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A Globo volta a dar uma mexida na sua programação nesta quarta-feira (1º) e quem vai sentir o impacto são os fãs de novelas.

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These days so many bestselling novels are written in “Close Third POV.” Veteran book editor Brenda Copeland tells you what it is—and how to achieve it.

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Provided to YouTube by PIAS Read About Seymour · Swell Maps Train Out of It ℗ The copyright in this compilation is owned by Mute Records Ltd Released on: 1991-01-01 Composer: Nikki Sudden Auto-generated by YouTube.

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— O Rei Leão (1994) — Música: Se Preparem DUBLADORES Scar: Jorgeh Ramos Banzai: Hércules Franco Shenzi: Carmen Sheila "A música é cantada por Scar no filme em forma de explicação para as hienas, seu plano é matar Simba, e se tornar o novo rei." "O filme é inspirado na peça teatral Hamlet, de Shakespeare: Narra a história do jovem leão Simba, que sente-se culpado pelo assassinato do seu pai, o rei Mufasa e foge do seu Reino, sem saber que a morte foi orquestrada pelo seu tio Scar para tomar o poder. LETRA Eu sei que sua inteligência Nunca foi nem será generosa Mas prestem atenção com paciência Nas minhas palavras preciosas Quem presta atenção se concentra Pois quero que fiquem cientes Que quando um rei sai outro entra E é razão para ficarem contentes Se preparem para ter nova vida Uma vida sensacional Chegou nova era, a velha já era Shenzi: E a gente, aonde fica? Scar: Já tudo se explica Por sua presença, terão recompensa Quando eu ocupar o meu trono Injustiças farei com que parem Scar e Hienas Clã: Se preparem! Hienas Clã: O rei é um bom camarada E o povo vai logo adorar Scar: Vocês que serão mais amados Farão tudo que eu tramar Vou distribuir prêmios caros Pra amigos que estejam afim Mas quero deixar muito claro Não vão comer nada sem mim! Se preparem para o golpe do século Se preparem para a trama sombria (Hienas Clã: Oooh... la, la, la!) Bem premeditada (Hienas Clã: Golpe do rei) E bem calculada E um rei rejeitado Será coroado (Hienas Clã: Sem parar) Por isso eu disputo E por isso eu luto O trono terá que ser meu! Que os amigos não me desamparem Scar e Hienas Clã: Se Preparem! Todos: Que os amigos não me desamparem Se preparem! #OReiLeão #Disney Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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An interview with Marina Sirtis (Counselor Deanna Troi from Star Trek: The Next Generation) on a local news station in Los Angeles. NOTE: This is my 2nd attempt to upload. YouTube keeps cutting off my videos at 4:43, so I am trying different encoding formats. The clip at the beginning is from 7th season's "Dark Page". The interview itself was aired on November 8, 1993, and took place during the filming of "Homeward" from later in the 7th season. This is, in my opinion, the most beautiful and radiant I have seen Marina looking in ANY interview. This was originally on a VHS tape recorded at the 6-hour speed, so the quality isn't THAT great, but it's OK. I loved Patrick Stewart's screw-up of the guest character's name. :) The interview was done by a no-longer-existing station in Los Angeles called KCOP, Channel 13. We in San Diego were fortunate enough to be able to get Channel 13 if we had the right cable provider. This station aired the new TNG episodes at 9:00 PM on Monday nights, and then had news at 10:00. They often did short segments on Star Trek. This was before the existence of UPN. When UPN was formed, a local Channel 13 in San Diego was created and it was the UPN affiliate. Time permitting, I will try to post the other interviews mentioned at the end of this clip, at least those that I have. I don't have the one with Nana Visitor, but I do have Terry Farrell and Gates McFadden. Enjoy!

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Artist: Chris Clavin aka Ghost Mice Name: disconnected Album: All We Got Is Each Other Lyrics: They don't ask you to come over anymore They're afraid of what you might take They're afraid of what you might break And they're afraid that you're freak out But most of all they're worried about the message you might make 'Cos they don't want a mess they don't want to admit That there are things beyond our control But if they look into your wild wild eyes Well they will know, they will know, they will know They don't wanna know They can't take it, so they don't call you anymore That's why they don't call you anymore When you got to the hospital Well you're gonna have to do it on your own, all alone You get arrested and they take you to jail Your friends won't come to visit you And they won't pay your bail 'Cause they don't wanna see how easy you can see they're afraid that you might drag them down It could be down looking out to those bars It could be them wearing hospital gowns And that's why they don't want you around They all wished you to get well But they sure as hell don't want to Or they don't know how to help They are afraid that they might catch what you got And it scares them to death when you're talking to yourself They're afraid that those voices in your head might spread into their own They all know that we hang by a thread And it's so easy to let go They don't wanna lose their homes so they don't call you anymore That's why they don't call you anymore They'll all miss you when you're gone, They all say that they don't know what went wrong But deep inside we all know We all knew where you were going and We all let you go Now I've got the time, and now I've got the guts But you're not picking up the phone And it's way too late to call you anymore Yes way to late to call you anymore I don't own this song. The lyrics are made by me. Write in the comments which Song you want to have next!

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About this video: I personally research, script, and produce all content on African History Fountain. Any reference images or clips are used only for educational purposes and transformed with my narration, graphics, and editing. They told you it was aliens. We’re telling you it was Africans. ✊???? For centuries, the genius of Black civilization has been erased, doubted, and replaced with science fiction. But now, the algorithm is remembering what the textbooks forgot. In this powerful video, we unleash AI on the truth buried beneath the sands of time. Using real data, ancient records, mathematical papyri, archaeological evidence, and African scholarship, we make it crystal clear: the pyramids weren’t built by beings from space—they were built by African minds, hands, and spirits. From sacred geometry to star alignment, from Nubian engineers to priest-astronomers, we reveal the brilliance behind the stones—and the legacy that lives on. ???? This is not mythology. This is Black history reclaimed. ???? Featuring insights inspired by the works of Cheikh Anta Diop, Ivan Van Sertima, Manu Ampim, and others. ???? Subscribe for more Afrocentric truths decoded by the algorithm. Hashtags #BlackHistory #AfricanHistory #AfrocentricTruth #AIRewritesHistory #KemeticScience #PyramidsNotAliens #TheAlgorithmRemembers #HiddenBlackGenius #ReclaimOurHistory #AncientAfricanWisdom Originality & Educational Use Disclaimer All videos on African History Fountain are researched, scripted, and produced by me. My goal is to create original educational content that highlights Africa’s history and contributions to world civilization. When I include reference images or short clips, they are always used for educational and commentary purposes and are transformed with my narration, graphics, and editing. Some materials are licensed or public-domain, and I always adapt them to support my original storytelling. This approach aligns with fair use under U.S. Copyright Law (Section 107), which allows use for teaching, scholarship, and commentary.

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April 7 marks 30 years since the start of a genocide that would see nearly 1 million Tutsis and moderate Hutus murdered in Rwanda. Scars on survivors' bodies remind Rwandans of the killings. A deep trauma also remains.

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I do not own the copyright to this recording. This video is for historical and educational purposes only. John Len Chatman a/k/a Memphis Slim:Vocals & Piano Willie Dixon:Bass Recorded in New York City, N.Y. 1959 Originally issued on the 1968 album "Songs of Memphis Slim & Willie Dixon" (Folkways FA 2385) (LP) This recording taken from the 2006 CD "Classic African American Ballads"

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Key Thought: How often have you judged someone simply based on his or her appearance? The folks who were supposed to be the neighbors of this man...

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This video features materials protected by the Fair Use guidelines of Section 107 of the Copyright Act. All rights reserved to the copyright owners. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Funny How Time Slips Away · Lyle Lovett · Al Green Rhythm, Country & Blues ℗ 1994 Geffen Records Producer: Don Was Composer: Willie Nelson

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By now, you may have already heard about a story told over Twitter involving Maynard James Keenan of Tool/A Perfect Circle, an underage fan, and allegations of sexual assault. We should talk about …

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O mercado de mídia esportiva no Brasil está testemunhando uma mudança histórica no comportamento do telespectador.

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Provided to YouTube by Zebralution GmbH Deutschrockgirl · Die Ärzte Die Bestie in Menschengestalt ℗ 1993 Metronome Musik GmbH Released on: 1993-10-04 Composer: Urlaub Lyricist: Urlaub Music Publisher: Copyright Control Auto-generated by YouTube.

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BanG Dream! MyGO!!!!! 「春日影」 作詞 : 織田あすか 作曲 : 藤田淳平 歌 : MyGO!!!!! BanG Dream! MyGO!!!!! 1stアルバム「迷跡波」 2023.11.01 Released 版權聲明 / Copyright Info : Be aware this channel is for promotion purposes, I don't get any money from this video. 営利目的ではなく、著作権を侵害する意図はありません。 此伴唱影片僅供日文學習分享交流之用，喜歡作品及歌曲請購買正版。 #MyGO #春日影 #カラオケ #バンドリ

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Poveștile fraților Grimm sunt cunoscute în întreaga lume. Dar la momentul respectiv, cei care se ocupau de culesul poveștilor în spațiul german erau destul de controversați. O mare parte din munca acestora ar putea fi descrisă astăzi drept fraudă academică.

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Hans Werner Henze (1926-2012): Sinfonia No.8 (1992/1993). I. Allegro moderato II. Ballabile III. Adagio Gürzenich-Orchester Köln diretta da Markus Stenz. Cover image: Hans Werner Henze nel 1965. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.

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"Call Me" is a song by the American new wave band Blondie. Released in the US in early 1980 as a single, "Call Me" was number one for six consecutive weeks on the Billboard Hot 100 chart, where it became the band's biggest single and second #1. It also hit #1 in the UK and Canada, where it became their fourth and second chart-topper respectively. In the year-end charts of 1980 it was Billboard's #1 hit, and according to Billboard magazine, was the top-selling single of the year in the United States in 1980 and RPM's #3. "Call Me" was the main theme song of the 1980 film American Gigolo. Italian disco producer Giorgio Moroder originally asked Stevie Nicks from Fleetwood Mac to help compose and perform a song for the soundtrack, but she declined as a recently signed contract with Modern Records prevented her from working with Moroder. It was at this time that Moroder turned to Debbie Harry and Blondie. Moroder presented Harry with a rough instrumental track called "Man Machine". Harry was asked to write the lyrics and melody, a process that Harry states took only a few hours Harry stated that the song is about driving, and that "When I was writing it, I pictured the opening scene, driving on the coast of California. The completed song was then recorded by the band, with Moroder producing. The bridge of the original English-language version also includes Harry singing "Call me, my darling" in Italian ("Amore, chiamami") (Love, call me) and in French ("Appelle-moi, mon chéri") (Call me, darling). Footage is from "American Gigolo" the 1980 American film starring Richard Gere, written and directed by Paul Schrader. It tells the story of Julian Kaye, a high-price male escort in Los Angeles who becomes romantically involved with a prominent politician's wife while simultaneously becoming the prime suspect in a murder case. The film is notable for establishing Gere as a leading man, and was one of the first mainstream Hollywood films to include frontal male nudity from its main star. It is also notable for its accompanying soundtrack, composed by Giorgio Moroder and featuring the number-one hit single "Call Me" by Blondie. (source Wikipedia)

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???? 389  ???? 102391  ❤️ 124526 · Adorable murder weapon

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This video chronicles the Top 12-scoring percussion sections of junior drum & bugle corps hailing from CANADA under the “tick” system (1983 and prior). Ranking is by average score of DCI Finals Week, in order to take into account all end-of-season performances. The scope of this video covers only DCI competition, as access to Canadian contest recaps is limited.

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Bine ai venit pe websiteul oficial Heineken®. Descoperă povestea noastră. Explorează berile noastre. Și consumă responsabil.

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Benvenuto nel sito web ufficiale di Heineken®. Scopri la nostra storia. Scopri le nostre birre. Enjoy responsibly – Bevi responsabilmente

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Daydreaming was a product mostly of 3D and Tricky coalescing their lyrical ideas together on such things as house parties, drugs, the 1980′s under Margaret Thatcher and urban decay in Britain. Lyrics - Shara Nelson: I quietly observe standing in my space Daydreaming I quietly observe standing in my space Daydreaming 3D: Way that we say 'em in style that we write 'em in Massive attack we keep it strong just like a vitamin Going for the positive wiping out the negative songs 'Cause brother it's relative The pass is picking up all the lyrics on the dance floor That raise your spirit level 'cause it demands for Tricky: Attitude is cool degrees below zero Up against the wall behaving like De Niro Tricky's performing taking his phono Making a stand with a tan touch it like cocoa Smooth to keep you moving at the back now Free is the needle it's moving through the track now 3D: Dance to the drummer's beats we need new sticks Bounce around the vibes like acoustics No drugs or pharmaceuticals for the body ain't suitable Stick with liquid me and trick we've drop A paper which you use my tongue to lick with Tricky: Trouble and strife ain't no sunshine in my life Wiseguys get protection when they carry a knife They shouldn't have been born they're making me yawn But I just take it easy it's a sunday morn' 3D: So you come on light my fire and Together we'll grow forever watch my eight k rig go Daddy G Because my eight k rig goes boom boom My eight k rig goes boom 3D: Yeah rhymin' the jam and uh we got the stamina In case you never know us if we don't give a damn and uh And it's hard to handle keep your distance Resist and the posse gets the pleasure of this dance The cool breeze that you welcome in the heat You don't see it but you feel it when it's blowing on the street Tricky: If I was a rich man Daddy G: Da da dada Tricky: I quietly observe standing in my space It's the devious days they call the rat race It's a concrete jungle, evil in the town Weebles, wobble, occasional squabble But what happen when the bomb drops Down 3D: Don't make sound 'Cause the dancefloor's a desert And the dancers are parched Do a rain dance and your brain's still marsh My heavy my brother get lighter than helium Float above the world to break the tedium Living in my headphones sony's what I say to 'em The surreal boom of the budokan stadium Shara Nelson: Well I'm floating on air when i'm daydreaming I quietly observe standing in my space Tricky: Well I'm tricky kid don't deal with sadness Can't be with the one i love i love the one that i miss I'm very down to earth but brain sits on top floor Don't need another lover just need, I'm insecure 3D: The weather is a-changin' the storms be shakin The love that you take is equal to the love you're makin Here comes the sun little darlin here comes the sun It's alright Tricky: Yes tricky kid I check my situation Maggie this Maggie that Maggie means inflation Hip-hop you don't stop cause i'm not sloppy I like the beat so we need another copy Daydreaming Promo Video Rare colour still from the promo video for Daydraming that was directed by Baillie Walsh in September 1990. 3D: We're natives of the massive territory and we're proud Get peaceful in the dance, adapt the glory and the crowd The problem ain't a different kind of skin tricks I love my neighbor I don't wait for the olympics See you go hooligan you're trying to play the fool again Tricky: Caught you in the lost and found 3D: When your posse weren't around Tricky: No crowd 3D: So you're going for your tool again Shara Nelson: Daydreaming I quietly observe standing in my space Daydreaming Well I'm floating on air when I'm daydreaming Enjoy, and Subscribe for more!

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DOWNLOAD: goo.gl/J1r47b A Walter Lantz' Woody Woodpecker "Cartune" from 1968. Recorded from RecordTV broadcast, television network from São Paulo, Brazil. All material is copyrighted and owned by Universal Pictures and Walter Lantz Productions.

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THE POLICE - Seattle,WA 01-02-1980 "The Showbox" USA (full show audio) 01- Next To You 02- So Lonely 03- Walking On The Moon 04- Hole In My Life 05- Deathwish 06- Fall Out 07- Truth Hits Everybody 08- Bring On The Night 09- Visions Of The Night 10- Message In A Bottle 11- The Bed's Too Big Without You 12- Peanuts 13- Roxanne 14- Can't Stand Losing You 15- Landlord 16- Born In The 50's 17- Be My Girl ...reggatta de blanc world tour 1979/80 ...LIVE IN CONCERT !!! ...remixed version !

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Copyright 20th Century Fox All Rights Reserved

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Music video by 5 Seconds of Summer performing Teeth (Live From the Late Late Show With James Corden).© 2019 5 Seconds of Summer, under exclusive license to Interscope Records.

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In 1944, amid the harsh glare of Jim Crow, 14-year-old George Stinney Jr. was strapped into South Carolina’s electric chair after a trial that lasted just a single day. With no physical evidence, no defense witnesses, and an all-white jury that deliberated for ten minutes, he was convicted of murdering two white girls. Nearly seven decades later, a judge threw out the verdict. What does George’s story tell us about the US justice system and the ways it continues to fail African-Americans? In this episode: - Matthew Burgess, Criminal Defence Attorney - Dr Melanie Holmes, Assistant Professor of African American Studies Episode credits: This episode was written and produced by Anna Staufenberg and hosted by Halla Mohieddeen. Executive Producers: Ney Alvarez and Sandra Ferrari. Production Managers: Archan Mohile and Bronte Baskin. Senior Producer: Marthe van der Wolf. Post-Production Supervisor: Andrés Rivera Assistant Producers: Leo Danczak, Sophie McNulty, and Catherine Nouhan. Fact-checking by Ruby Zaman. Audio editing by Alan Leer. Music composition by Tom Biddle. Lead of Engagement: Aya Elmileik. Engagement Producers: Adam Abou-Gad, Munera AlDosari, and Vienna Maglio. Al Jazeera’s Head of Audio: Ney Alvarez.

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-GreasyGrooves- presents Deep Cuts From The Archives 1969-1979. Psych-Southern-Country-Hard-Blues-Rural-Jazz Rock. A never ending playlist... I do not own the copyright to this recording so if it needs to be removed, I will remove it. If you like this album please buy it for the full experience. I do not own the copyright to this recording so if it needs to be removed, I will remove it. If you like this album please buy it for the full experience.

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???? 0  ???? 3  ❤️ 3 · E Jean Carroll asks judge to order Donald Trump to pay $5m he owes her · Move follows supreme court refusal to hear Trump’s appeal of civil case verdict in sexual abuse and defamat…