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Via: https://www.britishmotormuseum.co.uk
A Heritage Certificate is a certified copy of your car's entry in the original factory ledger, showing the specification as it left the production line.
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Taulard - Sombre et inquiet - sur l'album (EP) "Taulard / Ultrademon" (2016) No copyright infringement is intended. Used for the Artist's promotional purposes only. Vous pouvez me contacter par email pour que je retire et supprime votre titre
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Buy on iTunes: Taken from Franco / Le TP OK Jazz « Francophonic, Vol. 2 » Extrait de Franco / Le TP OK Jazz « Francophonic, Vol. 2 » Production: Editions Populaires
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A video about rocks. I do not own the video and no infringement of copyrights is intended. - In Honor of Tracey Heet - Mother, Teacher, and Leader. MAY 4, 1970 – JUNE 7, 2021
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The Rescuers Down Under (1990) The R.A.S. agents, Miss Bianca and Bernard, race to Australia to save a boy and a rare golden eagle from a murderous poacher. Directors: Hendel Butoy, Mike Gabriel Writers: Jim Cox (animation screenplay by), Karey Kirkpatrick (animation screenplay by) Stars: Bob Newhart, Eva Gabor, John Candy
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Couldn't find any videos for this on here so I uploaded one Lyrics: All eyes on me, center of the pit Feelin' good and feelin' free, let's move this shit When I'm at the throne of judgement people wearing Diamont Cut shirts will condemn me for all of my sins Judgemental piece of shit take your skateboard home and just fucking quit I'll tear those snake bites right out your lips All I see is skinny jeans, judging eyes, and tiny gauges You are all so much cooler than me My buddy wants to mack on the bitch in the red shorts He's as hard as a rock right now Talk about a boner He keeps on asking me for her number I've never been attracted to that bitch Cause I'm not into skinny ass scene chicks Nobody here even likes music They're just here to jump some stupid kid for talking shit This kid's crew and that kid's crew They just wanna fuck with you Why don't we turn the music up And shut the fuck up? (Stein) My scene is dead because of you Aesthetics, and the music too You sing about things you'll never fucking do And on top of that disgrace, you bring it to my favorite place Put holes in the wall, and I'll break your fucking face Judgemental piece of shit take your skateboard home and just fucking quit I'll tear those snake bites right out your lips Jack Starkey got a black eye I think he's gonna cry Like it's the end of the world and he's gonna die! Oh my god our so cool, You're smoking Newports Jack still wants the marry that girl in red shorts I love this music I hate these kids All eyes on me, center of the pit Feelin' good and feelin' free, let's move this shit When I'm at the throne of judgement people wearing Diamont Cut shirts will condemn me for all of my sins Judgemental piece of shit take your skateboard home and just fucking quit I'll tear those snake bites right out your lips All you kids in the crowd I'll turn your smiles upside-down
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WM 1978 in Argentinien Schnipptainment präsentiert.....! Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Sollte ich jemanden mit diesem Video persönlich verletzt haben, so war dieses nicht meine Absicht. Sollte dieser Fall eingetreten sein, bitte ich darum, mich darüber in Kenntnis zu setzten, damit ich das Video ggf. entfernen kann. (Sollten mir Rechtschreib- oder Kommafehler unterlaufen sein, so bitte ich um Nachsicht.) #Fußball #DFBteam #DieMannschaft
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Redemption of the Damned is a survival horror in the scenery of 19th century Europe.You are Professor Abraham Van Helsing who was summoned to a distant village to investigate a series of grisly murders. You were ambushed and when you wake up you discover things are more dire than expected.
Via: https://ricette.giallozafferano.it
Le fettine di lonza alla paprika sono un secondo piatto di carne sfizioso e saporito, con patate al forno. Scopri procedimento, dosi e consigli!
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Provided to YouTube by Pschent Un Heil · Heyoka Demain sera... ℗ 1996 Heyoka Released on: 1996-02-06 Music Publisher: Copyright Control Composer, Author: Heyoka Auto-generated by YouTube.
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"Fortune" is a silent film directed by musician Naomi Yang (formerly of Galaxie 500), with original soundtrack by her band Damon & Naomi. THE STORY: NORMAN’s father was a society portrait painter. After his father’s death, Norman faces the burden of inheriting his father’s life’s work. He struggles with conflicting feelings about a man who was a gifted artist, but a difficult and unsupportive father. In this emotional journey Norman reconnects with his own artistic nature, something that had not been possible while his father was alive -- finally emerging from his father’s shadow, and the shadow of his grief. ABOUT FORTUNE: “Fortune” was entirely lighted and shot by Naomi Yang on DSLR. The edit is a collaboration between Naomi Yang and acclaimed experimental filmmaker and editor Nathaniel Dorsky. Damon & Naomi and their previous band Galaxie 500's music has been used as soundtrack in films including “The Perks of Being a Wallflower,” and “Greenberg”; and on TV shows including “The Sopranos,” and “The Ghost Whisperer.” “It feels like Damon & Naomi have always been around to soundtrack the inner lives of melancholy dreamers smart enough to seek them out.” (All Music Guide review for Damon & Naomi’s most recent album “False Beats and True Hearts,” 2011) CAST: Norman von Holtzendorff Anabel Vázquez Rodríguez Naomi Yang CREDITS: photographed & edited by Naomi Yang consulting editor Nathaniel Dorsky music by Damon & Naomi DIRECTOR’S STATEMENT: The idea of a silent movie for which we would then write a soundtrack came to me in Turin, Italy, December 2011. Damon and I were on tour behind our most recent album, and arrived in town to perform at a venue called “Blah Blah” -- which from its name sounded like it had a 100% rock pedigree, but which turned out in fact to be the oldest movie theater in Turin. The room was a haunted gem, with a tiny projection booth accessible only from a narrow anonymous door under the arcades on the main street in town. The venue asked if we wanted to show a film or a DVD behind our musical performance; we were sorry not to take advantage of this opportunity. But there happened to be a used book and DVD stall just outside the venue, so we went looking for a film that we could perhaps use during the show and found a copy of Paul Leni’s 1924 “Waxworks.” We decided to take a chance and had the venue screen it behind our show, sight unseen. The combination turned out to work so well, that we continued to play in front of this film throughout the rest of our Italian tour. It also inspired me to film my own “silent movie,” for which we could deliberately write the music. I enlisted the help of my old friend Norman von Holtzendorff, who has a similar love of silent movies as well as a melodramatic flair. In addition to a common aesthetic, we shared the fact that each of us had lost our fathers in the past year, and both of our fathers had been artists who left us with the enormous responsibility for taking care of their life’s work. Norman and I each now had a storage space filled with our respective father’s work, and we were both trying to cope with the responsibility. And similarly, while each of us deeply admired our fathers’ artistic work, we had also both struggled throughout our adult lives with the aftermath of their flawed parenting. We set out to in some way record this duality. I used my father’s old tripod and the lenses he had left me, filming Norman surrounding himself with his father’s image and paintings and exploring his own gender identity, which had been a source of friction between himself and his father. We worked together over the course of a year -- screening the footage in between shoots, planning the next determined by the footage that we had created. What started as a lark -- “Hey Norman, I am making a silent film, do you want to be my Theda Bara?” -- became a transformative experience for both of us. I think it allowed us each to gain distance on our fathers and their work -- to make use of what we had learned from them, but focus on what we hoped to achieve for ourselves and our own work.
Via: http://www.theguardian.com
Relatives say murdered soldier had friends of different cultures and would not want his death used as excuse for violence
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I DO NOT OWN THIS! All music and imagery belongs to the artists and labels who hold the rights to this song. No copyright infringement intended. Band: The Village Song: Long Time Coming The Village were active throughout the years of 1968 and 1969, consisting of Peter Bardens on keyboards, Bruce Thomas on bass guitar and Bill Porter on drums. This video contains the image of Peter Bardens' "The Answer" album, as that is where the two songs the band released now appear.
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Future Force - Iseedeath Vs Proteus - AD Police Files - AMV Kid Hideous aka Abstract Parasite
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Provided to YouTube by The Orchard Enterprises California Sun · Javier Batiz and The Famous Finks Javier Batiz And The Famous Finks ℗ 2010 Git It Records Released on: 2000-09-09 Music Publisher: Copyright Control Auto-generated by YouTube.
In this video, Wayne Pollock (Founder of Copo Strategies and the Law Firm Editorial Service) explains why the chatter about social media followers not mattering anymore is wrong, especially for...
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Gather 'round, folks. It’s time for us to have a serious conversation about a pressing issue that affects all of our lives, perhaps more profoundly than we might realize: the current state of the First Amendment. Yes, that essential part of our Constitution that guarantees our rights to freedom of speech, freedom of the press, and the right to assemble peacefully is under considerable scrutiny and, quite frankly, facing unprecedented challenges. Take recent events, for example. Think about the riots during the Black Lives Matter protests in 2020. While many people exercised their right to peacefully assemble and voice their grievances, instances of media coverage showed journalists being attacked or arrested for simply doing their jobs. In one notable case, a CNN reporter was apprehended live on air while covering a protest in Minneapolis, raising alarm bells about the safety of reporters during civil unrest. This is not an isolated incident. Journalists across the country have reported increased hostility and even aggressive treatment, from being pushed away by law enforcement to being labeled as “fake news” or “the enemy of the people.” Such turmoil creates an atmosphere where the honest pursuit of truth becomes a perilous endeavor. When reporting the facts about significant issues turns into a dare, the very framework of accountability that sustains our democracy begins to wobble and fracture. Public photography, which many people once approached as a simple and harmless act, has morphed into a situation fraught with tension and unease. There are numerous examples of photographers being confronted while trying to capture candid moments in public spaces. In 2014, a tourist was filming a video on a public beach in California when a security guard confronted him, accusing him of violating the law and threatening to call the police. What should have been an innocent snapshot of life suddenly escalated into an uncomfortable confrontation. Stories like this highlight a concerning trend where people hesitate to document the world around them, fearing that their actions may provoke hostility or even legal repercussions. It’s shocking to consider that a straightforward photograph could trigger such extreme reactions; it leads us to confront a grim reality: at what point does our inherent right to freely capture moments in public begin to disintegrate under the weight of societal pushback? What’s even more alarming is the prospect that our inaction might contribute to a future in which these fundamental freedoms are gradually stripped away, piece by piece. If we choose to remain silent and disengaged, we risk overlooking the slow but insidious erosion of our rights—until one day, we awaken to a daunting reality where our freedoms exist solely as faint echoes of their former selves. Take the example of various laws passed in certain states limiting protests or imposing hefty penalties for obstructing traffic during demonstrative assemblies. The chilling effect of such legislation serves to stifle vibrant public discourse, pushing dissent underground rather than allowing it to thrive freely in the sunlight. So, what can we do in the face of these deeply concerning developments? Now, more than ever, we must be vigilant and proactive in fighting for our First Amendment rights. We need to collectively raise our voices and advocate fiercely against any efforts designed to silence dissent or dampen open dialogue. This issue goes far beyond merely defending free speech; it’s about ensuring the very core of our democracy remains intact, allowing the voices of the people to be heard clearly and resoundingly. Consider the reaction to tech companies’ decisions to ban controversial figures from various social platforms in recent years. While some view this as a necessary step for protecting users from hate speech, others argue that it sets a dangerous precedent for censorship, ultimately stifling open dialogues. If we don't take decisive action and engage with these complex issues, we may find ourselves trapped in a precarious future where expressing opinions comes with significant risks, and where the rich marketplace of ideas we once took for granted is silenced. We must confront this sobering thought together—our liberties and the very identity of our society hang in the balance. It’s imperative that we remain engaged, mobilize our communities, and be prepared to defend our essential freedoms with unwavering determination before it’s too late. The stakes have never been higher, and the future of our collective rights depends on our willingness to act decisively and courageously in these critical times. Let us look to history as our guide, remember the sacrifices made for these freedoms, and ensure that we don’t allow indifference to pave the way for their diminishment. Together, we can make the necessary changes to uphold the ideals upon which this nation was built.
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Provided to YouTube by Epitaph Liar · Magnolia Park Halloween Mixtape ℗ 2021 Epitaph Released on: 2021-10-29 Producer: Andrew Wade Music Publisher: Copyright Control Composer: Tristan Torres Lyricist: Tristan Torres Composer: Vincent Ernst Lyricist: Vincent Ernst Composer: Joshua Roberts Lyricist: Joshua Roberts Composer: Jared Kay Lyricist: Jared Kay Composer: Andrew Wade Lyricist: Andrew Wade Composer: Freddie Criales Lyricist: Freddie Criales Composer: Joe Horsham Lyricist: Joe Horsham Auto-generated by YouTube.
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I do not own the copyrights to any of the contents of this video.
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Lecture by Tri-Centric president James Fei on the music of Anthony Braxton. Introduction by Ross Karre, co-artistic director of the International Contemporary Ensemble. Presented by the International Contemporary Ensemble and The New School's College of Performing Arts (CoPA) as part of their Ensemble Evolution web series.
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Taken from the original 10" limited edition album, "A Graveyard Of Empty Bottles". Re-recorded for the "Errol Flynn" (USA: "King Of The Thieves") album published in September 1989 The copyright to this recording is owned by China Records and The Dogs D'Amour
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Extraterestrii sunt demonii (dracii). Scopul vietii este mantuirea iar ortodoxia singura cale spre ea.
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Sunday will be Islanders’ last chance for coffee, cake and kindness at Mocha Mott’s in Vineyard Haven, which is closing its doors in advance of the building’s sale to Island coffee chain Toccopuro.
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Anytime someone decides to “think” and then “expound” about the craft of woodworking, you can be sure that a copy of David Pye’s “The Nature and Art of
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The Carina Nebula, one of the largest and brightest nebulae in the night sky, has been beautifully imaged by ESO’s VISTA telescope at the Paranal Observatory in Chile. By observing in infrared light, VISTA has peered through the hot gas and dark dust enshrouding the nebula to show us myriad stars, both newborn and in their death throes.
