Via: https://music.youtube.com

Provided to YouTube by Columbia Jazz Masterpieces Satin Doll · Duke Ellington Jazz Party ℗ Originally released 1959. All rights reserved by Columbia Records, a division of Sony Music Entertainment Released on: 1987-07-06 Vocal: Jimmy Rushing Percussion: Morris Goldenberg Composer, Lyricist: D. Ellington Percussion: George Gaber Percussion: Elden C. Bailey Percussion: Chauncey Morehouse Percussion: Harry Breuer Percussion: Robert M. Rosengarden Percussion: Walter E. Rosengarden Percussion: Bradley Spinney Percussion: Milton Schlesinger Drums: Sam Woodyard Bass: Jimmy Woode Saxophone: Johnny Hodges Saxophone: Paul Gonsalves Saxophone: Harry Carney Saxophone: Jimmy Hamilton Saxophone: Russell Procope Trumpet: Ray Nance Trumpet: Dizzy Gillespie Trumpet: Clark Terry Trumpet: Cat Anderson Trumpet: Andres Ford Trombone: Britt Woodman Trombone: Quentin Jackson Trombone: John Sanders Engineer: Larry Keyes Engineer: Vlado Meller Auto-generated by YouTube.

Via: https://www.theawl.com

by Summer Block Kumar5. If anyone has ever had a good reason to kill and serve their own child for dinner (they haven’t), Procne did (even though she didn’t). After Procne’s husband, Tereus, raped her sister, ...

Via: https://www.classicrockhistory.com

The Top 10 Essential Sting Songs were taken from the start of Sting’s solo career after he stepped away from The Police. It almost seems wrong to use the

Via: https://youtube.com

Provided to YouTube by The Orchard Enterprises D Rocs - RIP · Ice-T · Body Count Murder 4 Hire ℗ 2006 Escapi Music, Inc. Released on: 2006-08-01 Auto-generated by YouTube.

Via: https://youtube.com

I do not own the copyright to this recording. This video is for historical and educational purposes only. Composed by Pinky Williams Ernest "Pinky" Williams:Alto Sax/Baritone Sax Other musicians unknown Ensemble vocals Recorded in New York City, N.Y. 1949 Originally issued on the 1949 single (Cobra 101) (78 RPM) This recording taken from the album "Rare R&B Honkers! Vol. 2" (Pontiac 502) (CD) (Year of issue unknown)

Via: https://youtube.com

Bunker Heights is a genre-bending farce that delves into the complexities of a troubled city facing a catastrophic crisis. Blending elements of crime, horror, and dark comedy, the film offers a gripping narrative that follows the lives of its citizens as they navigate the looming threat that jeopardizes their very existence. Written and directed by Drew Fortier under the production of Hannah Fierman (V/H/S, Dark Circles, Siren), the film boasts mesmerizing special effects crafted by Deryk Wehrley (Late Checkout, Crust), alongside captivating cinematography courtesy of Gordon Cameron (Her Name Was Christa). Principal photography for the film took place in secret with a budget of $30k and is currently in post production with no set release date. As Bunker Heights enters its post-production phase, the suspense continues to build with anticipation, promising audiences an unforgettable cinematic experience. While the official release date remains undisclosed, the film's blend of gripping storytelling and ensemble cast guarantees a viewing experience that will captivate audiences. Bunker Heights Stars: Drew Fortier (Dwellers, Side Effects May Vary) Hannah Fierman (V/H/S, Siren, Dark Circles) Chaney Morrow (Wrong Turn, Haunt) Paul T. Taylor (Hellraiser: Judgement, Sin City) Floyd Ewing Jr. (The Dead Next Door, Robot Ninja) Douglas Esper (Dwellers, Trivial) Roni Locke (Terror Trips) James L. Edwards (Her Name Was Christa, Side Effects May Vary) Daniel John Kearney (Crust, Watchdog) L.C. Holt (You're Next, V/H/S 2) Xander Goldman (Macabre Mountain, Massacre Academy) Christopher Robin Koch The cast also includes various talent from the music world such as: David Ellefson (ex Megadeth, The Lucid) Violent J (Insane Clown Posse) Vinnie Dombroski (Sponge, The Lucid) Lance Eric (ex Bang Tango, Color of Chaos) James Leg (Black Diamond Heavies) Bass Amp (First Jason) Drew Fortier wrote the screenplay from a story co-written with Joe Placzkowski. Autodidactic Studios, David Ellefson, Frank Ritter, and Xander Goldman executive produced the film. #indiefilm #horror #bunkerheights #indiehorror #comedy #crimefilms #creature #creaturefeature

Via: https://youtube.com

The Beatles - Michelle (Copyright 1965 EMI Records) "Michelle" is a love ballad by the Beatles, mainly written by Paul McCartney, with the middle eight co-written with John Lennon. It is featured on their Rubber Soul album, released in December 1965. The song is unique among The Beatles' other recordings in that its lyrics are partially in French. "Michelle" won the Grammy Award for Song of the Year in 1967, and has become one of the most famous Beatles songs in France. McCartney decided to remain with the French feel of his song and asked Jan Vaughan, a French teacher and the wife of his old friend Ivan Vaughan, to come up with a French name and a phrase that rhymed with it. "It was because I'd always thought that the song sounded French that I stuck with it. I can't speak French properly so that's why I needed help in sorting out the actual words", McCartney said. Vaughan came up with "Michelle, ma belle", and a few days later McCartney asked for a translation of "these are words that go together well" — sont des mots qui vont très bien ensemble. When McCartney played the song for Lennon, Lennon suggested the "I love you" bridge. Lennon was inspired by a song he heard the previous evening, Nina Simone's version of "I Put a Spell on You", which used the same phrase but with the emphasis on the last word, "I love you". Each version of this song has a different length. The UK mono is 2:33 but the stereo version is 2:40 due to an extra guitar solo. The US mono was the longest of all, at 2:43, until the Rock Band version was released; it runs 2:50. The song initially was composed by McCartney in C, but was played in F on Rubber Soul (with a capo on the fifth fret). The verse opens with an F major chord ("Michelle"- melody note C) then the second chord (on "ma-belle"- melody note D♭) is a B♭m7 (on the original demo in C, the second chord is a F7#9). McCartney called this second chord a "great ham-fisted jazz chord" that was taught to them by Jim Gretty who worked at Hessey's music shop in Whitechapel, central Liverpool and which George Harrison uses (as a G♭7#9) (see Dominant seventh sharp ninth chord) as the penultimate chord of his solo on "Till There Was You". After the E♭6 (of "these are words"-) there follows an ascent involving different inversions of the D dim chord. These progress from A♭dim on "go"- melody note F, bass note D; to B(C♭)dim on "to"- melody note A♭, bass note D; to Ddim on "ge..."- melody note B(C♭) bass note B; to Bdim on ...'ther..."- melody note A♭ bass note B, till the dominant (V) chord (C major) is reached on "well"- melody note G bass note C. "Michelle" won the Grammy Award for Song of the Year in 1967. The song's win over standard fare "Born Free", "The Impossible Dream", "Somewhere My Love" and "Strangers in the Night" was seen as something of a triumph for The Beatles, who had in 1966 been nominated, but were unsuccessful, in nine categories. In 1999, BMI named "Michelle" as the 42nd most performed song of the 20th century. "Michelle" was performed by McCartney throughout his 1993 world tour. He has rarely performed the song since, but did include it in a 2009 performance in Washington, DC, in honour of Michelle Obama, the American First Lady, and he would play it on most (if not all) of his performances in France or other French-speaking countries. On 2 June 2010, after being awarded the Gershwin Prize for Popular Song by President Barack Obama in a ceremony at the White House, McCartney performed the song for Michelle Obama, who sang along from her seat. McCartney quipped, "I could be the first guy ever to be punched out by a president." President Obama's wife reportedly later told others that she could never have imagined, after growing up an African-American girl on the South side of Chicago, that someday a Beatle would sing "Michelle" to her as First Lady of the United States. In other news, I have added the lyrics to this song so you can sing along, or learn the song! This is how I learned my first Beatles song! Enjoy!

Via: https://www.forthebirdsdvm.com

Table of ContentsIntroductionPsittacine BehaviorsPet Bird Behaviors UnraveledTherapeutic RemediesConclusionReferencesTherapeutic RemediesAvian veterinary medicine has become adept at developing effective therapeutic modalities for the most common manifestations of hormonal dysfunction. Experienced clinicians routinely...

Via: https://youtube.com

Lyrics: Watching haters wonder why Gambino got the game locked Half-Thai thickie, all she wanna do is Bangkok Got her hair done, French braids, now she A$AP Bino so insensitive, she asking, "Why you say that?!" I'm chillin', real nigga feeling Rich kid, asshole: paint me as a villain Still spitting that cash flow: DJ Khaled I got a penthouse on both coasts, pH balance Real nigga, I rep those, why though? Cause I said so Hip deep in the Pepto, I got five on her like Ben Folds I got more tail than that PetCo, you faker than some Sweet'N Low Yeah, you got some silverware, but really are you eating though? Are you eating though? Nigga, are you eating though?Breakfast, lunch and dinner's for beginners, you ain't even know Never catching cases, why they faces look so e-m-o? Watch a hater hate me, wanna play me like a piano My architect know Japanese, yo' girl, she jocking me No hands like soccer teams and y'all fuck boys like Socrates You niggas ain't copping these, niggas ain't looking like me Nah, I ain't checking I.D. but I bounce 'em with no problemTell 'em, Problem (Problem!) I'm winnin', yeah, yeah, I'm winnin' [x3} Rich kid, asshole, paint me as a villain Don't be mad cause I'm doing me better than you doing you [x3] Better than you doing you, fuck it, what you gon' do? Different color, my passport, Instagram my stack load Hashtag my day wear and your girl drink my day care And I'm born rich, life ain't fair (silver spoon coon, ho) Ain't nobody sicker and my Fisker, "vroom, vroom, " ho Ain't nobody Fiskers don't make noise when they start up just so you know Top of the Hold 'em totem, ri-rich forever, a million was not the quota My father owned half of MoMA and did it with no diploma Year off, got no rules, tripping off of them toadstools More green than my Whole Foods and I'm too fly, Jeff Goldblum Got a glass house in the Palisades, that a-k-a White hood, white hood, (okay-kay-kay) Furniture custom, you shop at IKEA So Maserati, you whipping a Kia Spending this money, it's longer than Nia Live like a Coppola, me and Sofia Waking up broke, man, wouldn't wanna be ya Friends with the dope man, help a nigga re-up Bring a girlfriend, man, trouble when I see her "Err-err-err-err": onomatopoeia, oh, I got my cool on! (Tell 'em, mane) I'm winning so they had to dump the Gatorade And I don't give a fuck about my family name Don't be mad cause I'm doing me better than you doing you [x3] Better than you doing you, fuck it, what you gon' do?

Via: https://www.elmundotoday.com

Aries Tienes ganas de viajar y conocer sitios nuevos pero, como eres pobre, no podrás hacerlo.   Tauro Si quieres disfrutar de unas nuevas playas tropicales que nadie conoce te recomendamos que este verano visites Groenlandia.   Géminis Este mes a las Géminis os tocará tener la regla.     Cáncer Vivirás una verbena de […]

Via: https://www.rollingstone.com

'King of the Hill' creator Mike Judge remembered Tom Petty, who voiced the character Lucky on the beloved animated show for five years.

Via: https://fabiolapini.jimdofree.com

L'istituzione Buddhista Internazionale Soka Gakkai, nei confronti della quale ho un certo debito di gratitudine per avermi offerto l'occasione di evolvere spiritualmente in svariati anni della mia esistenza, rappresenta a mio modo di vedere un insegnamento puramente Tradizionale nell'area Buddhista. Tuttavia, in tutta onestà intellettuale mi sento di porre alcune critiche fondamentali a proposito del suo luogo a procedere operativo, che per quanto mi riguarda risulta essere inequivocabilmente contro lo spirito dell'insegnamento stesso. L'istituzione in causa, rimpasta e distorce il significato essenziale dello stesso insegnamento sul quale si basa e che pretende di custodire e rappresentare nella sua originalità, e dunque in netto contrasto per una quantità considerevole di elementi sentimentali e morali di radice umanistica e antropocentrica mescolati all'insegnamento che nella sua ortodossia sono del tutto inesistenti. Senza contare per giunta, che la oramai oltrepassata fase dell'umanesimo tanto sbandierata dalla Soka Gakkai, ha dato origine all'allarmante fase del transumanesimo nella quale siamo giunti, che è allarmante argomento principale sulle cattedre delle accademie filosofiche segnalato anche nel Libro di Daisaku Ikeda e Aurelio Peccei «Campanello d'allarme per il ventesimo secolo». A tal proposito andrebbe considerata la responsabilità sociale dell'istituzione, che risulta essere in netto conflitto con il proprio insegnamento. Prosegue poi a colpi di morale chiaramente diretta dalle super potenze progressiste, alla diffusione dell'ideologia eugualitarista, uniformizzante e atomizzante, sulla base della ridicola e presunta: «negazione di ogni gerarchia da parte del Buddhismo», cosa anche questa del tutto inesistente nell'insegnamento, ove al contrario «viene ad essere assolutamente riconfermata a più riprese negli scritti del maestro fondatore!". Ma la cosa maggiormente preoccupante tra tutte, è che nella loro ignoranza non sanno, che: «la negazione della gerarchia» costituisce a rigore e senza mezzi termini: «l'offesa più imponente alla Legge suprema!». Su questa linea argomentativa, hanno letto il capitolo XII del Sutra del Loto in chiave ovviamente progressista pretendendo di dimostrare la profonda rivoluzione concessa dal Sutra stesso e poi ribadito da Nichiren Daishonin (a loro dire e fraintendendo completamente la citazione) circa l'uomo e la donna presi ognuno di essi simbolicamente a se stanti che fino a quel momento erano ripartiti gerarchicamente così come in tutte le Tradizioni regolari ed effettive, e ponendoli allo stesso livello all'interno della gerarchia spirituale e «di fatto negandola completamente», a proposito della questione «della figlia del Re Drago la quale ottenne l'illuminazione nella forma presente" non considerando le righe successive che invece avrebbero riportato alla normalità metafisica il suddetto verso da loro immediatamente colto e strumentalizzato, così come ho avuto modo di confutare metafisicamente, rovesciando completamente il loro risultato progressista in maniera totale e inoppugnabile nel mio libro autobiografico, dimostrando con tale confutazione, la loro limitatezza di orizzonte intellettuale e dunque la loro mancanza di qualifica necessaria per approcciarsi a certe profondissime questioni e quindi evitare di cadere in forvianti volgarizzazioni e pericolose declinazioni. Questo avviene, per il fatto che: coloro che costituiscono il corpo direttivo dell'istituzione, che siano essi in buona o in malafede, coscienti o incoscienti, sapendo di far breccia sui moralisti, da una parte estrapolano forzatamente e promuovono tutti quegli elementi di pronto uso e di facile digeribilità per dare una risposta accettabile di fronte ai paradigmi dell'insegnamento, e dall'altra omettono in tutta ignoranza quei restanti elementi veramente essenziali, che, se approfonditi correttamente nella loro sintesi, equivarrebbero alla pura realizzazione di tali paradigmi. Sicché, dell'insegnamento, che dovrebbe essere a fondamento della realizzazione universale di ogni essere che abbia una relazione integrale con quest'ultimo, non rimane altro che il suo aspetto sentimental-moralista, a dispetto e a danno della loro evoluzione intellettiva. A tal proposito, «lo stadio umano», al contrario dell'idea comune in voga tra i membri della S.G.I. che per il loro naturale intendere sentimentale tale aggettivo è integrale di per sé per ciò che concerne la forma umana e null'altro, e dunque senza badare al grado intellettuale, ne vengono a sancire di volta in volta ahimè di questo stadio la meta finale e lo scopo ultimo dell'esistenza, contrariamente invece sia alla loro dottrina di riferimento, che altresì ad ogni altra dottrina tradizionale, che questo stadio "centrale" non è altro che la posizione più ottimale tra tutti gli altri per dare inizio al viaggio per mezzo dell'illuminazione, verso la liberazione. Ma anche questo rapporto illuminazione/liberazione è stato soggetto dall'istituzione alla sovversione di princìpi universali, e dunque anch'esso completamente distorto, dapprima tolto di mezzo il principio della liberazione (ma presente più che mai nell'insegnamento), e dunque sostituito da quello dell'illuminazione che da mezzo per la liberazione è divenuto fine ultimo. Da questa sovversione attualizzata, ne segue la strana idea della "coatta e infinita reincarnazione" (In fondo alla pagina potete accedere all''articolo). E dunque ecco come dei due principi Buddhisti empiricamente dati dall'insegnamento del maestro fondatore, quali; l'estinzione dei cicli di nascita e morte (illuminazione) e delle ri-manifestazioni (dal samsara, moksa, o jivan/videha mukti), ne è derivata la pseudo-dottrina Gakkaiana della sola possibilità alla ri-nascita, condizione quest'ultima, rivenduta ben rivestita da una certa accezione positiva relativa alla possibilità del fine dell'illuminazione. Ma dall'altra parte della luna, da quella oscurata e non visibile agli occhi e gli altri sensi di coloro che necessitano dell'insegnamento prêt à porter, lo spirito del Sutra del Loto e dunque del maestro fondatore o anche; «Buddha originale» (aggettivo perentorio quest'ultimo tutt'altro che approfondito), è del tutto conservatore, come si osserva a più riprese nei suoi scritti, a proposito della difesa della Legge universale (Dharma), e della sua relativa degenerazione alla quale quest'ultima è soggetta dell'epoca di mappo, a dispetto di ogni pretesa social-progressista. Tra i loro aderenti c'è una considerevole presenza a sostegno della tecnologia 5g, e "giustificando" con «Tutto è Buddha» anche la scienza positiva è Buddha, il 5g è Buddha, ecc, ecc... Fino a che punto giustificheranno questo processo di oggettivazione del soggetto? Purtroppo, o per disonestà, o per il loro totale sradicamento («Il loro seme del fiore di Loto è bruciato» per usare le parole del loro maestro) non sanno forse che il loro insegnamento gli è stato consegnato affinché la gente si salvi da questo terribile destino del transumanesmo? Ma niente... A causa del dominio morale sulla sacralità dell'insegnamento, e per il fatto che scambiano la sfera spirituale con quella psicologica, trascinando giù la prima al livello della seconda e dunque della loro portata, prendono luogo concetti di chiara matrice progressista e Calvinista quali "la meritocrazia" e "la prova concreta", e seguono gli slogan tipo: «Tutto è Buddha!». Nichiren Daishonin che era un Maestro di una portata spirituale immensa, e che era capace sia della poesia più sottile dolce e soave dal sapore del miele e dal profumo di sandalo, ma anche della più tagliente spada della scienza della metafisica sguainata contro le forze contro-tradizionali del tempo, era tutt'altro che progressista(1), al contrario, la sua funzione così come quella del Buddha Shakyamuni stesso era principalmente quella di «riportare l'essere nel mondo», ma soprattutto: «di consegnare ai posteri la sintesi dell'essere» affinché fosse costantemente re-innestata nel futuro mondo del crollo intellettivo, e dunque «permanessero quegli elementi sacri che proteggessero gli esseri nell'ultima fase crepuscolare di fine ciclo cosmico», contrariamente a loro, che, con il modernismo e lo scientismo fanno di tutto per eliminare anche quel poco di intellettualità residua... Rivoluzione umana? Ci tengo a precisare, nel muovere questa importante critica, che non provo affatto un sentimento negativo nei confronti di questa istituzione nei confronti della quale ne riconosco il suo valore, la sua funzione sociale e tutto il resto, e prendo le distanze da tutte le controparti ideologiche avverse che agiscono nei suoi confronti sulla spinta di potenze di dubbia natura, ma semplicemente, qui come in ogni altro luogo religioso mi sento chiamato in causa laddove la sacralità tradizionale sia a rischio di illegittime e arbitrarie modifiche. La mia critica è centrata sulla sacralità dell'insegnamento, e dunque vorrei far presente che ogni eventuale violazione a tale sacralità e quindi ogni azione contro tradizionale andata a buon fine, «apre le porte a determinate potenze oscure sul mondo umano del tutto incontrollabili». Ebbene, tralasciando che in questo periodo sono diffamato e attaccato subdolamente da alcuni individui affetti dalla sindrome del pastore e del senso d'appartenenza, ma considerando che vi sono delle persone di gran valore quantomeno morale, senza alcun risentimento ma come sempre per amor della Tradizione, semplicemente «intendo richiamare alla loro stessa dottrina, queste persone che stanno violando determinate Leggi universali». Dottrina, quest'ultima, che al contrario conduce nella direzione esattamente opposta a quella progressista da loro intrapresa, alla stregua d'altronde, di tutte le altre correnti spirituali del momento attuale, indistintamente deviate dall'attacco delle forze moderniste della potente corrente nichilista e del processo di oggettivazione del soggetto. Vorrei aggiungere, che nonostante la situazione sia la presente, nulla dovrebbe impedire ai praticanti di cogliere la meravigliosa occasione di sostenere questa struttura con la loro piena attività, beninteso, non prima, onde evitare di sprofondare nelle sabbie mobili della palude della morale, che venga approfondito l'insegnamento e salvata la meravigliosa Tradizione dalle grinfie del mondo. Attualmente la linea guida di pensiero di questa struttura è contro lo spirito del loro maestro fondatore, che al contrario dimostrava appieno e in tutti i modi la sua angustia e la sua compassione per gli sradicati esseri di questa epoca fasulla, macinati con tutte le loro attività dall'avanzamento del tempo che lasciava dietro di sé il presente, ecco che allora mi fermo ancora una volta a ricordare che l'insegnamento del quale anche loro sono depositari, dovrebbe svolgere proprio la funzione contraria a quella di spingere il mondo verso nuove soluzioni e necessità, come ricordava il loro ultimo e attuale presidente nel dialogo con l'illustre Aurelio Peccei nel libro "Campanello d'allarme per il XXI secolo" «L'etica non ha saputo tenere il passo della tecnologia», e nello specifico attraverso il ri-collegamento delle persone al centro universale per mezzo dell'intelletto cosmico, quello di risvegliare la conoscenza ancestrale e portare l'umanità ai livelli più alti senza tutti quegli attrezzi moderni di matrice illuminista! Ma niente, purtroppo la tendenza a ridurre il loro maestro fondatore in un grande imprenditore è troppo forte, cosi come in altri ambienti piace trasformare Cristo in Che-Guevara. i miei rispettosi omaggi Fabio Lapini 9-04-2020

Via: https://mjstarot.com

As soon as I saw the hands on the inside of The Intuitive Night Goddess Tarot box I felt connected. That might sound strange but a) I have a thing about hands and b) when I looked at the box as pictured below, I thought yes the power of the Universe is in our hands. This is not the first thing that usually comes to mind when I’m looking through my tarot decks but I think it should be now. Most decks have a sales pitch of sorts on the back of the packaging. On this box there’s no card images. Instead it feels as if it’s all about the reader rather than the cards or the creator. The box simply says: Connect to your intuition Delve into Nature Embrace the Universe Unfold your Myth If you’ve read much of my stuff you would know how much I connect with that sentiment so without realising it when I bought it, this deck and I have the same philosophy. The Intuitive Night Goddess Tarot Deck When I flick through The Intuitive Night Goddess Tarot no individual card stands out to me. When I do a reading with them though, they speak to me clearly through the many clever details woven into each card. Some decks I see on You Tube, Instagram or wherever else, jump out at me. In these cases, I’m totally drawn to their artwork. Yet even though that wasn’t the case with this deck, without me totally understanding why at the time, it went straight into my on-line shopping cart, left very briefly, only to be returned again very quickly. I knew very little about The Intuitive Night Goddess Tarot before I came to find myself flicking through my copy. This is quite unusual for me as I usually research decks before I buy them. Though, if I’d known more about it, I doubt it would have ever left my shopping cart. If I’m honest I still wouldn’t say it is up there with my favourite looking decks, but it’s up there with my favourites all the same because of how well I find it reads. As you can see, this is a collage deck that combines digital artwork and hand drawn illustrations to “present an abundant nature scene beneath a starry sky.” That’s what draws me in. Nature scenes which include some of my favourite animals, combined with stars and some crystals make me feel at home. That’s the best way I can describe how I feel about this deck. I’m at home with it. Plus, even though I love mythology, I like that in this instance the Goddesses shown are archetypal representations rather than depictions of specific Goddesses. This ensures the cards are open to everyone. I also love the creators main mantra: Unfold your own myth If you have read any of my writing, you’ll know how dear to my heart that idea is. All the work I do emanates from my belief that we should be the author of our own life stories. The Intuitive Night Goddess celebrates the power of intuition and intention. For me, the focus on intention is the real strength of this deck. In line with this, many of the Major Arcana have been renamed. In The Intuitive Night Goddess Tarot the Major Arcana is as follows: These cards raise questions in order to help you find the answers you seek. Well that’s been my experience at least. I mean look at the The Mystic. She is a mermaid and yet she is predominantly out of the water. This says to me, at this moment at least, look within but then come to the surface to act on what you find. And what is the purpose behind the two moons? They are the same and yet look very different. I see the poppies and think remembrance and opiates. I see the book in the water and think aagh wet book on one hand and write from what you discover within on the other. Then there’s the tail and the candle, the fact the poppies appear to be growing out of the water, the relevance of the keys in or on the book. This speaks to me so much more than most depictions of The Hierophant. That’s what I love about these cards. They draw insights out and create understanding and I find they encourage me to consider the aspects of both the Divine Feminine and the Divine Masculine. They don’t just uncover things, they also encourage you to act on what you uncover. I don’t necessarily find them beautiful to look at but I do find they show me clearly what I need to see, consider, and do. They encourage me to question not just what I’m doing but why which serves to make me accountable for my thoughts and actions. If you don’t already do so, if you start working with these cards, I suggest keeping a journal close at hand. The Minor Arcana retains the typical nominations: Cups, Wands, Swords and Pentacles. However, the Court has been largely renamed. Here you meet The Nymph, The Warrior, The Queen and The Spirit. They too have a lot to say. The cards themselves, at 7 x 12 cm are standard tarot size, matt, and printed on reasonable card stock. They riffle and bridge okay but they don’t fan smoothly. And, since they don’t slide easily, it’s a fairly slow process to make your way through the cards one at a time. I noticed also that the cards appear to have slight variations in size which, as someone who trims borders off with scissors, I can live with but I was surprised to see nonetheless. Unfortunately on my copy many of the cards have a slight crease in the upper left hand corner which I’d really rather wasn’t there. It doesn’t make me want to send them back but I’m not sure how well they’re going to hold up. Time will tell. Although, I have just spent some time shuffling them every which way and they seem to have held their shape well so hopefully they’ll be fine. I’m sure they’re going to get a lot of use. The Intuitive Night Goddess Tarot Book The card-sized book has a white font printed on black gloss paper which can make it a bit difficult to read in certain conditions. Too much bright light is not favourable, but it’s worth persisting because the book is insightful, encouraging, supportive and uplifting. If you’ve read many of my deck overviews you’d know that’s not something I’d normally write about an accompanying book but it really feels appropriate here. Maybe I just really have a soft spot for these cards. The book opens with a page of mantras followed by information about the deck and how to work with the cards. The creator, Linzi Silverman, then explains how she sees the tarot and what the suits and court represent before moving on to a breakdown of each card. For each card of both the Minor and Major Arcana a description of each card and what it can represent is followed by four or more keywords. I like that the keywords are presented at the end of the information. It really changes the focus. At the end of the book there’s a quick reference guide that provides the keywords for each card all in one place which is helpful for those wanting easy access. Here you’ll also find the deck’s origin story and information about the creator. The book definitely provides enough to get you started. Spreads There are sixteen spreads included in the book: This deck is different to many of my others but I feel that’s it’s strength. It’s a deck that feels as if it’s really there for the user. That may seem strange to write but there’s something about how the images are woven together that really encourages you to act upon the insights it helps to uncover. It’s not a straight up beginner’s deck since it doesn’t strictly adhere to the RWS nominations and meanings but if it appeals to you then I believe the guidebook provides enough to make this a useable deck for anyone drawn to work with it. Publishing Details Deck Creator: Linzi Silverman Pictured Version: Published by Ulysses Press Licensed Edition 2020

Via: https://www.macarthurjustice.org

Instead of being helping Tony Timpa after he called the 911 due to a mental health crisis, responding officers from the Dallas Police Department (DPD) applied bodily force to his chest until he asphyxiated and suffocated him to death. The MacArthur Justice Center is fighting to ensure police departments, like DPD, are answerable for their systemic failures to protect and serve the communities they swore an oath to instead of shielding officers from culpability with the qualified immunity doctrine.   

Via: https://youtube.com

Anybody have a copy of 1905?

Via: https://www.oxygen.com

A young couple is murdered in Knoxville, TN, their bodies found brutally tortured. The family's suffering doesn’t end there, as they soon learn that a corrupt judge may prevent the five, evil perpetrators from being brought to justice.

Via: https://youtube.com

Provided to YouTube by Believe SAS Pogo the Clown · Dog Fashion Disco Committed to a Bright Future ℗ 2010 The Store For Music Ltd Released on: 2009-08-10 Author: DR Composer: DR Music Publisher: Copyright Control Auto-generated by YouTube.

Via: https://youtube.com

a cute home video i made for the ex who ruined love for me :) STREAM 'YOU RUINED LOVE' HERE: @ follow beth on social media: tiktok: @bethmaymccarthy instagram: @bethmaymccarthy facebook: @bethmccarthymusic written by Beth McCarthy and James New produced by Michael Gray mixed and ad prod by Jason Odle mastered by Kevin Tuffy video by Livestock Studios lyrics i’ve not been with anybody in months i’m dating but not dating with intention i think maybe i’m emotionally numb i think maybe you messed me up you’re the reason i can’t commit i’m romantically cynical paying my therapist more than my rent don’t wanna feel anything for anyone ever again maybe it’s overdramatic but you ruined love for me, do you know that? you ruined love for me now i cant find a spark with anybody you took all of the fire in me you ruined love for me ‘cause It’s not even like i want you back you’re chaotic, if i’m honest think i liked that now I’m sabotaging everything i can i think maybe you drove me mad you’re the reason that i’m a bitch i’m too overly critical paying my pharmacist more than my rent don’t wanna feel anything for anyone ever again maybe it’s over dramatic but but you ruined love for me, do you know that? you ruined love for me now i cant find a spark with anybody you took all of the fire in me you ruined love for me yeah you ruined love when it was us my heart was open and hopelessly i fell for something stupid never knew it could end and I hate that I won’t be like that again you ruined love for me you ruined love for me (do you know that?) you ruined love for me (you should know that) you ruined love for me now i cant find a spark with anybody you took all the fire in me you ruined love for me (repeat)

Via: https://youtube.com

@rosalia #rosalia #relíquia #lux #letralyrics ROSALÍA - Reliquia (Traducida al Español + Lyrics) ROSALÍA - Reliquia (Letra en Español + Lyrics) ROSALÍA - Reliquia (Sub Español + Lyrics) ROSALÍA - Reliquia (Canción subtitulada en Español) → Lyrics: [Verso 1] Yo que perdí mis manos en Jerez y mis ojos en Roma Crecí y el descaro lo aprendí por ahí por Barcelona Perdí mi lengua en París, mi tiempo en LA Los heels en Milán, la sonrisa en UK [Estribillo] Pero mi corazón nunca ha sido mío, yo siempre lo doy, oh Coge un trozo de mí, quédatelo pa' cuando no esté Seré tu reliquia [Post-Estribillo] Soy tu reliquia Seré tu reliquia [Verso 2] Perdí la fe en DC, y la amiga en Bangkok Un mal amor en Madrid, y en México el blunt La mala hostia en Berlín y el arte en Graná' En PR nació еl coraje, pero el ciеlo nació en Buenos Aires En Japón lloré y mis pestañas deshilé Y en la ciudad de Cristal fue que me trasquilé Pero el pelo vuelve a crecer, la pureza también La pureza está en mí y está en Marrakech No, no, no soy una santa, pero estoy blessed [Estribillo] Pero mi corazón nunca ha sido mío, yo siempre lo doy, oh Coge un trozo de mí, quédatelo pa' cuando no esté Seré tu reliquia [Post-Estribillo] Soy tu reliquia Seré tu reliquia [Puente] Huyendo de aquí, como hui de Florida Somos delfines saltando, saliendo y entrando En el aro escarlata y brillante del tiempo Es solo un momento, es solo un momento Mar eterno y bravo, la eterna canción Ni tiene salida ni tiene mi perdón [Outro Instrumental] #rosalia #relíquia #lux #letralyrics → Vídeo con fines informativos y de entretenimiento. All the copyright goes to ROSALÍA. [tags] rosalia, rosalía, reliquia, rosalia reliquia, español, sub español, lyrics español, subtitulada, traducción, traducida, subtitulos, letra, rayita, canciones subtituladas en español, música traducida, video letra español, video traducción español, lux, subtítulos de canciones, letras de canciones, latin pop, pop latino, alternativo, pop, reliquia letra, berghain, despecha, beso, con altura, la noche de anoche, la fama

Via: http://stopviolence.com

Free information (no ads) from the StopViolence Education Project, featuring policy analysis, critical perspectives, best practices and statistics.

Via: https://www.cronocorsa.com

Scopri i migliori siti slot online in Italia del 2026 con licenza ADM/AAMS: ✓Bonus esclusivi ✓Migliaia di slot ✓Recensioni degli esperti. Gioca sicuro. +18

Via: https://lecridespeuples.fr

Depuis le meurtre de George Floyd en mai dernier alors qu’il était entre les mains de la police à Minneapolis, 181 Noirs ont été tués par la police aux États-Unis, selon les données du groupe…

Via: https://youtube.com

???? CANAL PRINCIPAL: www.youtube.com/Saikanagem ✉ CONTATO ????????????????????????????????????????????????: saikocomercial@gmail.com

Via: https://youtube.com

Sizzle or Taster for the sitcom “Taking Care” John, Clive and Tiana decide to go to Redcar for the day, things don’t go to plan , but Tiana comes away with a new appreciation of John and Clive comes away with a pair of comedy tits. With thanks to Lucia, Ross Tian and Nat. Copyright Lazyjohn Productions Ltd 2020

Via: https://youtube.com

Performed by: Fanny Brice & Rosario Bourdon Full Song Title: My Man Recorded in: 1921 On the stage and on the radio, Fanny Brice was one of America's favorite comics for more than four decades. Born Fanny Borach on October 29, 1891, she grew up in Newark, New Jersey, where her parents owned seven saloons. She had an early taste of show business while performing impromptu song and dance numbers on tables at the Borachs' establishments. Fed up with her husband's gambling, Brice's mother, Rose, left him and moved her children to Brooklyn, New York. There, at 14, Brice made her performing debut at Keeney's Theater, where she won first prize in a talent contest. She made the rounds at other amateur night competitions before landing parts in several burlesque shows. Afraid that her skinny frame would keep her out of chorus lines, Brice found a better outlet for her talent while appearing in a show titled The College Girls (1909–10). Performing "Sadie Salome," a comic song by Irving Berlin, she sang in the character of a Jewish girl whose family was appalled by her pursuit of a stage career. The act established Brice as a comedian and introduced audiences to her comically exaggerated Jewish accent, which would become one of her trademarks. While touring in The College Girls, Brice met and married Frank White, a barber. The couple stayed together for a mere three days. They were not officially divorced until 1913. Having established herself in burlesque, Brice was hired in 1910 to perform in the Ziegfeld Follies. She would remain associated with the vaudeville extravaganza on and off for 14 years, eventually becoming the Follies' biggest star. Brice became well-known for her comic singing routines. Particularly popular was her performance of "Second Hand Rose," a song about the hapless daughter of a secondhand goods dealer, and her parodies of celebrities such as screen vamp Theda Bara. Brice was also renowned for the emotional singing style she reserved for serious ballads. One of her signature songs was My Man, in which she sang of being loyal to her lover despite the pain he caused her. The lyrics were generally thought to refer to her romance with con man Nick Arnstein, whom she married in 1919 after a lengthy love affair. They had two children before Arnstein was sent to jail on a fraud charge in 1924. Although she never fell entirely out of love with him, Brice divorced Arnstein in 1927 for adultery. After leaving the Follies in 1924, Brice made appearances in several films, including My Man (1927) and The Great Ziegfeld (1936). She also appeared regularly in Broadway shows. Among the most notable were Sweet and Low (1930) and Crazy Quilt (1931), both produced by songwriter Billy Rose, whom Brice married in 1929. In Sweet and Low, Brice developed the character of "Babykins," a wisecracking baby who proved wildly popular with her fans. Renamed "Baby Snooks," the character made her radio debut in 1936 and became a regular on the program Good Times the following year. In 1944, Baby Snooks received her own show, and on it continued to delight audiences until Brice's death on May 29, 1951, of a cerebral hemorrhage. For the next generation, Brice was reborn in the popular stage musical Funny Girl (1964), which made Barbra Streisand a star. It and the subsequent film adaptation told of Brice's career with the Follies and her ill-fated romance with Arnstein, while a film sequel, Funny Lady (1975), focused on her marriage to Rose. Both films presented Brice as a confident, charming woman with a genius for parody. Her influence both as a verbal and physical comedian continues to be felt today. I hope you enjoy this as much as I have. Best wishes, Stu ______________________ Please Note: I do not claim copyright or ownership of the song played in this video. All copyrighted content remains property of their respective owners.

Via: https://youtube.com

Rockstar Games Presents Table Tennis (or Rockstar Table Tennis) is a table tennis simulation video game. The game was initially released on May 26, 2006 for the Xbox 360 with the Wii version being released on October 16, 2007. Rockstar Table Tennis was the first game to use the Rockstar Advanced Game Engine (R.A.G.E), the game engine Rockstar used in Grand Theft Auto IV

Via: https://blue-underground.com

Blue-Underground releases movies about psychopaths, cops, robbers, zombies, cannibals, madmen, strange women and more, with an audience often comprised of the same.

Via: https://youtube.com

Visitez la boutique en ligne, copier le titre : BORN TO MUSIC RECORDS

Via: https://youtube.com

In this vintage audio clip from the Young and the Restless, Nikki Reed "Foster" discusses her desire to become a model with her then husband Greg Foster. Nikki unknowingly calls a fraudulant modeling agency run by Rose Deville and gets an interview. This is the beginning of NIkki and the "whore house" storyline.

Via: https://youtube.com

This film portrays one woman's responses to the hardships of pioneer life - how women often learn to cope with the sudden changes in environment and life patterns that bring new independence, loneliness and great demands on their resourcefulness and courage.