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???? 1 ???? 1577 ❤️ 2507 · war crimes were still bad when the president had more decorum on tv of course if you excuse and normalize this murder in US foreign policy, it will be no different when a co…
Via: https://youtube.com
Music video by Paper Tongues performing Trinity. (C) 2010 OctoScope Music, LLC
Via: https://music.youtube.com
Provided to YouTube by Universal Music Group The Hand That Feeds · Nine Inch Nails With Teeth ℗ 2005 Interscope Records Released on: 2005-05-03 Composer Lyricist, Engineer, Producer, Recordingarranger: Trent Reznor Engineer, Producer: Alan Moulder Programmer, Additionalproducer: Atticus Ross Engineer: Leo Herrera Engineer: James Brown Engineer: Rich Costey Programmer: Jerome Dillon Auto-generated by YouTube.
Via: https://youtube.com
Provided to YouTube by Parlophone Sweden Gamla älskade barn · Barbro Hörberg Gamla Älskade Barn ℗ 1974 The copyright in this sound recording is owned by EMI Music Sweden AB Music: Lasse Berghagen Composer: Barbro Hörberg Composer: Lasse Berghagen Auto-generated by YouTube.
Via: https://omny.fm
As jury deliberations continue inside the Kenosha Courtroom where Kyle Rittenhouse stands accused of murder, Producer Andrew steps in to walk through the 10 biggest lies propagated by the activist media, based on an excellent column penned in the New York Post by Miranda Devine. And right on cue, to further his case, bombshell breaking news came down from the dais of Judge Bruce Schroeder in which he condemned and banned from the courtroom NBC & MSNBC reporters following an incident of clean-cut jury stalking and intimidation. Andrew unpacks all of that live as it happens in real time. Finally, the firebrand Congresswoman from Colorado, Lauren Boebert, delivered a scorched earth speech from the floor of the House yesterday that we just had to cover—listen all the way through this episode to hear what she has to say about Fang Fang, Ilhan Omar, and the 'Jihad Squad,' you won't regret it.
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Provided to YouTube by Universal Music Group No Good · Kate Voegele Don't Look Away ℗ 2007 MySpace/Interscope Records Released on: 2008-01-01 Recording Engineer, Studio Personnel, Producer, Co- Mixer: Marshall Altman Mixer, Studio Personnel, Recording Engineer: Eric Robinson Studio Personnel, Recording Engineer: Niko Bolas Composer Lyricist: Kate Voegele Auto-generated by YouTube.
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Eau Claire, 10/26/07: When Friday night's show at Nate's Dungeon was shut down by the cops, we somehow ended up loading the gear into Taco John's. Thanks to the help of Taco Sean, history was made. "Theres a whole lotta hardcore goin on, goin on at Taco John's!"
Via: http://operationdisclosure1.blogspot.com
Multnomah County judge sentences former Disney vice president to nearly 7 years in prison for child sex abuse Updated Jun 17, 2019; Posted...
Police officer Kyungjoon doesn’t want anything to do with this world after the death of his girlfriend. But after investigating a mysterious cult, he finds himself battling supernatural threats...
Do you love Long John Silver's Chicken Planks like I do? Well, today I have a great copycat recipe to share with you, with nice crispy batter. YUM!
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Music/Lyrics copyright : ZJ Proz -2012 Images copyright : ZJ Proz 2012
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Music/Lyrics copyright : 2010 -2012 Z J Proz Video & Images copyright : Z J Proz : 2000 -2014 Vocals: Z James Proz Guitar: Z James Proz Harp : Dennis Melzer Production : Luis Leal Mastering: Larry Lachman / Kevorkian Mastering, Inc. 2012
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A seguito della gara per i diritti dei media italiani per la Coppa del Mondo Fifa 2022, la Fifa ha assegnato i diritti esclusivi del mondiale alla Rai...
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The SOAS Centre of Yoga Studies was delighted to host Dr Adrián Muñoz of the Centre for Asian and African Studies, El Colegio de México. This is a recording of a live event that took place on Monday, 28th April 2025. ABOUT THIS EVENT Modern yoga is a truly transnational cultural phenomenon, as well as a highly profitable global enterprise. Yet scholars have focused almost only on Anglophone and/or European instances, missing out connected and fascinating cases in Africa, East Asia, or the Americas. The book project Latināsana: The Avatars of Yoga in Latin America will offer a wide and comprehensive insight into different compelling cases of reception and adaptation of yoga in Hispanic and Lusophone America. The chapters will probe into issues of political and symbolic power; health, spiritual growth, and enhancement; innovation and syncretism with indigenous practices; esotericism and global psycho-therapeutical trends; and phenomenology of praxis, among other themes. Based on said volume and linked to Proyecto YoLA®, a collaborative initiative, this lecture acknowledges the contributions of experts from diverse fields and disciplines, with a view to analyse how the practice, commercialization, and preconceptions surrounding yoga have influenced contemporary societies worldwide, with a particular emphasis on Latin America. Thus, the lecture will outline major trends in the ways in which Latin American yoga has been implemented and developed, highlighting its connections with transnational trends, but also stressing its distinct features. SPEAKER Adrián Muñoz, Centre for Asian and African Studies, El Colegio de México Adrián Muñoz is faculty member at the Centre for Asian and African Studies, El Colegio de México. He specializes in the wide culture of yoga: history, literature, and adaptations. Among other titles, he has co-authored Historia minima del yoga, in Spanish (2019), and contributed with chapters for the Routledge Handbooks of Yoga and Meditation Studies and of South Asian Religions (2021). His latest publication is a translation to Spanish of the Yogabīja and the Gorakṣaśataka (2024). He currently leads Proyecto YoLA®, a collective research venture on the history and practice of yoga in Latin America. CHAIR Adriana Maldonado is currently a PhD candidate at the Open University, where she is guided by Dr. Suzanne Newcombe. Her research concentrates on the role of absorption in Modern Postural Yoga (MPY). Specifically, Adriana investigates both the historical evolution and the personal experiences of absorption, evaluating its effects on well-being and its relevance to the spiritual and health dimensions of yoga. Her work also critically examines the integration of the flow concept from positive psychology, a significant trend since the 1970s, in describing deep engagement within yoga practices. Adriana holds an MA in Traditions of Yoga and Meditation from SOAS University and is a certified 500+ Level 4 BWY Yoga teacher.
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Watch LIVE as U.S. President Donald Trump participates in a Hanukkah reception in Washington, D.C. The event highlights faith, tradition, and community, with remarks expected from the president during the celebration. Stay with us for full coverage of this White House gathering. For more details, watch our story and subscribe to our channel, DWS News. #Trump #Hanukkah #WhiteHouse #LiveEvent #BreakingNews #WashingtonDC #TrumpLive #USPresident #FaithAndTradition #WorldNews #PoliticalEvents #DWSNews #LiveCoverage#Trump #UnprecedentedEvent #Hanukkah #WhiteHouse #HistoricEvent #LiveCoverage #BreakingNews #USPresident #EastRoom #FaithAndTradition #WorldNews #DWSNews #TrumpLive #HistoricRemarks #WhiteHouseEvent Donald Trump Hanukkah, Trump live event, White House Hanukkah, Trump Washington DC, U.S. President Trump, Hanukkah reception live, White House event, Trump remarks live, U.S. politics live, breaking news USA, presidential appearance, religious event White House, Trump public appearance, DWS News, live coverage Donald Trump Hanukkah, Trump live event, White House Hanukkah, Trump Washington DC, U.S. President Trump, Hanukkah reception live, White House event, Trump remarks live, U.S. politics live, breaking news USA, presidential appearance, religious event White House, Trump public appearance, DWS News, live coverageTrump Hanukkah reception, historic White House event, unprecedented presidential event, Trump East Room, White House Hanukkah, Trump full remarks, U.S. President Trump, Trump live event, Hanukkah 2025, Jewish holiday White House, breaking news Trump, landmark presidential event, DWS News, full event coverage, Trump speeches FULL UNPRECEDENTED EVENT: President Trump Attends Historic Hanukkah Reception | White House | AC15 ------------------------------------------------------------------ ???? DWS News – Decoding Global Politics Daily Welcome to DWS News! We deliver reliable, timely updates and in-depth coverage of the biggest political stories shaping our world. Want us to cover a story, share your perspective, or give feedback? Email us anytime at info@newsdrm.com — we’re listening. ???? Subscribe for More: Stay informed on international diplomacy, political power shifts, peace negotiations, and world-changing events. ????️ We believe in facts over noise. Thank you for watching and supporting independent global journalism. #InternationalNews #WorldPolitics #DWSNews#Israel #EvyatarDavid #HostageReturn #Gaza #IsraelNews #BreakingNews #Hamas #MiddleEast #Peace #Freedom #HumanStory #IsraelUpdates #Unity #Hope #DRMNews DWS News YouTube Channel is managed by Dot Republic Media. All Copyrights Reserved.
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This month marks the 20th anniversary of what has become known as the Battle of the Beanfield. 537 Travellers were arrested - the most arrests to take place on any single day since the Second World War.
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Kingdom of Heaven (2005) - Surrender of Jerusalem "What is Jerusalem worth?" TM & © Fox (2005) Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.
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On the Charlie Hebdo murders, the future of Europe, the Ukraine, capitalism, and the West.
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The term “nervous breakdown” isn’t a medical diagnosis. But it’s sometimes used to describe an intense mental and emotional distress (a mental health crisis) that results in an inability to cope with daily life.
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Provided to YouTube by The Orchard Enterprises In The Heart Of The Wood And What I Found There · Current 93 Thunder Perfect Mind ℗ 2005 Copyright control Released on: 2005-06-06 Auto-generated by YouTube.
Too bad there's no Bowser one or I would have copped a Koopa cup of that.
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Révélations sur la formation des forces de police américaines aux tactiques brutales de l’armée israélienne Par Philip Giraldi, ancien officier de la CIA* Source : The Unz Review, 9 juin 2020…
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Track 8 from his seventh album released in 1973 copyright RCA Records. It consisted entirely of cover songs of British hits from '64 - '67. This song was originally recorded by The Merseys. Recorded from the original vinyl. Written by Bob Feldman, Jerry Goldstein & Richard Gottehrer and produced by David Bowie & Ken Scott. RIP Trevor Bolder, Mick Ronson & David Bowie. Featuring: David Bowie - Lead vocals, rhythm guitar, tenor & alto saxes, harmonica, Moog synthesizer & background vocals Mick Ronson - Lead & rhythm guitars, piano & background vocals Trevor Bolder - Bass Aynsley Dunbar - Drums Special Guests: Mike Garson - Piano, organ, harpsichord & electric piano Ken Fordham - Baritone Sax G.A. MacCormack - Background vocals With your long blonde hair and your eyes of blue The only thing I ever got from you was sorrow, sorrow You're acting funny, tryin' to spend my money You're out there playin' your high class games of sorrow, sorrow You never do what you know you oughta Somethin' tells me you're the devil's daughter Sorrow, sorrow Ahhhh, ooh, ooh I tried to find her 'cause I can't resist her (I tried to find her 'cause I can't resist her) I never knew just how much I missed her Sorrow, sorrow With your long blonde hair and your eyes of blue (With your long blonde hair and your eyes of blue) The only thing I ever got from you was sorrow, sorrow Ooh-ooh-ooh-ooh Ooh-ooh-ooh, ooh-ooh With your long blonde hair, I couldn't sleep last night With your long blonde hair
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The Belgian Eurosong final is this weekend so we have decided to ask the team to give their verdict on the 5 songs in contention and predict the winner. We now know the 10 International Juries (SEE…
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DOOWOP - VOCAL GROUP HARMONY
New images of the Phantom Galaxy, M74, showcase the power of space observatories working together in multiple wavelengths. On the left, the Hubble Space Telescope’s view of the galaxy ranges from the older, redder stars towards the centre, to younger and bluer stars in its spiral arms, to the most active stellar formation in the red bubbles of H II regions. On the right, the James Webb Space Telescope’s image is strikingly different, instead highlighting the masses of gas and dust within the galaxy’s arms, and the dense cluster of stars at its core. The combined image in the centre merges these two for a truly unique look at this “grand design” spiral galaxy. Scientists combine data from telescopes operating across the electromagnetic spectrum to truly understand astronomical objects. In this way, data from Hubble and Webb compliment each other to provide a comprehensive view of the spectacular M74 galaxy. Read more: esawebb.org/images/potm2208c/ Image credits: ESA/Webb, NASA & CSA, J. Lee and the PHANGS-JWST Team. Acknowledgement: J. Schmidt Image description: This image is divided evenly into 3 different views of the same region in the Phantom Galaxy. At left is an optical view taken by Hubble. Arms carved of brown filaments spiral out from a bright galactic core. The arms have pops of pink, which are star-forming regions, and there are blue stars throughout. The middle view contained combined Webb and Hubble data. Lacy red filaments spiraling out of the center of the galaxy are overlaid over a black field speckled with tiny blue stars. The red filaments contain pops of bright pink, which are star-forming regions. Lighter oranges in the red dust mean that dust is hotter. Heavier older stars closer to the center of the galaxy are cyan and green, and contribute to a greenish glow at the core. At right is a mid-infrared image from Webb. Delicate gray filaments spiral outwards from the center. These arms are traced by blue and bursts of pink, which are star-forming regions. A cluster of young stars glow blue at the very heart of the galaxy.
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Francesco Merli (1887-1976) was born into a family of humble means on a farm just outside Milan. The young man began his working life as a school janitor but always displayed a talent for singing. Merli had a few scattered voice lessons over the years, but never completely took his singing seriously. However, in June of 1913, the Milan City Council sponsored a concert at the Teatro dal Verme, intended to encourage musical education in the city’s schools. As a school janitor who was popular with students, Merli was asked to participate in the program. With two other vocalists, he sang the trio from Verdi’s I Lombardi, impressing all in attendance with his powerful voice. So impressed was the city council, that they promoted Merli from school janitor to janitor of the municipal offices! Perhaps the honor of sweeping floors at Milan’s government buildings was not quite the result Merli was expecting, for he began to turn his attentions more and more to singing. When famed conductor and impresario Cleofante Campanini organized an international competition for young singers in Parma the following year, Merli entered. He took first prize in the division for dramatic tenors and second prize overall. Coincidentally, the top prize was awarded to a fledgling tenor from Recanati…Beniamino Gigli. Merli’s rise to fame was not a smooth one, however. At the time of the aforementioned competition, he was essentially a natural singer with no real technique. A sponsor (Tullio Serafin’s brother) arranged for a stipend to be provided that would allow Merli to take a one year leave of absence from his city janitorial duties. Arrangements were also made to pay for the young tenor’s vocal studies. However, this good fortune came to a grinding halt when Merli was conscripted into the Italian Army. He continued vocalizing in the trenches and, according to an entry in his diary, entertained both his comrades and the enemy Austrian soldiers while singing “Cielo e mar” at the front lines! Merli came through the war unscathed and made his debut toward the end of 1916 in the small role of Alvaro in La Scala’s production of Spontini’s Fernand Cortez. In the fall of 1918, he made a second debut at La Scala, this time in the more substantial role of Elisero in Rossini’s Mosè in Egitto. This was the beginning of a long association with this prestigious theater. It also marked the start of a major international career for the tenor. Over the course of the next thirty years, Merli appeared in the major theaters of Verona, Florence, Palermo, Naples, Padua, Trieste, Rome (singing Calaf in the Roman premiere of Turandot), London (he was also Covent Garden’s first Calaf), Sydney (yes, he was the first Calaf there, too), Melbourne, Paris, Brussels, Copenhagen, Sao Paolo, Buenos Aires and New York. His Met debut came on March 2, 1932 as Radames in Aïda. However, after singing only eight performances of four operas, including Lucia di Lammermoor, Simon Boccanegra and Madama Butterfly (as well as a pair of concerts), Merli was taken ill and had to return to Italy. Sadly, he never again returned to the U.S. Merli’s repertoire was vast, encompassing over 40 roles in such works as Pagliacci, Cavalleria Rusticana, Siberia, Andrea Chénier, La Fanciulla del West, Manon Lescaut, Turandot, La Gioconda, Carmen, Samson et Dalila, Lohengrin, Die Meistersinger, Fidelio, La Forza del Destino, Ernani, I Lombardi, Il Trovatore and, what was considered his greatest triumph, Otello. He sang nearly 300 performances as the Moor, culminating in a final Otello in Trieste in 1946. The veteran tenor retired two years later and devoted himself to teaching during the final three decades of his life. Merli passed away in Milan in December of 1976, just six weeks shy of his 90th birthday. Francesco Merli’s recorded legacy, preserved on scores of discs made for Columbia between 1925 and 1937, includes a complete recording of Il Trovatore and the very first complete recording of Turandot. These recordings reveal a sturdy, well balanced dramatic tenor, capable of explosive top notes as well as some truly delicate singing. In this recording, Merli is joined by baritone Gino Vanelli (1896-1969) for the duet "Invano Alvaro" from Verdi's La Forza del Destino. This was recorded on two discs for the Columbia label in Milan on February 19, 1929.
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Here is one of the many recordings cut by Okeh Records in 1925 during a field trip down in New Orleans. Many jazz groups in the Crecent City were recorded during this trip and many other trips, giving listeners a sense of what the music scene sounded like in the city where Jazz was born. Among the groups recorded were: - Johnny DeDroit and his New Orleans Orchestra - The Halfway House Orchestra - Johnny Bayersdorfer and His Jazzola Novelty Orchestra - Tony Parenti and his Famous Melody Boys - The "Original" New Orleans Rhythm Kings - The Crescent City Jazzers - Fate Marable's Society Syncopators and - The Original Tuxedo Jazz Band This particualr recording, made January 23rd, 1925, is of special interest because of a member of this group not present! The legendary cornetist Emmett Hardy was a member of the group from 1920 to around 1924 when he became too sick from Tuberculosis and he was replaced by the young Sharkey Bonano (this being his first recording session) on cornet or trumpet. Hardy is best remembered as one the biggest influences on another legend who fortunately was recorded, that being of course Bix Beiderbecke, who heard Hardy play in Davenport. Hardy also apparently beat Louis Armstrong in a cutting contest back in the late teens or early 20s, although this of course was before Armstrong was in his prime, not having played with Oliver or Henderson yet. Apparently Bonano sounded a bit like Hardy so maybe we get a glimpse of the legends sound. This recording session is often seen as the transition from the end of Hardy's career and the beginning of Bonano's. Also featured on this great recording is trombonist and jazz pioneer, Tom Brown (brother of bassist Steve Brown, who played with Bix in the Goldkette Orchestra and in several sessions). Tom led the first white jazz band from New Orleans to play in the north, fronting "Brown's Band From Dixieland" in Chicago during the mid teens. This band was also part of the nucleus of what would become the Original Dixieland Jazz Band. Later, Brown went to New York and worked for booker Harry Yerkes, being featured on many recordings for the Jazzarimba Orchestra and the Happy Six ("Shake Your Little Shoulder" being one of his best), then joining Ray Miller's Band. Finally he went back to New Orleans and played in Brownlee's band as well as Johnny Bayersdorfer's Jazzola Novelty Orchestra which also recorded for Okeh. Also featured are the pianist leader Norman Brownlee and the brother of the Original Dixieland Jazz Band's clarinetist, Harry Shields on reeds. I think he plays the Baritone Sax solo on this side (it is placed way too close to the recording horn), which obviously has a "Spanish Tinge" to it. In any case, it's a solid recording, very swinging and has that great New Orleans sound!
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Antífona: "Convertere Domine" (canto llano) - Salmo 6: "Domine, ne in furore tuo" del Oficio de Difuntos a 8 (Officium Defunctorum Novohispanicum-Archivos de Guadalupe, México) de FRANCISCO JAVIER GARCÍA FAJER (1730-1809). Francisco Javier García Fajer, conocido como “el Españoleto”, es uno de los grandes nombres de la música española del siglo XVIII. Nacido en La Rioja, pero formado en Italia, fue maestro de capilla la Seo de Zaragoza durante 53 años. Durante su estancia italiana, García Fajer escribió al menos dos oratorios y cuatro óperas, aunque en España su producción fue principalmente religiosa. Su música tuvo enorme difusión, como atestiguan las copias conservadas en varias ciudades españolas y americanas. Precisamente de los archivos de Guadalupe (México) y Lima (Perú) procede el Oficio de Difuntos que ha recuperado La Grande Chapelle, compuesto por dos salmos y dos lecturas del primer nocturno de maitines. El oficio de Fajer está compuesto para ocho voces con violines, flautas, trompas y bajo continuo, y es música que se caracteriza por su amabilidad melódica, sencillez armónica y claridad formal, al servicio de los textos litúrgicos para los que fue concebida. La partitura ha sido contextualizada mediante la inclusión de antífonas y responsorios gregorianos, extraídos de un Prontuario de 1799-1800, labor que ha corrido a cargo de Juan Carlos Asensio, que además está al frente de Schola Antiqua. Aquí se presente la primera grabación mundial del Oficio de Difuntos del "Españoleto", compositor fundamental en la historia de la música española hacia 1800, cuya obra gozó de gran prestigio y difusión tanto en España como en Latinoamérica. La presente grabación brinda la oportunidad de escuchar por vez primera el interesante oficio de difuntos de uno de los compositores más internacionales en las décadas previas a la Guerra de la Independencia. Constituye una muestra de que España no estuvo tan aislada musicalmente como algunos han pretendido y de que el compositor riojano, aun mostrando elementos tardobarrocos y rococós, asimiló completamente el estilo clásico sin olvidar la tradición musical española. Obra extraída del álbum: Francisco Javier García Fajer: Oficio de Difuntos. Interpretan: La Grande Chapelle Schola Antiqua. Dirige: Albert Recasens, Juan Carlos Asensio. LAUDA Imágenes: "IMÁGENES DE LOS NATURALES EN EL ARTE DE LA NUEVA ESPAÑA: Siglos XVI al XVIII". dgapa, Fomento Cultural Banamex. 2005. Música Virreinal, Música Colonial, Latin American Music, Latin American Early Music, Colonial Music, Mexican Baroque, Baroque, Renaissance.