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Grateful Dead 12/3/1979 Uptown Theatre - Chicago, Illinois Artwork by Tyler Crook ~Set I~ Alabama Getaway ~ Promised Land Brown-Eyed Women El Paso Ramble On Rose It's All Over Now Jack-A-Roe Lazy Lightning ~ Supplication Althea The Music Never Stopped ~Set II~ Scarlet Begonias ~ Fire on the Mountain Samson and Delilah Terrapin Station ~ Playing in the Band ~ Drums ~ Space ~ Lost Sailor ~ Saint of Circumstance ~ Wharf Rat ~ Truckin' ~Encore ~ Johnny B. Goode Jerry Garcia – guitar, vocals Mickey Hart – drums Bill Kreutzmann – drums Phil Lesh – bass Brent Mydland – keyboards, vocals Bob Weir – guitar, vocals Recording by Dan Healy theseventyseven77 YouTube channel does not place ads. Revenue made by YouTube-generated advertisements go to the copyright owners. Utilize an Ad-blocker to block out ads.

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Failed presidential candidate Hillary Clinton is giving proceeds from her online merchandise sales to an anti-police organization, as well as to the pro-immigration group that last year stalked Sen. Kyrsten Sinema (D., Ariz.) in a bathroom.

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An episode from the classic BBC 1950s children's TV programme "Bill and Ben". Flowerpot men voices were by Peter Hawkins, who also did the voices of the Daleks in the 1960's Doctor Who series. From Wikipedia: The Flower Pot Men is a British children's programme, produced by BBC television, first transmitted in 1952, and repeated regularly for more than twenty years, which was produced in a new version in 2000. The show was the basis for a comic strip of the same name in the children's magazine Robin. Originally, the programme was part of a BBC children's television series titled Watch with Mother, with a different programme each weekday, most of them involving string puppets. The Flower Pot Men was the story of two little men made of flower pots who lived at the bottom of an English suburban garden. The characters were devised by Freda Lingstrom and Maria Bird. Three later stories were written by Hilda Brabban. The puppeteers were Audrey Atterbury and Molly Gibson. The voices and other noises were produced by Peter Hawkins, Gladys Whitred and Julia Williams. The narration for all episodes was done by Maria Bird. The plot changed little in each episode. The programme always took place in a garden, behind a potting shed. The third character was Little Weed, of indeterminate species, somewhat resembling a sunflower or dandelion with a smiling face, growing between two large flowerpots. The three were also sometimes visited by a tortoise called Slowcoach. While the "man who worked in the garden" was away having his dinner the two Flower Pot Men, Bill and Ben, emerged from the two flowerpots. After a minor adventure a minor mishap occurs; someone is guilty. "Which of those two flower pot men, was it Bill or was it Ben?" the narrator trills, in a quavering soprano; the villain confesses; the gardener's footsteps are heard coming up the garden path; the Flower Pot Men vanish into their pots and the closing credits roll. The final punch-line was, "and I think the little house knew something about it! Don't you?" The Flower Pot Men spoke their own, highly inflected version of English, called Oddle Poddle. However, the popular notion that they ever said "Flobbalob" or "Flobbadob" is an urban myth; if one listened carefully to their banter, one could hear words like "Loblob" ("lovely") and "Flobberpop" ("flowerpot"), either of which could have given rise to the urban myth. At the end of each adventure, they would say bye-bye to each other and to the Little Weed - "Babap ickle Weed" - to which the Weed would inevitably reply with tremulous cadence "Weeeeeeeeeeed". This language, like that of the Teletubbies in the 1990s, was invented by Peter Hawkins (who also voiced the Daleks) and was criticised for hindering children from learning proper English. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. NO COPYRIGHT INFRINGEMENT INTENDED

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Phonographic Copyright (p) – Guevara / Bourgoin Published By – Intersong Printed By – Montreuil Offset Published By – M.N. Tevel Pressed By – PRS, Louviers Distributed By – Barclay Crédits Arranged By [Arrangements], Producer [Réalisation] – Yves Martin Illustration [Dessin] – Denis Hoch Layout – Magma (21) Photography By [Photos] – Darius Khondji Producer [Production] – Presgurvic*, Bourgoin* Remix [Remixage] – Dominique Blanc Francard* Written-By – Gérard Presgurvic, Philippe Bourgoin

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The Canadian Anti-Fraud Centre (CAFC) collects information on fraud and identity theft. We provide information on past and current scams affecting Canadians. / Le Centre antifraude du Canada (CAFC) recueille de l'information sur la fraude et le vol d'identité. Il fournit des renseignements sur les fraudes passées et courantes touchant les Canadiens.

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Provided to YouTube by Universal Music Group Él No Eres Tú · Los Horóscopos De Durango Desatados ℗ 2006 Disa Latin Music A Division Of UMG Recordings Inc. Released on: 2006-01-01 Producer: Armando Terrazas Composer Lyricist: Carlos Alberto Agundiz Herrera Auto-generated by YouTube.

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At least 245 wild horses died as the result of 20 roundups in 2021-2022 (102556 signatures on petition)

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STUDIO SESSION FOR ROLAND JANES AT THE MEMPHIS RECORDING SERVICE FOR SUN RECORDS 1959 SUN RECORDING STUDIO 706 UNION AVENUE, MEMPHIS, TENNESSEE SUN SESSION: WEDNESDAY FEBRUARY 6-11, 1959 WEDNESDAY SESSION HOURS: UNKNOWN PRODUCER AND RECORDING ENGINEER - ROLAND JANES AND/OR ERNIE BARTON In addition to playing lead guitar on the early Jerry Lee Lewis records, Roland Janes had a great deal more to offer in that he could write, engineer and produce as well. Born in 1933 in Brookings, Arkansas, Roland came to Sun early in 1956 where he got his chance to shine some three years later. None of the sides cut at this session were commissioned, yet "Rolando" certainly impresses - despite its conspicuous melodic parallel with Buddy Holly's "Modern Don Juan". (SC) "ROLANDO'' (1) Composer: - Roland Janes Publisher: - B.M.I. - Copyright Control Matrix number: - None - Not Originally Issued (2:05) Recorded: - February 6-11, 1959 Released: - 1990 First appearance: - Bear Family Records (LP) 33rpm BFX 15340-3 mono ROLAND JANES - GUITARVILLE Reissued: - 1997 Charly Records (CD) 500/200rpm CPCD 8302-14 mono 706 UNION INSTRUMENTALS Name (Or. No. Of Instruments) Roland Janes - Guitar Billy Riley - Guitar Probably Jimmy Wilson - Piano Pat O'Neill - Bass Billy Weir or James M. Van Eaton - Drums Martin Willis - Tenor Saxophone Towards the end of the life of 706 Union as a recording studio, several members of the house band saw sessions logged under their own name. Roland Janes recorded a guitar figure known as ''Rolando'' featuring his own prowess with the axe as well as significant piano and sax solos from Jimmy Wilson and Martin Willis. Janes brought in singer Eddie Cash on ''Little Bitty Pretty Girl'' and ''Hey Good Lookin'', but these vocal sides were also designed to show off the band to maximum effect. After a long career in the music business around Memphis, Roland Janes later returned to the Phillips fold and still works at the Phillips Recording Studio to his death in 2013, but is clear which month the Janes sides were made, February, but the year is uncertain. 1958 is possible, but 1959 is more likely, not least because saxophonist Martin Willis and drummer Jimmy Van Eaton both led sessions that the same month in 1959. © - 706 UNION AVENUE SESSIONS - ©

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Focus World presents the true story of WikiLeaks founder Julian Assange's formative years as a teenage hacker, which set the stage for his later work as an activist, iconoclast, and controversial whistleblower. In 1980s Australia, Julian Assange (played by Alex Williams) is a teenager living in hiding with his brother and mother (Academy Award nominee Rachel Griffiths) while running away from a violent stepfather. Becoming one of the first hackers ever, Julian begins to access increasingly high-level and dangerous sites, gaining the attention of police detective Ken Roberts (Golden Globe Award winner Anthony LaPaglia). Technologically ill-equipped, the detective struggles to catch his quarry. But when Julian broaches a Pentagon database, the stakes are raised and the race to shut down the teenage hacker is on. (Original Title - Underground: The Julian Assange Story)

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Provided to YouTube by KudosRecords Finger Licking Chicken · The Radars Finger Licking Chicken ℗ Tramp Records Released on: 2016-05-20 Main Artist: The Radars Composer: S.Fulton Music Publisher: Copyright Control Auto-generated by YouTube.

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This documentary explains how skyscrapers were built in the 1910s without modern cranes, long before today’s construction technology existed. Engineers and workers relied on steam-powered hoists, derricks, pulleys, and manual labor to lift massive steel beams hundreds of feet into the air. We break down how materials were raised floor by floor, how rivet gangs worked at extreme heights, and why early skyscraper construction was both fast and incredibly dangerous. With minimal safety regulations and tight deadlines, crews pushed human endurance to its limits. From logistics to engineering ingenuity, this breakdown shows how early 20th-century builders reshaped city skylines — using tools that seem almost impossible by today’s standards.

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Explore the narrative, stylistic, and thematic connections between Michelangelo Antonioni's BLOW-UP, Francis Ford Coppola's THE CONVERSATION, and Brian De Palma's BLOW OUT with this video essay entitled "Cross-Cut." Note: This video essay originally began as a more theoretical project. The other drafts have been posted to Vimeo for the sake of pedagogy.

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From Season 24 of Walt Disney's Disneyland Anthology program, we have Episode 5: Halloween Hall O' Fame which originally aired on October 30th, 1977. It's Halloween Eve at the Disney Studios and a lonely watchman and his guard dog patrol the dark and deserted hallways. Entering a room full of props, the watchman begins to play-act several roles with them, only have one other props come to life. It's a jack-o'-lantern inside a crystal ball, and it argues with him about the history and true meaning of Halloween, using clips from several cartoons to prove its points. Jonathan Winters is plays the roles of The Watchman and Jack O' Lantern. Due to copyright I had to edit out Trick or Treat (Disney+), Pluto's Judgement Day (Walt Disney Treasures DVD - Mickey Mouse in Living Color) and The Legend of Sleepy Hollow (Disney+). Unfortunately, I don't have the original version of the episode that aired in 1977. Many fans are on the hunt for this version since it included the popular Halloween short, Lonesome Ghosts. This syndicated version also doesn't include the post credits scene of where Jonathan Winters and the Jack O' Lantern switch back to their original roles. I'm also having trouble coming up with the exact date of this airing which I believe is some time in 1987 due to the commercials and ad for the Disneyland State Fair promotion. My best guess is October 25th, 1987, but according to references The Shaggy Dog Part 2 aired on that date. I have included all of the advertisements that were broadcast with this airing for reference and enjoyment. For new fans to this channel, please go to my homepage and read about the channel, which serves as a survey of the Disneyland Anthology Television Series. I upload complete episodes whenever possible, maintaining strict adherence to copyright laws. This protects me and the hundreds of videos on the channel.

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Provided to YouTube by The state51 Conspiracy Re:Rise (Re:Search Mix) · Chris & Cosey Twist ℗ 1995 Conspiracy International Released on: 1995-12-31 Producer: Chris Carter Producer: Cosey Fanni Tutti Composer: Chris Carter Music Publisher: Copyright Control Composer: Cosey Fanni Tutti Lyricist: Cosey Fanni Tutti Auto-generated by YouTube.

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Thai police arrest a Chinese suspect in a major crypto laundering scheme involving over $74 million. Learn more here.

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Christ Church Glendale is an Episcopal Church serving the area of Cincinnati Ohio.

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Veteran cop Pete Malloy and his partner, rookie Jim Reed, rove the streets of Los Angeles in their LAPD patrol unit, 1-Adam-12. A spinoff of 'Dragnet,' 'Adam-12' portrays the officers' daily beat with gritty realism, from the tragic and brutal to the trivial and comic. During the show's seven-year run, viewers witness Reed blossom from probationer to full-fledged officer and Malloy earn the distinction of officer three plus one, just one rank below sergeant.

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Netanyahu faces charges of fraud, breach of trust and accepting bribes in a series of corruption cases stemming from ties to wealthy friends.

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《《淘汰》是陳奕迅演唱的一首歌曲，由周杰倫作詞、作曲，C.Y.Kong（江志仁）編曲，收錄在陳奕迅2007年4月24日發行的普通話專輯《認了吧》中。在2007年，該曲獲得TVB8金曲榜頒禮最佳編曲、最佳監製、金曲獎等三個獎項。 《淘汰》 作詞：周杰倫 作曲：周杰倫 編曲：C. Y. Kong 我說了所有的謊　你全都相信 簡單的我愛你　 你卻老不信 你書裡的劇情　 我不想上演 因為我喜歡　 喜劇收尾 我試過完美放棄　的確很踏實 醒來了夢散了　 你我都走散了 情歌的詞何必押韻　就算我是Ｋ歌之王 也不見得把　 愛情唱得完美 只能說我輸了　 也許是你怕了 我們的回憶沒有皺摺　你卻用離開燙下句點 只能說我認了　 你的不安贏得你信任 我卻得到你安慰的淘汰 我試過完美放棄　的確很踏實 醒來了夢散了　 你我都走散了 情歌的詞何必押韻　就算我是Ｋ歌之王 也不見得把　 愛情唱得完美 只能說我輸了　 也許是你怕了 我們的回憶沒有皺摺　你卻用離開燙下句點 只能說我認了　 你的不安贏得你信任 我卻得到你安慰的淘汰 只能說我輸了　 也許是你怕了 我們的回憶沒有皺摺　你卻用離開燙下句點 只能說我認了　 你的不安贏得你信任 我卻得到你安慰的淘汰 —————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————— 本頻道只是宣傳及分享作用，如版權方認為影片有侵權一事冒犯，請在影片留言板留言，我將會刪除影片。歌曲跟影片版權為歌手及其公司所擁有，如果喜歡他們的音樂 ♪ 請支持正版。 This channel is for promotional and sharing purposes only. If the copyright owner believes that the video is infringing, please leave comment and I will delete the video completely. The copyright of the song and video is owned by the singer and his company. If you like their music ♪ Please support the original version.

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Pink Floyd's 'Comfortably Numb' retold with cartoons. -∆= R3DUX studios & xystvyry PRODUCTIONS Copyright Disclaimer. Used under Fair Dealings. Copyright Act 1968 Div 3. Section 41A: "A fair dealing with a literary, dramatic, musical or artistic work, or with an adaptation of a literary, dramatic or musical work, does not constitute an infringement of the copyright in the work if it is for the purpose of parody or satire."

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Pierrot le Fou est un film franco-italien réalisé par Jean-Luc Godard et sorti en 1965. L'idée de départ du film prend sa source dans le roman américain Le Démon de onze heures de Lionel White, paru en 1962, même si le film s'en émancipe ensuite largement. Il s'agit du dixième long métrage de Godard, sorti entre Alphaville et Masculin féminin. L'intrigue suit Ferdinand (Jean-Paul Belmondo), un homme malheureux en ménage, qui fuit son mode de vie bourgeois et entame un périple de Paris à la mer Méditerranée avec Marianne (Anna Karina), une fille poursuivie par des tueurs à gages de l'OAS. Réalisation : Jean-Luc Godard, assistants : Jean-Pierre Léaud, Philippe Fourastié et Philippe Pouzenc Scénario : Jean-Luc Godard, et Rémo Forlani d'après Le Démon d'onze heures (Obsession), de Lionel White Musique : Antoine Duhamel et Cyrus Bassiak (alias Serge Rezvani) Anna Karina : Marianne Renoir La scène où Anna Karina dit sur la plage : Qu’est-ce que j'peux faire, j’sais pas quoi faire, Anna déclare en 2001 « Je l’ai dit un peu comme ça, par hasard, avant de tourner. C’était une scène où le personnage s’ennuie sur la plage alors que Pierrot est en train d’écrire, il est avec son perroquet. Et Jean-Luc m’a demandé de le répéter pendant la scène ». « [...] Personne ne sait mieux que Godard peindre l’ordre du désordre. [...] Le désordre de notre monde est sa matière, à l’issue des villes modernes, luisantes de néon et de formica, dans les quartiers suburbains ou les arrière-cours, ce que personne ne voit jamais avec les yeux de l’art, les poutrelles tordues, les machines rouillées, les déchets, les boîtes de conserves, des filins d’acier, tout ce bidonville de notre vie sans quoi nous ne pourrions vivre, mais que nous nous arrangeons pour ne pas voir. Et de cela comme de l’accident et du meurtre il fait la beauté. » — Louis Aragon Godard déclare « C'était un film complètement inconscient. Je n'ai jamais été aussi agité avant le tournage ; je n'avais rien, absolument rien ». Jean-Luc Godard a accrédité la légende d'un film improvisé sur le vif, sans scénario avant le début du tournage ; il s'agit en réalité d'un projet en gestation depuis 18 mois, dont la première trace est un contrat signé le 10 mars 1964 pour la cession des droits du roman Obsession de l'écrivain américain Lionel White, paru en France en 1963 sous le titre Le Démon de onze heures, dans le no 803 de la collection Série noire de Gallimard. Le projet initial comporte 27 séquences et est assez fidèle à la trame du roman ; le script, écrit sur une cinquantaine de feuillets, est parmi les plus détaillés du réalisateur franco-suisse. Il existe également un scénario signé par Remo Forlani, ébauché pour être montré lors de la coproduction. « Pierrot le Fou » était le surnom du bandit Pierre Loutrel, déclaré ennemi public n°1 à la fin des années 1940 et ancien collaborateur de la Gestapo pendant l'occupation, dont l'histoire avait été popularisée en 1948 par la revue policière à sensation Détective, qui soulignait que le criminel vivait dans une chambre dont les murs étaient tapissés de photos de vedettes de cinéma. Dans l'après-guerre, Loutrel est mis en exergue par les Situationnistes comme héros antisocial. Pourtant, d'après les dires de Jean-Luc Godard à l'occasion de la sélection de Pierrot le Fou à la Mostra de Venise 1965, le titre de son film ne fait pas référence à Loutrel. Selon son biographe Antoine de Baecque, Godard fait bien référence à Loutrel avec ce titre mais il en joue, jusque dans les dialogues du film où, à plusieurs reprises, Belmondo déclare « je ne suis pas Pierrot ». En 1977, le film Le Gang de Jacques Deray avec Alain Delon est plus directement un film biographique sur Loutrel. Pendant le tournage, en Provence, Godard écoute sur l'autoradio une chanson interprétée par la voix de Jeanne Moreau, et apprend par un assistant que l'auteur des paroles, Serge Rezvani, alias Cyrus Bassiak, habite à quelques kilomètres du lieu de tournage. Il va le voir et lui fait écrire deux chansons pour la bande originale, destinées à la voix d'Anna Karina : Jamais je ne t'ai dit que je t'aimerais toujours, ô mon amour (qu'elle chante en direct lors d'une longue prise dans le premier appartement où s'abritent les deux protagonistes après leur fuite commune), et la célèbre Ma ligne de chance, également chantée en direct dans la pinède. La bande originale est signée Antoine Duhamel, dont le nom a été proposé à Godard par sa femme Anna Karina, qui avait déjà chanté ses compositions. Lors du pré-montage, le réalisateur lui demande « deux ou trois thèmes de Schumann » ; ayant en tête la schizophrénie du compositeur autrichien, Duhamel travaille autour d'un dualisme Ferdinand-Pierrot comme symbole du dualisme émotion-violence.

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A police officer at 10 Downing Street decides to grasp Barack Obama's outstretched hand. But then the bobby tries to get handshake-cozy with Gordon Brown. GB ain't interested.

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David Bradford: The prospect of going blind isn't funny, but – as I've learned from those who know – not taking it too seriously could help me cope with my sight loss

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1971-72......#1 U.S. Billboard Hot 100, #1 U.S. Cash Box Top 100, #3 UK Singles Chart, #1 Canada, #2 Australia, #5 New Zealand Original video edited and AI remastered with HQ stereo sound. "A Horse with No Name" is a song by the folk rock band America, written by Dewey Bunnell. It was the band's first and most successful single, released in late 1971 in Europe and early 1972 in the United States, that topped the charts in Canada, Finland, and the United States. It was certified gold by the Recording Industry Association of America. Despite the song being banned by some U.S. radio stations because of supposed drug references to heroin use ("horse" is a common slang term for heroin), the song ascended to number one on the U.S. Billboard Hot 100, and the album quickly reached platinum status. The song charted earlier in Ireland (reaching number 4), the Netherlands (reaching number 11) and the UK (reaching number 3, the band's only Top 40 hit in the country than it did in the United States. The song's resemblance to some of Neil Young's work aroused some controversy. For example, in their review of "A Horse with No Name" Cash Box described America as "CSN&Y soundalikes." "I know that virtually everyone, on first hearing, assumed it was Neil", Bunnell said. "I never fully shied away from the fact that I was inspired by him. I think it's in the structure of the song as much as in the tone of his voice. It did hurt a little, because we got some pretty bad backlash. I've always attributed it more to people protecting their own heroes more than attacking me." By coincidence, it was "A Horse with No Name" that replaced Young's "Heart of Gold" at the number 1 spot on the U.S. pop chart. The single achieved sales of over 50,000 copies in Australia, being eligible for the award of a gold disc. The song has received criticism for its lyrics, including "The heat was hot"; "There were plants, and birds, and rocks, and things"; and "'Cause there ain't no one for to give you no pain." According to an anecdote from Robert Christgau, Randy Newman dismissed "A Horse With No Name" as a "song about a kid who thinks he’s taken acid". Penn Jillette asked the band about their lyrics, "there were plants, and birds, and rocks, and things" after a show in Atlantic City, where America opened for Penn & Teller. According to Jillette, their explanation for the lyrics was that they were intoxicated with cannabis while writing it. In a 2012 interview, Beckley disputed Jillette's story, saying, "I don't think Dew was stoned."

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Alors que la police française est régulièrement accusée de violence envers les manifestants, certains pays ont adapté leurs méthodes et se présentent comme des exemples sur le plan de la gestion des…

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Pubblica qui il tuo codice promozionale BBVA. Copia da qui un codice amico e apri un conto BBVA con bonus di 20€. Tutte le spiegazioni.

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Offerte telefonia mobile semplici e chiare, niente costi extra, zero vincoli e copertura in 4G e 5G: scopri tutti i vantaggi di ho.

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Invita i tuoi amici su Scalable e ricevi un bonus: scopri come funziona.

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Coperni's new Air Swipe Bag may look like a Photoshop job, but it's real and made from aerogel, the same material that NASA used on the space shuttle as well as the Mars rovers. Aerogel is currently the lightest known solid on Earth, which means the Air Swipe bag can be considered 99% pure nothing and 1% glass. View this post on Instagram A post shared by coperni (@coperni) Don't let its translucent look fool you, as the Air Swipe Bag can hold up to 4,000 times its weight and withstand temperatures up to 2,200° Fahrenheit. The bag itself weighs