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Após bater 40 milhões de inscritos na Copa, a Cazé TV vai doar 40 toneladas de alimentos para três capitais. Saiba mais.

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If I said "James Cagney" and "Cinematic violence," most moviegoers would think "gangster movies," or, possibly, "grapefruit." Personally, what comes to mind first and foremost is "ducking live...

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Provided to YouTube by IIP-DDS Tabula Rasa - Extended Version · Abouta · TR33 · Rainey Tabula Rasa ℗ 2025 SKENGGENG, distributed bt ICDisitributie Released on: 2026-01-30 Producer: Tone Jonez Music Publisher: Copyright Control Composer, Lyricist: Abdelhakim Boutachkourt Composer, Lyricist: Roxanne Radschun Composer, Lyricist: James Rainey Composer, Lyricist: Obed Brinkman Composer: Tone Jonez Auto-generated by YouTube.

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Site participatif de poésie en Haïkus, base de données haïkus francophone

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Meigs Co. deputy ‘ambushed’ near Highway 68, at home recovering, Tennessee, DecaturA Meigs County deputy is currently recovering at home after being ambushed near Highway 68 on Wednesday. According to the Meigs County Sheriff’s Office, the officer was targeted while on duty. Authorities have confirmed the deputy survived the attack and is now stable. The investigation into the incident is ongoing as law enforcement works to identify those responsible for the assault. No further details regarding the suspect have been released at this time.

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Provided to YouTube by Universal Music Group Crowning Of A Heart · ...And You Will Know Us By The Trail Of Dead The Secret Of Elena's Tomb ℗ 2003 Interscope Geffen (A&M) Records A Division of UMG Recordings Inc. Released on: 2010-01-01 Recording Engineer, Producer, Studio Personnel: Mike McCarthy Co- Producer, Producer: ...And You Will Know Us By The Trail Of Dead Studio Personnel, Engineer: Jeremy Vance Studio Personnel, Engineer: Arthur Floatman Engineer, Studio Personnel: Jim Lightman Associated Performer, Vocalist: Beth Cameron Associated Performer: Anthony Flaan French Horn, Associated Performer: John Painter Composer Lyricist: Kevin Allen Composer Lyricist: Neil Busch Composer Lyricist: Conrad Keely Composer Lyricist: Jason Reece Auto-generated by YouTube.

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The long-awaited foray into the Vietnamese Rock, Pop and Soul sound of the late 1960s and early 1970s is finally here. Saigon Rock and Soul delivers the goods International retro collectors have been searching for in vain for many years - and it delivers beyond belief. Every song is a mini-masterpiece be it heavy acid rock psychedelia, horn and guitar drenched funk grooves, or gripping soul ballads reflective of life during wartime.The tracks that form this collection cut a window into a rich musical Vietnamese music scene that has long been obscured, and for the most part, forgotten. As the scope of electrified Vietnamese music from the 1960s and 1970s begins to be revealed, it becomes evident that this was among the heaviest and most eclectic musical scenes of South East Asia at the time. These songs tell of war, love and what war does to love. All of them were recorded in makeshift studios and even US army facilities while the Vietnam War raged – and were issued by a handful of Saigon record companies on vinyl 45s and reel or cassette tapes. Westernized forms of music in Vietnam had appeared during the latter nineteenth century, and especially during the early 20th century, under the influence of the French colonizers. Tan Nhac (modern music) always incorporated both domestic and international sounds, and continued to develop alongside Western musical trends. During the 1960s and 1970s, pulp ballads were being recorded by leading crooners of the time who alternated between modern and traditional forms of regional music. When the electric guitar hit the streets of Saigon, Vietnamese renditions of contemporary instrumental trends such as surf rock, beat and twist soon emerged, followed by some pretty deep soul sounds inspired by Motown radio hits as well as funk grooves brought on by James Brown and his contemporaries.By the mid-1960s, Vietnam had been ravaged by war for years. American G.I.s had become a standard fixture in Saigon, as did many of the cultural artifacts they brought with them. This certainly included the music. The sounds of rock and roll dominated the radio waves, and Saigon nightclubs were teeming with new sounds. Musically, the Shadows and the Ventures soon gave way to the Beatles and the Rolling Stones as an enthusiastic set of young Vietnamese rockers signed on to the lifestyle, always eager to hear the latest musical trends the G.I.s would bring in on LP or tape. This era saw the birth of a vibrant rock scene yet rock music and anything that came close was commonly referred to as ‘soul’ in the Vietnamese genre-listings.Like many cultures in Asia, Vietnamese music is recorded, marketed, listened to and disposed of in a relatively quick manner. This level of advanced ephemera ensures a degree of difficulty when trying to unearth and discover cultural histories. Literally, most of the music heard here has been brought back from the dead. Artists featured include some of Vietnam’s most popular at the time: Elvis Phuong, Hung Cuong, Mai Lei Huyen, Le Thu, Thai Thanh, Giao Linh, Mai Lei Huyen and the CBC Band.

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Label and copyright: Zabranjeno svako kopiranje video i/ili audio snimaka i postavljanje na druge kanale!

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Queda da França na Copa gerou uma guerra nos bastidores de Globo e SBT. Veja como a disputa pelo 3º lugar muda a sua TV.

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'Oh Woody' Dan Weber © 2015 Highway142Music (ASCAP) They left Oklahoma, in the Grapes of Wrath In the Dust Bowl days, they never looked back Oh, they never looked back, but they’re moving again California’s no longer the Promised Land Chorus: Oh Woody, Oh Woody, where are you now? And what would you say? Oh Woody, Oh Woody, where are you now? We could sure use you today We’re willing to work, there’s no work to be done Illegal or union, it don’t matter none ‘Cause the Wall Street bankers and corporate greed They’ve shipped all the jobs, overseas Chorus: Oh Woody, Oh Woody, where are you now? And what would you say? Oh Woody, Oh Woody, where are you now? We could sure use you today Now there’s drought in the plains, and fires in the West It was the hottest summer on record I guess With a cough in their lungs, dried tears on their face It’s lookin’ more and more like the Dust Bowl days Bridge: And I still hear Woody, his guitar in hand Singing songs for the men on the Grand Coulee Dam Singing ‘This Land is your Land, this land is mine’ Oh Woody, we sure miss you tonight Now I’m livin’ out there, in the Great Northwest So long as it rains, may we be blessed And its long live the salmon, long after we’re gone Then its ‘Roll on Columbia, Columbia Roll On!’ Chorus: Oh Woody, Oh Woody, where are you now? And what would you say? Oh Woody, Oh Woody, where are you now? We could sure use you today Oh Woody, Oh Woody, where are you now? We could sure use you today We could sure use you today We could sure, use you today!

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  By BBN Staff: Two men were shot in Belize City in separate incidents which happened in the same general area days apart. Oswald Warrior, got shot to his left cheek, and is still in critical condition at the Karl Heusner Memorial Hospital (KHMH), after being shot on Friday night. Police say he was attacked […]

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MADHURASMITHAM MOVIE. WORLD'S FIRST CHILDREN'S SANSKRIT MOVIE || FILM NAME :- MADHURASMITHAM || DIRECTOR :- SURESHGAYATHTRI || LANGUAGE :- SANSKRIT || PRODUCERS :- RAMACHANDRAN. N K, MANOHARAN. K E, LALI. B R, REMABAI. K G || BACKGROUND SCORE:- SAJITH SANKER || MUSIC :- RAJESH NARAYANAN || LIRICS:- SURESH VITTIYARAM, DR. KUMAR, BIJILA KISHORKUMR || SINGERS :- RUGMA. P H, AIFUNA NUJUM, ADWAITH. R, APARNNA SREEKUMAR, ARYA M NAIR || STORY - BIJILA KISHORKUMAR. SCREENPLAY-ARUN SS. CAMERA - P.C.LAL. EDITING - JAYACHANDRAKRISHNA. UNIT - CHITHRANJALI TVM. ARTIST - ANJANA,NITHYA, MAHALEKSHMI, GOURI THEERDHA, ASWANI, ANAKHA, SHWETHA, ARYA, PARVATHI, SREELEKSHMI, GOVIND KRISHNA, VASISHT, UDAY NARAYANAN, VAISHNAV, VISHNU, SREERAG,PARAMESHWARAN, KRISHNA GOVIND, SREEHARI. etc..... RELEASED :- 2019 || BANNER :- SANSKRIT PRODUCTION( SGISFSY ) || COPYRIGHT || || ©SANSKRIT PRODUCTION-2019 || ||©SGISFSY PRODUCTIONS.2021|| ابتسامة حلوة ||মিষ্টি হাসি। ||甜美的笑容 || Matamis na ngiti || Doux sourire || Süßes Lächeln || Γλυκό χαμόγελο || Pukavy dulce || મીઠી સ્મિત || मीठी मुस्कान || Senyum manis || Dolce sorriso || 優しい笑顔 || ಸಿಹಿ ನಗು || میٹھی مسکراہٹ || మధురమైన చిరునవ్వు || இனிமையான புன்னகை || मधुरस्मितं || مٹھی مسکراہٹ || ମଧୁର ହସ || गोड हास्य ||

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???? 1  ???? 16  ❤️ 14 · BREAKING: ICE has just announced a massive fraud bust, saying 10,000 foreign students are involved in the federal government's Optional Practical Training program. There are emp…

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An exclusive stereo remix and remaster of “Different Drum” by the Stone Poneys with Linda Ronstadt. The song was written by Michael Nesmith in 1964, who became a cast member of the Monkees television show. In 1967, the Stone Poneys decided to record it, except producer Nick Venet opted to have studio musicians play the instrumental backtrack instead of the band. A 21-year-old singer, Linda Ronstadt, was the only member of the group to perform on the recording. The single became Ronstadt’s first hit record, reaching No. 13 on the Billboard Hot 100, which eventually led her to a solo career. All rights reserved to the copyright owners. Enjoy and share this with your fans and friends. Click Subscribe and notify to receive future remastered music tracks.

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The SFO traces, restrains and recovers the proceeds of complex economic crime, including fraud, bribery and corruption.

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Cheap flights from Lima, Peru to Washington DC, USA for only $477 USD roundtrip with Copa Airlines.

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Matthew Goodwin: The rightwing extremist who murdered an elderly Muslim man may have operated alone but, worryingly, his beliefs are shared widely

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WASHINGTON, June 30, 2025/CNW – In a groundbreaking new report, Coptic Solidarity uncovers the deep and strategic efforts by the Egyptian government to shape U.S. policy through an elaborate network of lobbyists, public relations firms, and religious intermediaries. Titled “Cairo’s Covert Power in Washington,” the study documents how, since 2014, Egypt has invested nearly $19 million in U.S.-based lobbying […]

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Provided to YouTube by DieSlow Records BMF · Eraze BMF ℗ 2021 DieSlow Records Released on: 2021-12-10 Music Publisher: Copyright Control Composer: Caleb Skyler Rinehart Auto-generated by YouTube.

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Longer is written and recorded by American singer-songwriter Dan Fogelberg and released in 1979 by Full Moon Records and Epic Records. Background photo from Unsplash by Juan Davila DISCLAIMER: I hereby declare that I do not own the rights to this music/song. All rights belong to the owner. No Copyright Infringement Intended. #lyrics #lyricsvideo #lyricvideo #music #danfogelberg #longer #sundayspecial

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DISCLAIMER: I DON'T OWN THE SONG! No copyright infringements intended!

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ATOTÔ OBALUAÊ (O Dono da Minha Palha) | Canto de Cura. "Eu vivo coberto de silêncio. Cada cicatriz minha tem um nome: não olhe pra mim." Se você já se sentiu assim, esta música é a sua prece e o seu hino. "O Dono da Minha Palha" não é um pedido para apagar as marcas da vida, mas uma jornada para descobrir o poder sagrado que existe nelas. É o momento em que paramos de nos esconder e, de joelhos, pedimos para entender a força que existe em um corpo quebrado. ???? Ao ouvir esta canção, permita-se sentir: A coragem de olhar para as próprias cicatrizes sem vergonha. A transformação da dor em couraça, e da ferida em flor. A bênção do Rei da Terra que te ensina a ser dono(a) da sua história. A profunda calma e o poder que vêm da aceitação. ???? O Poder Desta Canção: Esta letra narra a transformação da vergonha em poder. A "palha" que antes era o disfarce para esconder a dor se torna um manto de axé. É sobre o momento em que entendemos que nossas cicatrizes não são nosso fim, mas a porta de entrada para a cura do outro... e, finalmente, a nossa própria. É a prova de que onde a morte tentou, a vida ficou de pé. Letra: O Dono da Minha Palha Eu vivo coberto... não de roupa, mas de silêncio... Cada cicatriz minha tem um nome... e o nome de todas elas é "não olhe pra mim". Atotô, meu Pai. Me ensina a ser casa pro que em mim já é quebrado. Eu sou a soma dos cacos que eu colei com o tempo O mapa de cada queda, de cada lamento Escondo no fundo da alma o que a vida marcou A parte de mim que a vergonha contornou E a minha palha é o sorriso que eu forço no rosto É o assunto que eu mudo pra esconder meu desgosto Eu via a cura nos outros, a pele tão lisa e serena E a minha, um rascunho de uma vida pequena. Até que de joelhos, no escuro do meu abandono Eu olhei pras minhas marcas e chamei pelo Dono Não te peço pra apagar o que em mim já tá marcado... Só me ensina o poder que existe em um corpo quebrado. Atotô! O Dono da Minha Palha agora sou eu Minha ferida é a terra onde a minha força nasceu Cada marca em meu corpo é um ponto riscado de axé Onde a morte tentou, mas a vida ficou de pé Atotô, meu Velho, a tua bênção me alcançou A chaga que me envergonhava é a flor que em mim brotou Eu visto a minha história, não escondo de mais ninguém Quem é filho do Rei da Terra não teme o que a terra tem. Hoje eu sei ler a dor no olho de quem disfarça Porque a minha própria dor virou a minha couraça Eu não ofereço milagre, eu ofereço o meu chão A certeza de que a gente se cura na aceitação A pipoca que estoura e revela o branco da alma É a chaga que se abre e me devolve a calma Eu não sou mais a ferida, eu sou a cicatrização A prova de que a vida vence a tribulação. E ontem, um amigo chorou no meu ombro... seu mundo em escombro. E eu não disse nada... eu só respirei fundo. E ele me olhou e disse: "O teu silêncio me acalmou. É como se a tua dor... entendesse a minha." E foi ali... que a palha caiu dos meus olhos. E eu entendi. Que a minha cicatriz não era o meu fim. Era a porta de entrada pra cura do outro... através de mim. Atotô! O Dono da Minha Palha agora sou eu! Minha ferida é a terra onde a minha força nasceu! Cada marca em meu corpo é um ponto riscado de axé! Onde a morte tentou, mas a vida ficou de pé! Atotô, meu Velho, a tua bênção me alcançou! A chaga que me envergonhava é a flor que em mim brotou! Eu visto a minha história, não escondo de mais ninguém! Quem é filho do Rei da Terra não teme o que a terra tem! Minha palha não esconde mais... ???? Qual "palha" você escolhe deixar cair hoje para honrar sua história? Seu testemunho de força é bem-vindo nos comentários. Sua alma não chegou aqui por acaso. Suas marcas te trouxeram até esta bênção. ❤️ ✅ Inscreva-se no canal para fortalecer essa corrente de Axé e cura. ???? Ative as notificações para não perder nenhuma canção de força. ???? Compartilhe esta música com alguém que precisa aprender a ver a flor em sua própria ferida. © 2025 Música aos Orixás. Todos os direitos reservados. Letra, conceito e produção de vídeo por "Música aos Orixás". Esta obra é protegida pelas leis de direitos autorais. A cópia, reprodução, distribuição ou uso não autorizado, total ou parcial, é estritamente proibida e sujeita às penalidades legais. Atotô, meu Pai! #Obaluaê #Atotô #Omolu #Cura #Aceitação #Superação #Resiliencia #ForçaInterior #Umbanda #MusicaAosOrixas

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Provided to YouTube by Universal Music Group Pretty Boy Swag · Soulja Boy The DeAndre Way ℗ 2010 ColliPark Music/Interscope Records Released on: 2010-01-01 Producer: Soulja Boy Producer: G5Kid Composer Lyricist: D. Way Composer Lyricist: J. Murphy Auto-generated by YouTube.

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Un homme est mort lardé de coups de couteau, hier à Sevran, alors qu'il était chez lui agressé par un homme qui a pénétré par le balcon dans l'appartement. Le drame, dont l'enquête de police déterminera les circonstances, s'est

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Provided to YouTube by Universal Music Group Soak Up The Sun · Sheryl Crow C'mon, C'mon ℗ 2002 Interscope Geffen (A&M) Records A Division of UMG Recordings Inc. Released on: 2002-01-01 Composer Lyricist, Producer, Vocalist: Sheryl Crow Composer Lyricist, Drumprogrammer, Producer, Other: Jeff Trott Vocalist: Liz Phair Drumprogrammer: Jeff Anthony Background Vocalist: Tim Smith Auto-generated by YouTube.

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The Beatles - A Day In The Life (Copyright 1967 EMI Records) "A Day in the Life" is a song by the British rock group The Beatles, the final track on the group's 1967 album Sgt. Pepper's Lonely Hearts Club Band. Credited to Lennon/McCartney, the song comprises distinct segments written independently by John Lennon and Paul McCartney, with orchestral additions. While Lennon's lyrics were inspired by contemporary newspaper articles, McCartney's were reminiscent of his youth. The decisions to link sections of the song with orchestral crescendos and to end the song with a sustained piano chord were made only after the rest of the song had been recorded. The supposed drug reference in the line "I'd love to turn you on" resulted in the song initially being banned from broadcast by the BBC. In 2004, Rolling Stone ranked "A Day in the Life" at number 26 on the magazine's list of the 500 Greatest Songs of All Time. Since its original album release, "A Day in the Life" has been released as a B-side, and also on various compilation albums. It has been covered by other artists including Bobby Darin, Neil Young, Jeff Beck, The Bee Gees, Phish and since 2008, by McCartney in his live performances. There is some dispute about the inspiration for the first verse. Many believe that it was written with regard to the death of Tara Browne, the 21-year-old heir to the Guinness fortune and close friend of Lennon and McCartney, who had crashed his Lotus Elan on 18 December 1966 when a Volkswagen pulled out of a side street into his path in Redcliffe Gardens, Earls Court.[1] In numerous interviews, Lennon claimed this was the verse's prime inspiration. However, George Martin believes that it is a drug reference (as is the line "I'd love to turn you on" and other passages from the song) and while writing the lyrics Lennon and McCartney were imagining a stoned politician who had stopped at a set of traffic lights. "A Day in the Life" is in the key of G major, but, as Alan W. Pollack explains, "its true center of gravity is in the parallel minor and Major keys of E." The verses are in G-major/E-minor and the bridge is in E-major. A 4/4 meter is used throughout. The song is laid out with an instrumental beginning, followed by three verses (0:13), an orchestral crescendo (1:45), a middle section (2:16), an orchestral bridge (2:49), the final verse (3:19), a second orchestral crescendo (3:50), and a final piano chord (4:21--5:05). In other news, I have added the lyrics to this song so you can sing along, or perhaps learn the song! This is how I learned my first Beatles song! :-) Other than that, enjoy! Album: Sgt. Peppers Lonely Hearts Club Band Released in 1967.

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Man charged in deadly NW Side hit-and-run last February: CPD, Illinois, ChicagoChicago police have officially charged a man in connection with a fatal hit-and-run incident that occurred last February in the Avondale neighborhood. Authorities confirmed the arrest on Wednesday, marking a significant development in the long-standing investigation. The suspect now faces formal charges for his role in the collision, which resulted in a fatality. The Chicago Police Department continues to process the case as the legal proceedings move forward following the recent arrest.

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In 1974, McDonald's launched an iconic advertising campaign featuring a catchy jingle that listed the Big Mac's ingredients: "Two all-beef patties, special sauce, lettuce, cheese, pickles, onions on a sesame seed bun." This jingle was crafted to familiarize consumers with the burger's components in a memorable way. The campaign's success led to promotions where customers who could recite the jingle within a few seconds received a free Big Mac, resulting in some locations running out of Big Mac buns due to high demand. The jingle was so effective that it was revived in various forms in subsequent years, including international markets like Australia and Brazil. In 2003, it was incorporated into McDonald's global "I'm Lovin' It" campaign, demonstrating its enduring appeal. Fair Use Disclaimer This video contains copyrighted material owned by 3rd parties. The use of this material is intended for educational purposes only, to provide commentary, analysis, and information to viewers. Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. This video does not claim ownership of any content used, and all rights belong to their respective owners. If you have concerns about the content of this video, please contact us directly, and we will address the issue promptly.