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The Homewood Police Department (HPD) have arrested a 35-year-old Birmingham man in connection to a business burglary in the 500 block of Cobb Street.

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Watch The Night Of on HBO Max. Plans start at $10.99/month. Explore the dark corners of NYC's criminal-justice system in this miniseries about a young Pakistani-American man who is accused of murder.

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Posted: Monday, April 30, 2018. 4:43 p.m. CST. By BBN Staff:Shortly after 3:00 this afternoon, San Ignacio police were called out to a house on the George Price highway near Alwin’s Store in Santa Elena town where cops came across an unidentified corpse. The body was taken to the San Ignacio morgue. Police are still […]

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Posted: Monday, April 30, 2018. 4:43 p.m. CST. By BBN Staff:Police are investigating the stabbing death of a San Pedro man, in which his own son-in-law inflicted the fatal wounds. Around 2:00 p.m. today, Gaspar Vargas, 57, a construction worker of San Mateo area, San Pedro town was socializing at home with his son-in-law, Ricardo […]

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TouchCopy - Copy Music, Messages, Photos, Notes and a lot more from your iPod, iPhone and iPad back to your Windows PC or Mac.

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Ascensão meteórica: equatoriano conquistou técnico da seleção com atuação segura

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Track 5 from their third album released in 1975 copyright Mercury Records and recorded at Toronto Sound Studios. The band continued to transition to a more progressive rock style by writing more conceptual songs that consisted of multiple parts and were much longer. Side two of this album is their first of three songs they’d release that take up the entire side of the vinyl and this one was made up of six separate movements. This major change in song style alienated a lot of their fans and it was their least successful album. It produced only a couple of minor hits and their record company was not impressed. The members began to worry about their contract and future as a band but ignored the record company’s pressure to go back to the blues/rock style of their first album. They maintained their musical vision and thankfully, their fortunes would turn with their next project, which would be a concept album for the ages. This album received criminally poor reviews and reached No. 60 in Canada and No. 148 on the Billboard chart, later achieving Gold status in both countries. These days critics regard it as the most important album of the band’s career since it defined their new direction. Not to mention the fact that the musicianship was excellent, duh! But isn’t hindsight usually 20/20? Written by Neil Peart, Geddy Lee & Alex Lifeson and produced by Rush & Terry Brown. RIP Neil Peart. Featuring: Geddy Lee – Lead vocals & bass Alex Lifeson– Lead, rhythm, 12-string electric, acoustic & 12-string acoustic, classical & steel guitars Neil Peart – Drums & percussion I. In the Valley I am born, I am me I am new, I am free Look at me, I am young Sight unseen, life unsung My eyes have just been opened and they’re open very wide Images around me don’t identify inside Just one blur I recognize, the one that soothes and feeds My way of life is easy and as simple are my needs Yet my eyes are drawn toward the mountain in the east Fascinates and captivates, gives my heart no peace The mountain holds the sunrise in the prison of the night Till bursting forth from rocky chains, the valley floods with light Living one long sunrise, for to me all things are new I’ve never watched the sky grow pale or strolled through fields of dew I do not know of dust to dust, I live from breath to breath I live to climb that mountain to the Fountain of Lamneth Yet my eyes are drawn toward the mountain in the east Fascinates and captivates and gives my heart no peace The mountain holds the sunrise in the prison of the night Till then bursting forth from rocky chains, the valley floods with light II. Didacts and Narpets (Stay) go (Work) no (Think) live (Earn) give (Wait) fight (Right) (No time) III. No One At the Bridge Crying back to consciousness, the coldness grips my skin The sky is pitching violently drawn by shrieking winds Sea spray blurs my vision, the waves roll by so fast Save my ship of freedom, I’m lashed helpless to the mast Remembering when first I held the wheel in my own hands I took the helm so eagerly and sailed for distant lands Now the sea’s too heavy and I just, I just don’t understand Why must my crew desert me when I need, I need a guiding hand Call out for direction and there’s no one there to steer Shout out for salvation but there’s no one there to hear Cry out supplication for the maelstrom is near Scream out desperation but no one cares to hear IV. Panacea The whiteness of confusion is unfolding from my mind I stare around in wonder, have I left my life behind? I catch the scent of ambergris and turn my head, surprised My gaze is caught and held and I am helpless, mesmerized Panacea, liquid grace Oh, let me touch your fragile face Enchantment falls around me and I Know I cannot leave Here’s a meaning for my life, a shelter from the storm Pacify my troubles with her body soft and warm Naked in our unity, a smile for every tear Gentle hands that promise me comfort through the years Yet I know I must be gone before the light of dawn Panacea, passion pure I can’t resist your gentle lure My heart will lie beside you And my wandering body grieves V. Bacchus Plateau Another endless day, silhouettes of grey Another glass of wine, drink with eyes that shine To days without that chill at morning Long nights time outta mind Draw another goblet from the cask of ’43 Crimson misty memory, hazy glimpse of me But give me back my wonder, I’ve something more to give I guess it doesn’t matter, there’s not much more to, not much more to live Another foggy dawn, the mountain almost gone Another doubtful fear, the road is not so clear My soul grows ever weary and the end is ever near Draw another goblet from the cask of ’43 Crimson misty memory, hazy glimpse of me Give me back my wonder, I’ve something more to give I guess it doesn’t matter, there’s not much more to, not much more to live VI. The Fountain Look, the mist is rising and the sun is peeking through See, the steps grow lighter as I reach their final...

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Edit 4d for headphones, September 2022/January 2024. Dubbed video. A beautiful early stereo Stones song, enjoy Brian Jones on the organ, really making this song this song... Recorded June 10 & 11, 1964 in the Chess Studios in Chicago, along with four other songs these were the first Rolling Stones stereo recordings. Released in the UK on the EP "Five By Five" August 1964; in the US on "12 x 5" in October 1964. Finally, in April 1971 it was released on an UK album, "Stone Age". Source file of the edit is the 1964 album "12x5" (Japanese mini lp remastered 2006 - UICY-93014). Organ & (picked) guitar: Brian Jones. Bass: Bill Wyman. Drums: Charlie Watts. Lead vocals & tambourine: Mick Jagger. Guitar & backing vocals: Keith Richards. Solomon Burke had a big hit with the song in 1963, but it was stolen from Wilson Pickett by Jerry Wexler, a producer at Atlantic Records, who had received it in 1963 as a demo from Wilson Pickett. And then some record companies accuse us, YouTubers, of infringing their copyrighted material... IF YOU NEED ME (Wilson Pickett/Robert Bateman/Sonny Sanders) if you need me why don't you call me said if you need me why don't you call me don't wait too long when things go wrong I'll be there, yeah where I belong said if you want me why don't you send for me said if you want want want all you gotta do is send for me don't wait to long just to pick up your phone 'n I'll be there right there where I belong people always told me darling that you didn't mean me no good but I know deep down in my heart I done the best I could and one of these days darling an' it won't be long you're gonna come walking through that door and I know in my mind these are the very words you gonna say to me I still love you always thinking of you I still love love love always thinking of you don't wait too long when things go wrong I'll be there right there where I belong ®© UMG on behalf of ABKCO Music and Records, Inc. ®© ruudtes rolling stones All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

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They told us the case was closed. But shocking new information suggests the official version of events is a lie. For three decades, the truth about what happened to Kurt Cobain has been buried beneath contradictions, shame, and media manipulation. This investigation features exclusive testimony from Joseph Burns — a close friend who was inside the house that night. Paired with baffling forensic irregularities, missing evidence, and conflicting police narratives, this documentary exposes the deeper mystery surrounding Kurt’s final hours in 1994. ???? In this film, you’ll discover: • Why Kurt’s friends and doctors say he showed no signs of despair — and what that reveals about the days leading up to the tragedy • What his lawyer and grandfather knew about his plan to separate from Courtney Love • How the so-called “farewell note” may have been altered using Kurt’s own handwriting • Why the weapon’s position and ballistic evidence contradict the official account • Exclusive new testimony from Joseph Burns — a witness whose story changes everything ** We used AI visuals in our mini-documentary because actual photos of Kurt could be legally taken down — this was the only way to safely illustrate what happened. The story itself was written, edited, and created by a real human, based directly on Joe Burns’ testimony from the night Kurt died.” ???? Timestamps: 00:00  Intro — The Lie We Were Sold 01:05  Why Kurt Was Still Planning His Future 03:42  The Divorce Courtney Couldn’t Allow 05:25  The Forged Note 07:15  The Impossible Shot 09:00  Eyewitness Joseph Burns Speaks 13:45  The Cover-Up Begins 16:20  The Call for Justice ⚡ Join the Movement Demand the truth. Raise your voice for accountability. Contact or tag anyone you think needs to seethia in the media Because legends don’t vanish without questions — and Kurt Cobain deserves the full story. ???? Subscribe for upcoming deep-dives into the mysteries of the music world — from hidden investigations and industry cover-ups to the untold stories of rock’s most haunting legends. #KurtCobain #CobainMystery #Nirvana #CourtneyLove #TrueCrime #MusicConspiracy #GrungeEra #CobainDocumentary #JusticeForKurt #SeattlePD #FBI #RockHistory

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Somewhere, in a laboratory, there is a mini-brain growing. In fact, mini-brains are growing in many laboratories all over the world. What do they dream of? Nothing at the moment, and nothing for the foreseeable future. They are only a few millimetres in size, comparable to a pencil’s eraser top. Consciousness still evades them. And it’s not just brains. Intestines, ovaries, kidneys, even taste buds, are growing in three dimensions in laboratories, though their scale pales in comparison to the real stuff, and to call them mini-organs is overly simplistic. They are officially designated as “organoids,” meaning “organ-like.” They are helping scientists better understand diseases and are already active participants in the much-hyped field of personalized medicine. Step 1.5 Biomedical scientists need models in which to do experiments, especially when it comes to testing a new compound that could become a medical treatment. A drug candidate will first be tested in cells, then in an animal model like a laboratory mouse, and finally in human participants in the context of a clinical trial. But the non-human models preceding clinical studies, though useful, are imperfect. Cells grown in Petri dishes or culture flasks do not represent the organs they come from. They lack the necessary architecture. Moreover, organs are made up of many types of tissues, which themselves are made up of different types of cells. Meanwhile, cells in culture are of a single type. It’s a bit like creating a neighbourhood and filling it with iterations of the same house, over and over again, and pretending it looks just like a real city. Complexity and diversity are lost in the process. As for animal models, the fact that they are whole organisms is welcomed, but we are not giant rats. Enter organoids as a sort of step 1.5, in between cultured cells and laboratory animals. Organoids grow out of stem cells. These stem cells may come from embryos or they may be adult stem cells, which assist our bodies in regenerating damaged tissue. They may also be fully differentiated cells—these are cells that have specialized their shape and function to play a singular role in the body, like a skin cell or a heart muscle cell—that scientists have induced into regressing to a stem cell state. Stem cells are, metaphorically speaking, like baby cells: they have the potential to specialize into one of many types of cells, just like an infant may one day become a cook, or a scientist, or an accountant. In creating organoids, stem cells become the specialized cells of an organ and self-organize in the architecture of that organ. Importantly, whereas traditional cell culture is done on a flat surface so that cells create a single layer, organoids grow in three dimensions. The organs of our body do not exist in a vacuum; their cells are surrounded by an extracellular matrix. In order to grow organoids in the lab, scientists typically embed stem cells inside of this matrix. A popular one is called Matrigel. It is a gelatinous mixture of proteins, like collagen, that is secreted by mouse cancer cells. The stem cells, lodged inside of this adhesive matrix, are spun around in their chamber. They divide and differentiate. They recreate some of the tissue architecture of familiar organs. To nudge them toward becoming a particular organ, scientists can add specific molecules into the mix that will act as signals telling the stem cells to, for example, become brain cells. Organoids are not just scientific marvels. They can be put to some interesting uses. Right now, in the Netherlands, some patients with rare forms of cystic fibrosis can be treated based on how an organoid grown from their own cells behaves when exposed to different drugs. This is an example of personalized medicine and it can be a handy way of getting around the problem of running a clinical trial for a very rare disease, where the recruitment of enough participants would be extremely challenging. But even for more common diseases, like cystic fibrosis, different mutations can all result in the same disease, but response to treatment can vary wildly. Analyzing an organoid’s response to a drug can be a litmus test for how the patient will respond. And the usefulness of this screening process is not limited to pre-existing drugs; newer drugs could be discovered this way as well. One of the big problems with drug discovery is that many promising pharmaceuticals in cell culture end up failing spectacularly when given to humans. By testing them in organoids, which are a closer match for the complexities of the target organ, researchers may be better able to tell if these promises hold up before going through the expensive process of recruiting human volunteers. Moreover, the safety of a drug could be better assessed early on by seeing how human organoids of the liver and kidney process it. Another encouraging prospect for organoids is in the realm of transplants. Obviously, a four-millimetre piece of tissue grown in the lab cannot replace a full organ for a patient in need of transplantation. But in the case of metabolic diseases (like phenylketonuria or maple syrup urine disease), where all that is needed for normal function is enough healthy cells to produce an enzyme, the idea of grafting an organoid becomes interesting, especially when combined with CRISPR. The gene editing tool kit could correct a faulty gene in the cells extracted from a person, and these corrected cells could be allowed to grow into an organoid in the lab before being returned to their donor’s body. Case in point, liver organoids in mice have been shown to rescue liver failure. Given the shortage of matched donors for people in need of a transplant, being able to use their own cells for the procedure would be life-saving. Another advantage? Since a person would be both donor and recipient of the same graft, there would be no need, in theory, for drugs that suppress the immune system in order to avoid tissue rejection. Beyond the clinic, organoids can help basic research into human biology and disease progression. For example, researchers managed to recreate what an invasive colon cancer looks like by taking mouse cells, driving them to grow into a colon organoid, and introducing mutations in genes that are known to be mutated in colon cancer. Cancer is due to an accumulation of mutations in key genes, and the researchers were able to see the cancer, not just as out-of-control cells growing on a Petri dish, but as organized tissue that looked like colon cancer under the microscope. Likewise, human development can be more easily studied using organoids given how difficult it is to access tissue from human embryos. Even species differences can be looked at under the light of organoids. And consciousness? Even though we are a far cry from seeing little brain organoids in the lab develop consciousness, the word “consciousnessoid” has already been coined. All of this hype makes it appear as though we are on the cusp of a biomedical revolution. But while organoids are a neat step forward, a closer look at these tiny marvels reveals a lot of limitations that the lay press typically ignores or downplays. Stuck in infancy Stories about brain organoids can put into the reader’s mind the idea of a big brain sitting in a vat somewhere, but that would be a gross exaggeration. These mini-brains can only grow to about 4 mm in size because they lack blood vessels. Blood brings oxygen and nutrients to a biological tissue and removes waste products. Without it, oxygen and nutrients can diffuse from the surface and into the organoid, but only for about 0.4 mm. The organoid can organize its shape in such a way that diffusion can sustain a growth of a few millimetres, but dead cells start to accumulate beyond that limit and the organoid needs to be broken up and the process has to be started again. Organoids also lack immune cells and contact with nerve cells. They are, in a sense, pretty naked in their little chambers. The extracellular matrix they are embedded in does provide structure and food, but that very matrix introduces a lot of variability into the equation, since it is the biological product of a living organism. No two matrices are alike, which means that no two organoids are alike. Reproducibility, so critical in scientific research, is a challenge. And for all the drum-beating about using organoids to study diseases of aging, like Parkinson’s and Alzheimer’s, organoids have a youth problem. They get stuck in early development. At the moment, for example, human brain organoids can form into brain tissue that is equivalent to a 24-week-old brain, no older. And those squiggly folds at the surface of our brain—the peaks called gyri and the grooves called sulci—do not form in brain organoids. This may be because the brain tissue is simply too young. Scientists have tried to induce crinkling that would create these peaks and grooves, but so far, no luck. Brain organoids are not the only type of organoids out there, but they may be the ones that create the most friction. One researcher who studies them noticed that some prospective cell donors actually opt out when they are told their cells could be used for brain organoid research. Even though these 4-mm bits of living tissue are not going to develop feelings or the ability to think and be aware of themselves any time soon, the idea of one’s stem cells growing into brain tissue in a lab somewhere can be a step too far for some people. And then there is the more down-to-earth question of commercialization. If donated cells lead to the development of a patentable technology, does the donor benefit? While these questions are being debated in the pages of academic journals, the hype pipeline—which includes the scientists themselves, their university’s public relations office, and reporters—will continue to turn mole hills into mountains. In 2018, headlines were abuzz with the story of researchers in California growing Neanderthal mini-brains in their lab. The truth, while still compelling, was much less phenomenal. Comparing our modern human DNA to that extracted from the bones of Neanderthals, scientists had found 200 genes with significant differences between the two species. They picked one. They took skin cells from an average person, coaxed them into regressing into a stem cell state, and using the CRISPR gene editing tool, they precisely changed one basepair—a single letter in the DNA molecule—from the version we have to the version found in Neanderthal bones in that one gene. These “Neanderthalized” stem cells then grew into a pea-sized brain organoid whose shape looked more like popcorn than the sphere our modern brain organoids grow into. They also noticed that the way in which neurons were connected to each other was different than what is typically seen in humans. We are a long way from cavemen growing in vats and escaping into the wilderness. Take-home message: - Organoids are mini-organs that grow from stem cells in three dimensions in the laboratory - Their current and potential uses include studying human biology and how diseases develop; testing drugs for whether they will be safe and effective in a particular patient; and discovering new pharmaceuticals - Organoids are limited in their size (up to a few millimetres), constrained by a lack of blood vessels, nerves, and immune cells, and subject to variability from one organoid to the next due to the common use of a biological matrix for their growth @CrackedScience

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Destiny 2’s latest expansion, The Final Shape, has reportedly sold fewer copies than its predecessor, Lightfall.

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Provided to YouTube by Salvo Light My Way (2010 Remaster) · Nazareth Rampant ℗ 2010 USM Copyrights (Nazareth) Limited Released on: 1974-04-26 Drums: Darrell Sweet Guitar: Manuel Charlton Bass: Peter Agnew Vocals: Dan McCafferty Producer: Roger Glover Composer: Dan McCafferty Composer: Peter Agnew Composer: Darrell Sweet Composer: Manny Charlton Auto-generated by YouTube.

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Provided to YouTube by Rise Records Rotoscope · Spiritbox Rotoscope ℗ 2022 Pale Chord Music, LLC under exclusive license to Rise Records, Inc. Released on: 2022-06-22 Vocals: Courtney LaPlante Bass, Drums, Guitar, Producer: Michael Stringer Drums: Zev Rose Drums, Producer, Keyboards, Sound Engineer: Daniel Braunstein Sound Engineer: Jens Bogren Sound Engineer: Zach Tuch Sound Engineer: Sam Madill Assistant: Landen Belardes Composer: Courtney LaPlante Composer: Mike Stringer Composer: Daniel Braunstein Auto-generated by YouTube.

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"They were informed at 3 pm and the messages were read at 3.07 pm but the messages were ignored," JNUSU president Aishe Ghosh, who has been named as a suspect in the violence, claimed at a press conference here.

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LA COPA MUNDIAL Ven a ver el partido del 26 de junio con Casa de España en Georgia / Come watch the match on June 26 with Casa de España en Georgia. SPAIN VS. URUGUAY Hacer tu reserva / RSVP >> La Casa de España en Georgia and La Casa de España en Atlanta La…

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Provided to YouTube by Parlophone Spain 30 metros · Chico Ocaña Canciones De Mesa Camilla ℗ 2010 The copyright in this sound recording is owned by Farasha Producciones / EMI Music Spain S.A. under exclusive licence to EMI Music Spain, S.A. Voices: Chico Ocaña Bass Guitar: Sergio "El Remendao" Mixer: J. A. Castaño "Nyanyo" Voices: Amparo Mercedes Sánchez Pérez Vocals: Amparo Mercedes Sánchez Pérez Guitar: Antonio "El Remendao" Guitar, Miscellaneous: Chemy López Producer, Vocals: Chico Ocaña Engineer, Masterer: J. A. Castaño "Nyanyo" Mixing Engineer: J. A. Castaño "Nyanyo" Cajón: Joan "El Remendao" Producer: Marisa Asensio Choir: Rocío Vázquez "La Martiresa" Bass: Sergio "El Remendao" Arranger: Antonio "El Remendao" Arranger: Chemy López Arranger, Composer: Chico Ocaña Auto-generated by YouTube.

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Inhaber : 2Raumwohnung , Trio , Jungle Brothers Hochgeladen von : Silas Müller Silas Müller E-Mail-Adresse: muellersilas81@aol.com Urheberrecht / Copyright: Vervielfältigungen, jeglicher Art der Inhalte dieses Internetangebotes, sind nur mit ausdrücklicher Zustimmung des Seitenbetreibers gestattet. Hinweis zu allen Verweisen / externe Links: Der Seitenbetreiber von ist nicht für die Inhalte fremder Websites verantwortlich, die über einen Verweis von dieser Website aus betreten werden können. Diese Erklärung betrifft auch Verweise, die von Seitenbenutzern selbst über das Forum und/oder das Gästebuch angebracht werden und nicht dieses Webangebot betreffen. Haftungsausschluss: Die Beiträge und Inhalte auf dieser Internet-Adresse werden sorgfältig recherchiert. Es wird keine Haftung für die Richtigkeit der zur Verfügung gestellten Informationen und Inhalte übernommen. Cookies: Diese Website setzt aktive Cookies voraus. Diese dienen nur der automatischen Identifizierung der Besucher. Eine weiterführende Datensammlung außerhalb dieser Website wird damit nicht betrieben. Logos & Grafiken: Alle Logos und Warenzeichen auf dieser Seite sind Eigentum der jeweiligen Besitzer und Lizenzhalter. Adresse: Silas Müller Vorderer Rebstock 40 56410 Montabaur

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County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

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Hans Werner Henze (1926-2012): Nachtstücke und Arien, per soprano e grande orchestra, da poesie di Ingeborg Bachmann (1957) ---- Edda Moser, soprano --- Rundfunk-Sinfonie-Orchester Köln diretta da Christoph von Dohnányi --- The music published in this channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study learned music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.

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मेष लव राशिफल (Aries Love Horoscope) आज साथी आपको बेहद आकर्षक और सेक्सी महसूस करवाएंगे। सिंगल क्रश के

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Seven buyers claim that China Overseas America inflates the square footage of residences at their 99 Hudson Street project in Jersey City and allege a slew of other defects.

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To confront the reality of rape and rape culture is to realize that prosecution of the small number of men who rape doesn’t solve the larger problem.

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Architect Stanford White (November 9, 1853 – June 25, 1906) designed many of New York City’s most beautiful Gilded Age buildings, including the Washington Square Arch and Judson Memorial Church in…

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Provided to YouTube by Universal Music Group Trash Can Murders · The Runaways Waitin' For The Night ℗ 1977 The Island Def Jam Music Group Released on: 2010-01-01 Composer Lyricist: Lita Ford Auto-generated by YouTube.

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Why are ripe pomegranates and squashed grapes key archaeological finds from Pompeii?

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By Linda Rather than copy Robert Jordan’s method of creating character names from mythology, history or real world personal names or pl...

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Music from Australia and New Zealand in the year 1983: The Birthday Party performing 'Deep In The Woods' live at the Crystal Ballroom (confirm???) in June, 1983. Artist Origin: Artist Location: Track: Release Date: Chart Position: Composer: Produced by: Label: Featured on: Footage Information: Artist(s) link: Copyright: This video is not owned by this channel, and is only featured on this channel for historical, educational and entertainment purposes. Performers:

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Edited the original video with some mild color fx and sound enhancement... Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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The East Greenwich Police Department was asking the public to identify a person who was involved in a 'non-emergency situation.

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From high-end brands, to high-street basics – we've got it all. Pick up a Rolex or pick up a bargain – we won't judge.