the Netherlanders. Some mix texts from different sources, for instance a rather paradoxical Sile fragor which combines a supplication to the Virgin Mary with a drinking song dedicated to Bacchus. His choice of secular texts tended towards the irreverent and suggestive. His chansons are his most characteristic compositions, and many scholars of Renaissance music consider them to be his best work. They are for three or four voices, and are in three general categories: Italianate, light works for four a cappella voices, very much like frottolas, with text set syllabically and often homophonically, and having frequent cadences; three-voice works in the Burgundian style, rather like the music of Dufay; and three-voice motet-chansons, which resemble the medieval motet more than anything else. In these works the lowest voice usually sings a slow-moving cantus firmus with a Latin text, usually from chant, while the upper voices sing more animated parts, in French, on a secular text. Many of Compère's compositions were printed by Ottaviano Petrucci in Venice, and disseminated widely; obviously their availability contributed to their popularity. Compère was one of the first composers to benefit from the new technology of printing, which had a profound impact on the spread of the Franco-Flemish musical style throughout Europe. Compère also wrote several settings of the Magnificat (the hymn of praise to the Virgin Mary, from the first chapter of the Gospel of Luke), as well as numerous short motets.
