Via: https://poets.org

Victoria Chang is the author of With My Back to the World (Farrar, Straus and Giroux, 2024), as well as the titles The Trees Witness Everything (Copper Canyon Press, 2022) and Dear Memory (Milkweed, 2021). The recipient of a 2017 Guggenheim Fellowship, she is currently the Bourne Chair in Poetry at Georgia Tech and the director of Poetry@Tech.

Via: https://youtube.com

Provided to YouTube by Universal Music Group Metranil Vavin · Julian Cope World Shut Your Mouth ℗ 1984 Mercury Records Limited Released on: 1984-01-01 Producer: Stephen Lovell Composer Lyricist: Julian Cope Auto-generated by YouTube.

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Provided to YouTube by ROBA MUSIC VERLAG GMBH Chura Liya Hai Tumne Jo Dil Ko · Asha Bhosle · Mohd. Rafi Greatest Hits R D-Burman His Finest Ever ℗ 2007, Baierle Records Released on: 2009-12-18 Composer: Majrooh Music Publisher: Copyright Control Auto-generated by YouTube.

Via: https://www.trekking.it

Online dal 1997. Il primo giornale online a parlare di trekking, cammini, turismo outdoor e stili di vita attivi e sostenibili. Un magazine di viaggi e cultura.

Via: https://raptorpersecutionuk.org

Dorset Police were never far from the headlines last spring and summer, thanks to their appalling, botched investigation into the poisoning of a white-tailed eagle, found dead on a game-shooting es…

Via: https://youtube.com

Today, August 29, 2015, marks what would have been Ingrid's 100th birthday and that has got to be celebrated, so of course I had to make a video to do just that. I hope that it captures at least some of her magic. I tried to make it as diverse as I possibly could to really show off her extraordinary career, but of course there's still movies that are missing - I wish I was able to include them all. But I hope you will enjoy it! Happy 100th Birthday, Ingrid! Films: Notorious (1946) Spellbound (1945) Casablanca (1942) Munkbrogreven (1935) Adam Had Four Sons (1941) For Whom the Bell Tolls (1943) Joan of Arc (1948) The Bells of St. Mary’s (1945) Intermezzo (1936) Intermezzo: A Love Story (1939) Dr. Jekyll and Mr. Hyde (1941) En kvinnas ansikte (1938) En enda natt (1939) Stromboli (1950) Saratoga Trunk (1945) Gaslight (1944) Höstsonaten (1978) Rage in Heaven (1941) A Walk in the Spring Rain (1970) Die vier Gesellen (1938) Elena et les hommes (1956) Goodbye Again (1961) Indiscreet (1958) Anastasia (1956) Cactus Flower (1969) Murder on the Orient Express (1974) Song: Transformation - The Cinematic Orchestra, The London Metropolitan Orchestra

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Provided to YouTube by The Orchard Enterprises Pavement Tune · The Frames · Glen Hansard · Paul Brennan · David Odlum · Colm Mac Con Iomaire · Joe Doyle Set List (Live) ℗ 2003 Plateau Records Released on: 2003-05-16 Producer: Robert Bochnik Producer: Joseph Doyle Producer: Gerry McDonnell Music Publisher: Warner Chappell Music (ASCAP) Music Publisher: Kobalt Music Publisher: Wardlaw Music Music Publisher: Copyright Control Auto-generated by YouTube.

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"Macabre" is a 1958 American psychological thriller film directed by William Castle. It is notable for being one of the earliest examples of Castle's trademark gimmicks used to promote his films. The story centers around Dr. Rodney Barrett (played by William Prince), a physician in a small town who is faced with a horrifying situation when his daughter, Nancy (played by Susan Morrow), is kidnapped. The kidnapper threatens to kill Nancy unless Dr. Barrett can deliver $10,000 in ransom money within 24 hours. As Dr. Barrett races against time to gather the ransom money, he becomes entangled in a series of mysterious and suspenseful events. The film explores themes of desperation, guilt, and the lengths a parent will go to in order to save their child. "Macabre" is known for its intense atmosphere and suspenseful storytelling. However, it is perhaps most famous for Castle's promotional gimmick known as the "Fright Break." Before the film's climax, Castle appears on screen and invites audience members who are too scared to continue watching to leave the theater and receive a full refund of their admission ticket. This gimmick added an extra layer of excitement and anticipation to the viewing experience. Despite its relatively low budget and modest production values, "Macabre" was a commercial success and helped establish William Castle's reputation as a master of cinematic suspense.

Via: https://youtube.com

'I Fell, It's Fine' | First BTS Clip | In a reality where love often leads to constant pain, can we still discover a love that endures beyond a lifetime? I Fell, It's Fine is Wide International's debut GL movie starring Glaiza De Castro and Rhian Ramos. Directed by Sigrid Bernardo Produced by Wide International Film & Entertainment No copyright infringement intended for this music version.

Via: https://www.beatport.com

Born and raised in the Chicago Underground scene, Gettoblaster is committed to preserving the essence of Chicago House Music Sound. Drawing inspiration from Chicago & Detroit's warehouse scene, he has crafted his own unique sound by blending elements of his influences with a modern production edge and quality. While maintaining the original groove of Chicago, Gettoblaster's music has garnered widespread support, with #1 positions on Beatport, charting on every major music platform, and nominations for dance music awards on Pitbull's Globalization XM Sirius. His tracks are featured consistently on top playlists on streaming platforms like Spotify and Apple Music. Gettoblaster's music is characterized by big, powerful basslines, crispy percussion, and addictive hooks that linger in your mind for days. His tracks have not only resonated with his own audiences but have also found regular rotation among the world's top DJs, including Carl Cox, Laurent Garnier, Solomun, Dom Dolla, Patrick Topping, Chris Lake, Claptone, Dennis Ferret, Dixon, Dombresky, Tale Of Us, Seth Troxler, Hugel, A-Trak, Felix Da Housecat, Marco Carola, Shiba San, Tchami, Malaa and many more. Featured in Mixmag, DJ Mag, DJ Times, BBC Radio 1, Pitbull's Globalization on Sirius XM, Dancing Astronaut, EDM.com, and other media outlets, Gettoblaster has made a significant impact on the music scene. He has released tracks on nearly every bucket list label he set his eyes on, including Defected, Chris Lake's Black Book, DFTD, Glitterbox, Claude Vonstroke's Dirtybird, Patrick Topping's Trick, Spacedisco, Desert Hearts, Safe Music, Moody Recordings, Rawthentic, Movelltrax, Trax Records, Basement Leak, Superfett, Yousef's Circus Recordings, Steve Aoki's Dim Mak Records, Glasgow Underground, Lee Foss's Repopulate Mars, Too Many Rules, Claptone's Different Records, and many more. With records like these, it's no surprise that Gettoblaster has had the #1 Original House track of the year on Beatport's year-end chart. His track "H O U S E" featuring Missy was also the #16 track of the year across all genres. Additionally, he was named the #10 biggest tech house artist of the year on Traxsource. Every track released by Gettoblaster has hit top 100 positions and garnered millions of streams on Spotify, Apple Music, and other platforms. In addition to his studio productions, Gettoblaster's live performances as a DJ have earned him spots on the main stage of prestigious festivals such as North Coast Music Festival, Spring Awakening, Brooklyn Mirage, Sunset Music Festival, Movement Festival(Minni), Lights All Night Festival, Break Away Music Festival, Dirtybird BBQ, Dirtybird Campout, Dirtybird Camp Inn, and a residency for three years at Discopussy in Las Vegas. He has performed across North America, South America, Ibiza, and beyond. Their first release of 2020, Gettoblaster & DJ Deeon “The 302” EP on UK’s Patrick Topping’s label “Trick” featuring remixes from Paul Johnson and DJ Haus along with a Patrick Topping Edit has been on steady rotation from BBC Radio 1's Pete Tong, Annie Mac & Danny Howard to techno icon Marco Carola. They also did the annnual DJ Mix for Dirtybird’s Miami Compilation 2020. No doubt 2020 will be a great year for the duo, with festival announcements and performances lined up around the world. Make sure you catch these two on a danceoor near you.

Via: https://virtualjerusalem.com

A federal judge ordered mental health treatment and over $19,000 in restitution for Dan Sohail, determining the January car crash was a property crime driven by mental illness, not a hate crime.

Via: https://www.digital-news.it

Questa sera su Cinema per i clienti Sky (e in streaming su NOW) ci attende una selezione di film emozionanti e variegati. » Scopri il palinsesto

Via: https://youtube.com

From the album "Serpentime" 1993, Silent Scream Records DISCLAIMER: No copyright infringement intended.

Via: https://scallywagandvagabond.com

Brianna Coppage Missouri English teacher at St Clair H.S suspended after it's revealed she has an OnlyFans account as questions are raised.

Via: https://www.astrospace.it

Avrà 24 antenne da 40 metri il Core Array, il futuro ampliamento del radiotelescopio FAST, in Cina. Insieme alla parabola da 500 metri...

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Provided to YouTube by Parlophone Czech Republic Eloise · Bára Basiková 60ta ℗ 1994 The Copyright in this sound recording is owned by EMI Czech Republic s.r.o. Keyboards: Martin Nemec Keyboards, Percussion: Pavel Nedoma Mixer: Petr Kocfelda Bass: Petr Kohut Bass Guitar: Petr Kohut Guitar: Tomá Valáek Guitar: Tomáš Valášek Arranger: Basic Beat Composer: Eduard Krecmar Arranger: Martin Nemec Composer: Paul Ryan Auto-generated by YouTube.

Via: https://youtube.com

SPK - Dokument 1979 Label | Beam Ends, 2007 No copyright infringement intended.Copyright belongs to the Record Label/Company and the Artist From backcover: «The document you now hold in your hands features the first-ever SPK live show. It was recorded on 21 April 1979 by soundman Ken West at Garibaldi's in Sydney, Australia. That night SPK debuted as support band to australian punkers Voigt/465. SPK's 20 minute set features Slogan, Panik, Mekano and Kontakt. Between the songs are lenghty pauses. Used tore-patch synthesizers, tunings and false starts. In order to keep the unique ambience of that evening, SPK's set is presented here in its entirety in the best possible sound quality. This is at it was.» Clear polycarbonate lathe-cut done by Peter King. Limited numbered edition of 21 copies only, hand-stamped on white labels.

Via: https://youtube.com

© TO OWNERS & COPYRIGHT HOLDERS: This channel is created to promote magnificent Albums. Absolutely, NO COPYRIGHT INFRINGEMENT INTENDED. This CHANNEL CLAIMS NO RIGHTS OR OWNERSHIP over the contents posted. Tracklist: 1.- In the Presence of Enemies - Part I (0:00) 2.- Forsaken (9:00) 3.- Constant Motion (14:35) 4.- The Dark Eternal Night (21:31) 5.- Repentance (30:24) 6.- Prophets Of War (41:07) 7.- The Ministry Of Lost Souls (47:08) 8.- In the Presence of Enemies - Part II (1:02:05) Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Via: https://youtube.com

This is a fully high definition copy of George Fitzmaurice's drama, starring Rudolph Valentino and Vilma Bánky. I do not own the rights to the film, nor am I profiting from it. The picture is in the public domain.

Via: https://www.lulu.com

Jeffery, Janet and Catherine spend their summer school holidays swimming and riding horses in the foothills of the Drakensberg mountains of South Africa. But then they have to deal with bullying teenagers who are into witchcraft, poachers, and the strange guardian of a cave of Bushman paintings. And just when it seems that things couldn’t possibly get worse, the children stumble across a secret government project that the police think they know far too much about.

Via: https://www.lacucinaitaliana.it

Tonno, pesce spada, gamberi, calamari e branzino: scoprite come preparare una grigliata di pesce saporita senza commettere gli errori più comuni

Via: https://youtube.com

Disclaimer: I do not own copyrights to this music or video. Music is by Tool and video is made by @GodbatReigns. I only like his videos and think it is shame they are not uploaded for everyone to enjoy them

Via: https://youtube.com

Provided to YouTube by The Orchard Enterprises Malibu Yurt · Charles Brand Monsoons ℗ 2014 Charles Brand, under exclusive license to Yebo Music, LLC Released on: 2015-02-20 Music Publisher: Copyright Control Auto-generated by YouTube.

Via: https://music.youtube.com

Provided to YouTube by Universal Music Group I Heard It Through The Grapevine (Single Version) · Marvin Gaye The Very Best Of Marvin Gaye ℗ 1968 Motown Records, a Division of UMG Recordings, Inc. Released on: 1997-08-12 Producer, Composer Lyricist: Norman Whitfield Vocalist: Marvin Gaye Background Vocalist: The Andantes Ensemble: The Funk Brothers Ensemble: Detroit Symphony Orchestra Stringarranger: Paul Riser Composer Lyricist: Barrett Strong Auto-generated by YouTube.

Via: https://www.lacucinaitaliana.it

Una crema insolita e deliziosa, che conquisterà i vostri ospiti grazie all'inconfondibile carattere di limone e capperi: scoprite la ricetta per prepararla

Via: https://youtube.com

ติดตามเราได้ที่นี่ Facebook: translatesongstudio TikTok: translate.song.studio Youtube: translatesongstudio ................................................................................... ⭐️ Disclaimer ⭐️ © If any author or copyright owner has an issue with any of the material we use, please contact us and we will delete it immediately. ➡ 002suprapolarbram@gmail.com

Via: https://www.siskelfilmcenter.org

Afrofuturist art star Cauleen Smith’s UCLA thesis film embeds an incisive look at racial injustice within a lovingly handmade buddy movie-murder mystery-romance. Observing the alarming rate at which the young Black men around her are dying, Oakland art student Pica begins preserving their existence in snapshots, along the way forging a friendship with a gender-nonconforming young woman, and being drawn into the search for a serial killer who is terrorizing the city.

Via: https://youtube.com

Track 6 from their fourth album “2112” released in 1976 copyright Anthem Records and recorded at Toronto Sound Studios. After the disappointing sales of their previous album “Caress of Steel” the band was in jeopardy of losing their recording contract. They were given a last chance to prove themselves with one more album. It was written on the road in hotel rooms and their touring van over six months and recorded in four weeks. Neil Peart’s inspiration for the title track was author Ayn Rand’s 1937 novella “Anthem” about a futuristic dystopian society. Peart’s powerful story features an oppressive government of the future that controls every aspect of its citizen’s lives. It follows one man’s desire to have the freedom to express himself through his own music, an opportunity he's never had until he discovers an ancient, discarded guitar. He considers his find a revelation, not realizing that musical instruments were long ago outlawed by the high priests who rule The Planets of the Solar Federation. In the end he realizes he’ll never have the freedom he seeks and decides to end his life. It was the band’s breakthrough and received excellent reviews. It reached No. 5 in Canada, No. 33 in Sweden and No. 61 on the Billboard chart. It went Gold in the U.K., 2X Platinum in Canada and 3X Platinum in the U.S. It became their second best-selling release behind “Moving Pictures.” This was their second album cover designed by Hugh Syme, who would be involved with all their subsequent releases. He designed the "Starman" emblem for this album and it was adopted as the band's logo. Written by Neil Peart & Geddy Lee and produced by Rush & Terry Brown. RIP Neil Peart. Featuring: Geddy Lee – Lead vocals & bass Alex Lifeson– Lead, rhythm, classical & acoustic guitars Neil Peart – Drums & percussion Special Guest: Hugh Syme – ARP Odyssey synthesizer, guitar synthesizer & Mellotron on “Tears” Waiting for the winds of change To sweep the clouds away Waiting for the rainbow’s end To cast its gold your way Countless ways you pass the days Waiting for someone to call And turn your world around Looking for an answer To the questions you have found Looking for an open door Well, you don’t get something for nothing You can't have freedom for free You won’t get wise with the sleep still in your eyes No matter what your dream might be, yeah No, you don’t get something for nothing You can't have freedom for free You won’t get wise with the sleep still in your eyes No matter what your dream might be, yeah What you own is your own kingdom What you do is your own glory What you love is your own power What you live is your own story In your head is the answer Let it guide you along Let your heart be the anchor And the beat of your song Oh, you don’t get something for nothing You can't have freedom for free, no Well, you don't get something for nothing You can't have freedom for free, no

Via: https://www.nicovideo.jp

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Track 3 from their seventh album “A Trick Of The Tail” released in 1976, copyright ATCO Records. This was their first album since Peter Gabriel’s departure, and Phil Collins, in addition to being the drummer, now became the lead vocalist. The album achieved Gold status in 1990. Recorded from the original vinyl. Written by Mike Rutherford & Tony Banks and produced by David Hentschel & Genesis. Featuring: Phil Collins - Lead vocals, drums, percussion & background vocals Mike Rutherford – 12-string guitars, bass & bass pedals Tony Banks – Pianos, synthesizers, organ, Mellotron, 12-string guitars & background vocals Steve Hackett – Lead, rhythm & 12-string guitars Like father like son Not flesh nor fish nor bone A red rag hangs from an open mouth Alive at both ends but a little dead in the middle A-tumbling and a-bumbling he will go All the King's horses and all the King's men Could never put a smile on that face He's a sly one, he's a shy one Wouldn't you be too? Scared to be left on his own Hasn't a, hasn't a friend to play with, the Ugly Duckling The pressure on, the bubble will burst before our eyes All the while in perfect time His tears are falling on the ground But if you don't stand up, you don't stand a chance You don't stand a chance Go a little faster now, you might get there in time Mirror, mirror on the wall His heart was broken long before he ever came to you Stop your tears from falling The trail they leave is very clear for all to see at night All to see at night They go at night In season, out of season What's the difference when you don't know the reason In one hand bread, the other a stone The hunter enters the forest All are not huntsmen who can blow the huntsman's horn By the look of this one you've not got much to fear Here I am, I'm very fierce and frightening Come to match my skill to yours Now listen here, listen to me, don't you run away now I am a friend, I'd really like to play with you Making noises my little furry friend would make I'll trick him, then I'll kick him into my sack You better watch out, you better watch out I've got you, I've got you, you'll never get away Walking home that night The sack across my back, the sound of sobbing on my shoulder. When suddenly it stopped I opened up the sack, all that I had A pool of bubbles and tears, just a pool of tears Just a pool of tears All in all, you are a very dying race Placing trust upon a cruel world You never had the things you thought you should have had And you'll not get them now And all the while in perfect time Your tears are falling on the ground (The Squonk is of a very retiring disposition and due to its ugliness, weeps constantly. It is easy prey for hunters who simply follow a tear-stained trail. When cornered it will dissolve itself into tears. True or false?)