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It's not always about ratings, as the cancellations of "Angel" "Batman" "Police Squad!" and other shows prove.

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Provided to YouTube by The Orchard Enterprises Turn the Record Over · ANGEL · Punky Meadows · Frank Dimino · Danny Farrow Once Upon A Time ℗ 2023 Cleopatra Records Released on: 2023-04-21 Music Publisher: Copyright Control Auto-generated by YouTube.

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This is the version that has the lyrics: "You miss your old familiar friends" I used the DVD video opening from Season 7 because on the DVD they start shortening it as well, but just jump straight ahead to the chorus from the opening. So the timing is the same really. All the versions currently on YouTube suck in quality and the audio is pretty shitty too. I used the best one I could locate. There is an obvious audio difference. I used the humming at the beginning and the extended ending from the normal full length song to make it sound better. I'm not good at audio editing so if you could match the audio between all 3 audio clips better than go ahead and try and let me know. I can send you the audio clips too if you'd like. NO COPYRIGHT INFRINGEMENT INTENDED!! FULL HOUSE AND FULLER HOUSE BOTH OWNED BY WARNER BROS. TELEVISION!! Go ahead and Monetize my video so you can get money if you want. You won't make much. My videos suck. lol

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I do not own the copyright to the music in this video...

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Easy Street (1917) Directed by Charlie Chaplin Starring Charles Chaplin, Edna Purviance, Eric Campbell Runtime: 26 mins Genre: Short, Comedy IMDb Rating: 7.4/10 Plot Summary: A reformed tramp becomes a police constable who must fight a huge thug who dominates an inner-city street. Hashtags: #1917Movie #CharlesChaplin #CharlieChaplin #ClassicCinema #Comedy #EasyStreet #EdnaPurviance #EricCampbell #FullMovie #Ai #Short #VintageFilm #BlimeyTV #Refurbished Keywords: Comedy movie, Easy Street 1917 film, Easy Street HD, Easy Street classic cinema, Easy Street full movie, Short movie, classic film, full movie HD, vintage cinema, Ai Refurbished, BlimeyTV © 2025 Artists in Motion Limited - All Rights Reserved

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Explore The Copper Room's diverse menu featuring fresh dishes and handcrafted cocktails. Enjoy a premium selection of spirits and shareable plates in a welcoming setting.

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I do not own the copyright to this recording. This video is for historical and educational purposes only. Johnny "Big Moose" Walker:Vocals & Piano Ike Turner:Guitar Raymond Hill & Eddie Jones:Saxes Jesse Knight, Jr.:Bass Eugene Washington:Drums Recorded in St. Louis, MO. Thursday, November 17, 1955 Originally issued on the 1969 album "Anthology of the Blues Vol. 12:West Coast Blues (Kent LSP 9012) (LP) This recording taken from the 1994 album "Anthology of the Blues Vol. 7:West Coast Blues (CD) (Austria)

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Buckle up because Baby Reindeer has something to say, and it's A LOT! TIMESTAMPS: 0:00 Disclaimers 1:08 Based on real events 2:30 Episode 1 8:26 Episode 2 15:15 Episode 3 21:53 Episode 4 31:45 Episode 5 36:03 Episode 6 41:11 Episode 7 50:06 Aftermath and final thoughts 54:12 Why Baby Reindeer! 55:49 Coming soon... FOLLOW ME ON SOCIALS: Instagram: ericsilverc TikTok: sttutterbox Copyright Disclaimer : All the videos, songs, images, and graphics used in the video belong to their respective owners and I or this channel does not claim any right over them. Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing

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In a moment when our Asian siblings are being harassed, when people of color are disproportionately being affected by COVID-19, when white protesters are storming capitol buildings putting economy over lives, when white people instinctively call the police on people of color, and when black men are dying because of police brutality, this is the perfect time for white people to do some serious soul searching. Dismantling white supremacy is not only a social must, it is a spiritual need. Here are 6 ways white people can begin the process of dismantling white supremacy:

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Provided to YouTube by Zebralution GmbH Ruckus (Club Edit) · Tube & Berger, Richard Judge Ruckus ℗ 2017 Embassy One under exclusive license from Kittball Records Released on: 2017-01-13 Music Publisher: Copyright Control Composer: Marko Vidovic and Arndt Roerig Lyricist: Marko Vidovic and Arndt Roerig Auto-generated by YouTube.

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A Compendium on KP Astrology: Basic Rules and Applied Horoscopes (KP) by Bibhash Choudhary (2021) It will not out of place to mention that many books on ‘KP System of Astrology’ have been written b…

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Registered pediatric occupational therapists, SLPs & behaviour therapists in Burnaby & Vancouver. Sensory gym on-site. Free consult. Open 7 days.

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मेष लव राशिफल (Aries Love Horoscope) आज लव पार्टनर की कही हुई कोई बात बुरी लग सकती है, जिससे दोनों के रिश्ते पर बुरा असर पडे़गा। सिंगल दोस्तों की मदद से अपने दिल की बात क्रश को कह देंगे।

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On June 17, 1972, Frank Wills, an African American night watchman, detected an early morning break-in at the Democratic National Headquarters at the Watergate Office Building in Washington, D.C. The five men arrested had ties to President Richard Nixon’s reelection campaign, igniting a political scandal that ultimately led to the president’s resignation. Born on February 4, 1948, in Savannah, Georgia, Frank Wills was raised by a single mother, Marjorie Wills. Sometime in 1953, Marjorie and her son moved to her hometown of North Augusta, South Carolina. After dropping out of Jefferson High School at the age of seventeen, Frank joined Job Corps, a federal employment-training program that was part of President Lyndon Johnson’s War on Poverty initiative. He was sent to live at a men’s center in Battle Creek, Michigan. There, he developed vocational skills that enabled him to secure employment in 1968 as an assembly line operator at the Ford Motor Company and later at Chrysler Motors. In April 1971, Wills moved to Washington, D.C., working as a private security guard at the Watergate Complex. Fourteen months later, on an early June morning, while patrolling the corridors of the Watergate Office Building, Wills became aware of suspicious activity and reported it […]

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The existence of evil is considered by many to be the most vexed question concerning the existence of a perfect deity. The author evaluates four common theistic responses to this problem, highlighting the pros and cons of each approach. He concludes with a critical examination of a theistic defence designed to show that the problem of evil is not a problem at all.

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While investigating the 1984 double homicide of Bob and Kay Swartz, detectives from the Anne Arundel County Police Department zeroed in on a suspect they believed could have had enough rage to execute the gruesome slayings — the couple’s adopted son, Michael Swartz. 

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Artista: NdNo (con Hate de Violadores del Verso) Tema: Cada uno a lo nuestro Álbum: Adam6 Letra: ' [ NdNo ] Debo ser starsky porque siempre voy con "hash" y hoy Hate y con el rumba y con los "nos" que estan detrás veras que tema, cada uno a lo nuestro como lema la voz del rebel en vinilo es lo que cierra el estribillo yo le saco brillo a una piedra de polen, me ponen algo de alcohol y soy como gol en propia meta en cambio un peta lo contrario, necesario cuando pillo terminao tirao como un librillo. ' [ Hate ] Tu necesitas papel, yo necesito mi tubo cigarro en tu mezcla, yo mis hielos en forma de cubo tu costo de moroco, yo mi ron de venezuela tu huevo es mi refresco de cola y empieza la fiesta Quien ni bebe, esos ojos a que se deben? te dio la pajara, falta de azucar o que sucede? tienes hambre de algo dulce, solo sed de alcoholemia son historias de un borracho y un fumeta. Pásalo, fúmalo, ahora esponmelo y bebelo este mechero solo enciende mi tabaco co aunque me encanta como huela, no puedo con el la tensión es los pies, por eso lo dejé. Esta boca siempre emana olor a botella esa cara delata de que vaya fumado llevas te dio un blanco, un chungo, un amarillo? yo solo arreglo simplemente cuando vomito a cada cual lo que el cuerpo le admita Hate dice: no a la grifa pero hate dice: Legaliza pero eso como el papel tiene una pega que te tachen de drogata por fumarte un simple peta eso es un problema hablar sin conocer mas accesible es beber y no pasa nada conozco el tema a fondo con pelos, señales que le van a enseñar a este señor rey de los bares. ' [ Estribillo(x2) ] Tu que fumas, tu que bebes, tu que prefieres lo uno, lo otro, los dos, tu veras que te conviene el humo, el pisto, el tubo, el litro, que quieres? Cada uno a lo nuestro y a los muertos que los entierren ' [ NdNo ] Bien sea dar con los porros, vamos echos unos zorros se comen ya entre los corros, que la gente esta de morros con lo que me entra en los morros, subo mi nivel en los coros hay THC a mansalva emana por mis poros. Ponmelo, bébelo, ahora es pésalo y fúmalo ya que yo no bebo y es que debo ser alérgico y si lo hiciese serí­a un porrón y pon que con un mundo hermetico me haria un submarino, yeahhhh!! Sabes que opino de esto y de aquello deberias de coger del cuello a tu camello y es que no sirve ni pa los reyes magos te lo dice hate que es el que va a base de tragos. ' [ Hate ] Eso que fumas huele a goma quemada freno en carretera, haz derrape en la calzada el vaso que sostiene sho hai huele aromas de madera criado en barriga ron de reserva, tira esa mierda eso que fuman los enes huele bien prefieren smoking deluxe a tu recio papel tu papel de arroz solo vuelve farias el papel que desempeña hate es beberse el Ebro en tinajas, ya será menos, este heavy del rap ya se hace abuelo y disminuye su mata de pelo sois chapuceros, ni os follais ni os violais al verso versos de tipico pajero ndno, con odio rap de metal te van a dar de hostias en el pogo siendo vulgar que esperabais con cierto relax sobacos sudados, codazos es lo unico que os vais a encontrar mi culo de las llamas al bar mi conciencia con forma de angel me dice: no entres a ese bar la cuestión es elegir entre cielo e infierno ver ese tubo lleno me pico al pecado de nuevo. ' [ (x2) ] es fácil, entrar a una taberna y beber es fácil, decir que no y volver a caer es chungo, sin dependecia y nerviosismo imposible, no ver a so hai con un litro ' [ Estribillo(x2) ] Tu que fumas, tu que bebes, tu que prefieres lo uno, lo otro, los dos, tu veras que te conviene el humo, el pisto, el tubo, el litro, que quieres? Cada uno a lo nuestro y a los muertos que los entierren.

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(1) - This channel is not monetized, I do not gain any money with the publications of these videos. (2) - All credits of the songs and albums goes to the authors of those tracks and discographys. I only intend to share greats albums of music. (3) - Please, if you are the owner of the copyright and You want to delete the video, comment to me and I delete the video without problems.   ****** Thank you so much, and Regards !! ******

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This video is for educational and entertainment purposes only. All World Wrestling Entertainment programming, talent names, images, likenesses, slogans, wrestling moves, and logos are the exclusive property of World Wrestling Entertainment, Inc. ECW and WCW is a trademark of WWE Libraries, Inc. All other trademarks, logos and copyrights are the property of their respective owners. © 2015 World Wrestling Entertainment, Inc. All Rights Reserved. Jack Tunney Suspends Rick Rude

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Dicky Wells – trombone.... Vic Dickenson, George Matthews, Benny Morton – trombone.... Skip Hall – piano, organ.... Everett Barksdale – guitar, electric bass.... Kenny Burrell – guitar (# 1-4).... Major Holley – bass (# 5-7).... Herbie Lovelle – drums.... ................................................................... "Blue Moon" – 3:38 "Airlift" – 6:41 "It's All Over Now" – 4:02 "Wine-O Junction" – 5:38 "Heavy Duty" – 6:40 "Short, Tall, Fat and Small" – 6:31 "Girl Hunt" – 6:35 ................................................................... Recorded - April 21 and 22, 1959 - New York ................................................................... Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings! ............................................................ Please let me know if i have missed something. ............................................................ Make it easy on yourself.. check my playlists, or search my channel for your favorite artist/song..... ............................................................ Subscribe yourself to the channel to keep up with the latest uploads ............................................................ Have Fun!! ........................................................... I Will remove any video if asked too. ........................................................... And most of all !!! ........................................................... I hope that , trough these video's, i have inspired you to go and get the original recordings because there is nothing like the original!! So that's what i'm doing it for..... Go to your local recordstore, the internet or whatever, and get the original!! ........................................................... Enjoy !!! ............................................................ FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.

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By Paul A. Djupe [Note: This appeared today on the Monkey Cage blog without the graphs] As the House has moved through the impeachment of President Trump, voices on the extreme right have been argu…

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Provided to YouTube by Pias UK Limited Ghosts of You & Me · Soulsavers It's Not How Far You Fall, It's the Way You Land ℗ 2007 Soulsavers under exclusive license to V2 Records International Ltd Released on: 2007-04-02 Music Publisher: Copyright Control Composer: Mark Lanegan Lyricist: Mark Lanegan Composer: Soulsavers Lyricist: Soulsavers Auto-generated by YouTube.

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Summarize this content to 100 words: Overview A streetcar on West Monroe Street in the early 20th century. | Ritz Theater & Museum Long before Montgomery, Jacksonville had already rehearsed the method that would define the mid-century civil-rights movement. The protagonist was Rev. Andrew Patterson, pastor of Ebenezer A.M.E. Church on Ashley Street and, fraternally, a Prince Hall Mason, who twice placed himself on a streetcar to make the law answer for itself. In July 1905 he sat in the “white” section, refused bail, and helped the Florida Supreme Court strike down the statewide Avery Streetcar Law, one of the earliest 20th-century judicial defeats of a segregation statute anywhere in the South. When Jacksonville rushed through a substitute ordinance that fall, he tested that too, prompting a second landmark ruling that exposed how quickly Jim Crow adapted at the municipal level. The pattern he embodied, (1) boycott, (2) planned arrest, (3) constitutional challenge, (4) political workaround, and (5) retest, became the grammar of later victories, culminating famously with Rosa Parks and the Montgomery Bus Boycott half a century later. He arrived in Jacksonville from Georgia at the turn of the century with the quiet certainties of a working man and a preacher’s call. A decade later an enumerator found him on Ward Street and, hearing “Patterson,” wrote “Petterson”, one of those small archival dents that time leaves on a life. The ledger called him 30, single, Georgia-born, and a restaurant keeper (own account), living with Lizzie, recorded as head of household, evidence of the threads of kin and small enterprise that stitched together LaVilla’s Black economy. On his World War I draft card, steady in its hand, Andrew Patterson gave his birth as May 2, 1878, and sketched himself without ornament: short, of medium build, black hair, black eyes and a local relative, Andrew Watson, to be notified if trouble came. As Jacksonville hardened its color lines, his steps carried him deeper into the institutions that held his community together. By 1905 he was Rev. Andrew Patterson, pastor of Ebenezer A.M.E. Church on Ashley Street, a few doors from Broad, where Sunday sermons met weekday organizing. City directories would later catch him at the Masonic Temple, 410 Broad Street fourth floor, “janitor” by occupation, but in truth a caretaker at the center of Black civic life, moving daily through halls where pastors, lawyers, lodge officers, and businessmen planned campaigns and comforted neighbors. The 1935 Florida State Census finds him still rooted in Duval, single at fifty-two, Georgia-born; the Florida Death Index records his passing in Jacksonville in 1951, a lifetime spent inside that Broad-and-Ashley corridor where pulpit, lodge, and street met, and where he would choose, in 1905 and again in 1906, to make law test itself. Jacksonville’s first round: the 1901 ordinance and boycott In 1901 the City of Jacksonville adopted a streetcar segregation ordinance. The city’s large, politically assertive Black community responded with an immediate boycott, walking, bicycling, and hiring Black hackmen. Enforcement turned sporadic under the weight of discipline and public pressure. Out of the boycott rose the North Jacksonville Street Railway, a Black-organized streetcar company run by Black motormen and conductors yet open to white riders, hailed in the national press as proof of Black self-help. Along Broad and Ashley, churches and lodges became the switchboards of strategy. The statewide push: the Avery Streetcar Law (1905) In May 1905 the Florida Legislature enacted the Avery Streetcar Law, mandating racial separation on all streetcars and carving out a curious exception for “colored nurses” caring for white children or the sick. Jacksonville’s Black community launched what the Times-Union would call one of the South’s most complete boycotts. Pulpit and lodge synchronized logistics: walk if you can, share a seat if you can’t, keep your dignity in the meantime. The test case: July 19, 1905 - State v. Patterson On July 19, 1905, Rev. Andrew Patterson boarded a Jacksonville streetcar, deliberately sat in the white section, and submitted to arrest. He refused bail, making a necessity of haste. The next day, attorney J. Douglas Wetmore filed a writ of habeas corpus, arguing that the Avery statute contradicted itself and the Fourteenth Amendment: by granting a privilege to one subset of Black people (nurses) that it denied to others, the law destroyed the equal protection it purported to regulate. Within days, the Florida Supreme Court agreed. In State v. Patterson (50 Fla. 127; 39 So. 398, 1905), the Court held the Avery Law unconstitutional and void. Newspapers said the statue was “killed.” For a moment, state-mandated Jim Crow on Florida’s streetcars collapsed, an early, sharp proof that boycott plus bar could move a pillar of segregation. The counter move: October 23, 1905 - the Jacksonville ordinance, and the second test City leaders replied with speed. On October 23, 1905, Jacksonville approved a new municipal ordinance compelling separation either by separate cars or divided cars and assigning enforcement as a police duty. Patterson stepped forward again, was convicted in municipal court, and sought habeas relief. In Patterson v. Taylor (51 Fla. 275; 40 So. 493, 1906), the Florida Supreme Court affirmed the ordinance. Segregation for the “peace and good order” of the city, the Court said, fell within Jacksonville’s police powers under its charter’s general welfare clause; allowing companies to choose the method of separation was not an improper delegation; and a passenger had no right to a particular seat. The municipal workaround stood and other Florida cities took note. The lesson cut two ways: Jim Crow governance was agile; movement strategy would need to be persistent and iterative. The Pensacola Parallel: Crooms v. Schad (1906) Jacksonville wasn’t alone. While Patterson was testing Jacksonville’s ordinance, a companion fight was underway in Pensacola. There, a Black rider likewise challenged the city’s streetcar–segregation ordinance, producing the Florida Supreme Court decision Crooms v. Schad (51 Fla. 168; 40 So. 497, 1906) issued the same term as Patterson v. Taylor. Where Patterson’s first case (against the state statute) had scored a victory, both municipal ordinances in Jacksonville and Pensacola, were upheld under the banner of city “police powers” and the general-welfare clauses of their charters. Taken together, Patterson v. Taylor (Jacksonville) and Crooms v. Schad (Pensacola) show how quickly Jim Crow reconfigured itself at the city level after the Florida Supreme Court struck the state law. They also prove the movement’s range: this was not a one-city flare-up but a coordinated, statewide pressure campaign of boycotts plus test cases. Counsel of Record: Wetmore and Purcell A portrait of J. Douglas Wetmore. | University of North Florida J. Douglas Wetmore and Isaac J. Purcell, listed on the briefs as Wetmore & Purcell, were the legal engine of the Jacksonville test. Wetmore, a well-connected Jacksonville attorney and close friend of James Weldon Johnson, framed the equal-protection attack that doomed the Avery state law in 1905, seizing on the statute’s “colored nurses” exception as the line that broke equal treatment. Purcell, one of Florida’s early Black attorneys, partnered on the litigation, bridging courthouse advocacy with the city’s Black institutional world, churches, lodges, and business clubs along Broad and Ashley. The 1905 win and the 1906 retrenchment pushed Wetmore’s name beyond Florida. Black newspapers and civic networks circulated the story as a case study in pairing boycott discipline with constitutional argument. That put Wetmore (and, by extension, Purcell and Jacksonville) in front of two national currents: Booker T. Washington’s National Negro Business League (NBL): the boycott logistics and the North Jacksonville Street Railway embodied the League’s self-help ethos, showing how commercial organization could buttress legal fights. W. E. B. Du Bois and the Niagara Movement (launched 1905): the habeas strategy, refusal of bail, and equal-protection framing resonated with Niagara’s insistence on direct protest and courtroom challenge. Bottom line: the pairing of State v. Patterson (victory over a state law) with Patterson v. Taylor and Crooms v. Schad (municipal workarounds upheld) became a casebook lesson, win the principle, expect the workaround, prepare the next test. That lesson travels straight to Rosa Parks and Montgomery: organized boycott, a planned arrest, immediate constitutional litigation, and the patience to fight the next version of the law. Pastor on Ashley, Mason on Broad: Sons of Solomon Lodge No. 166 Read in place, Patterson’s choices make even more sense. As pastor of Ebenezer A.M.E. on Ashley Street and a Prince Hall Mason moving daily through the Masonic Temple at 410 Broad, he stood at the crossing of moral authority and organizational capacity. Crucially, he was a member of Sons of Solomon Lodge No. 166 under the Most Worshipful Union Grand Lodge of Florida, a lodge that anchored Black leadership in LaVilla. The church supplied message, discipline, and hope; the lodge supplied networks, meeting space, and logistical spine. Together they sustained the boycott, financed the test case, and absorbed the shock of the city’s workaround. In Jacksonville, resistance was not just righteous; it was organized. Legacy: A name we must remember Andrew Patterson’s stand belongs to the first rank of twentieth?century challenges to segregation, yet his name largely slipped from public memory. He proved in Florida, in 1905, that a disciplined community could pair boycott economics with a precise constitutional argument and make the highest court in the state blink. He also showed, a year later, how power adapts, and why movements must adapt with it. The blueprint he helped forge in Jacksonville, church?anchored leadership, planned arrest, habeas corpus, rapid appeals, and readiness for the next ordinance traveled forward to Baton Rouge and then to Montgomery, where Rosa Parks sat and a city walked. Remembering Patterson restores Florida to the national story and restores a pastor’s courage to the altar of American memory. It reminds us that freedom is not won once but rehearsed, refined, and carried by names that deserve to be spoken aloud. The Masonic Temple at 410 North Broad Street. | Ennis Davis, AICP Editorial by Jerry Urso, the grand historian for The Most Worshipful Union Grand Lodge of Florida. A native of Massachusetts, he holds a master’s degree in history from Trinity College and comes from a long line of Masons. He earned a Fellowship to the Phylaxis Society. He is the Past President of the Alexander Darnes Research Chapter. Past President of Lux e Tenebris Research Society. A Member of the Jacksonville Historical Society and Florida Historical Society. He was a panelist for the Civil Rights Timeline for the City of Jacksonville and Lavilla Historian for the Downtown Investment Authority. He was awarded the Joseph A. Walkes award for his work on Prince Hall Masons and the Civil Rights Movement. He is also a Historian for the Real Rosewood Foundation and the July Perry Foundation. He is also a member of the Chi Rho Fraternity.

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The Ocala Police Department is investigating a shooting that happened early Sunday morning leaving two people dead and four others injured.Residents near the 1

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VAINCRE LA LÈPRE FRANÇAISE Par Jacques BENILLOUCHE copyright © Temps et Contretemps Synagogue de Sarcelles Je m’ét...

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Provided to YouTube by The Orchard Enterprises Fuck the Police · Kottonmouth Kings · Insane Clown Posse · Mike Kumagai · Brad Xavier · Timothy McNutt · David Alexander · Joseph Bruce · Dustin Miller Long Live the Kings ℗ 2018 United Family Music, Inc. Under Exclusive License to Cleopatra Records, Inc. Released on: 2010-04-20 Music Publisher: Dimension Gate Music Auto-generated by YouTube.

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Ojo a esos cascos con antenas, a las metralletas encima de la cabeza (imaginad el retroceso xd), y a ese interior del acorazado forrado en contrachapado jajaja.

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"Blue River Liquor Shine" is the eighth track from Max Webster's 1980 album, "Universal Juveniles" for Anthem Records - song composed by Kim Mitchell and Pye Dubois. "I've listened to Max for many years - this is my all-time favorite." Copyright 1980 Anthem Records - respectfully yours, Anishnaube.

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This video is for entertainment purposes only. Enjoy the video. Song Title - Today Is Gonna Be a Great Day Lyrics: There's a hundred and four days of summer vacation Then school comes along just to end it So the annual problem for our generation Is finding a good way to spend it Like maybe... Building a rocket Or fighting a mummy Or climbing up the Eiffel Tower Discovering something that doesn't exist Phineas: Hey! Or giving a monkey a shower Surfing tidal waves Creating nanobots Or locating Frankenstein's brain Phineas: It's over here! Finding a dodo bird Painting a continent Or driving our sister insane Candace: Phineas! As you can see, There's a whole lot of stuff to do before school starts this fall Phineas: Come on Perry! So stick with us 'Cause Phineas and Ferb are gonna do it all! So stick with us 'Cause Phineas and Ferb are gonna do it all! Candace: Mom! Phineas and Ferb are making a title sequence! #phineasandferb #phineasandferbthemesong #disneyxd #disneysongs #phineasandferblyrics phineas and ferb, phineas and ferb theme song, phineas and ferb songs, phineas and ferb theme song lyrics, phineas and ferb theme song in English, phineas and ferb original theme song, Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.