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Los Angeles, California. Officer Murphy, a veteran Metropolitan Police helicopter pilot suffering from severe trauma due to his harsh experiences during the Vietnam War, and Lymangood, his resourceful new partner, are tasked with testing an advanced and heavily armed experimental chopper known as Blue Thunder.

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L' Atalanta (diretta esclusiva Sky Sport HD), smaltita la sbornia del poker al Frosinone nel Monday Night della prima in Serie... » Leggi i dettagli

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Michael was proclaimed king of Romania after his father, Carol II, was forced to abdicate by the newly-appointed Prime Minister General Ion Antonescu on 6 September 1940. In practical terms the 18-year old king was nothing more than a figurehead in Antonescu’s military dictatorship that went on to join the Axis powers on 23 November 1940. On 22 June 1941 the Romanian army supported the German attack on the Soviet Union. By the summer of 1944 more than 1 million Romanian troops had fought on the Eastern Front, although the war itself was going badly for the Axis powers. King Michael had already begun talks with conspirators seeking to topple Antonescu and bring an end to the war when, on 20 August, Soviet troops launched their offensive on eastern Romania. Three days later, on 23 August, the King summoned Antonescu to his palace where he was dismissed from the post of Prime Minister and arrested. That evening the king went on the radio to issue a cease-fire and declare Romania’s loyalty to the Allies. Although German forces responded with force, they were soon overwhelmed by the armies of Romania and the advancing USSR. By 31 August the Red Army had reached Bucharest and, less than two weeks later, an armistice was signed on terms virtually dictated by the USSR. Nevertheless, King Michael was presented with the Order of Victory by Stalin and made Chief Commander of the American Legion of Merit by President Harry S. Truman. Antonescu was later found guilty of war crimes, crimes against the peace, and treason. He was executed on 1 June 1946.

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1. KRS-One - Be Original 0:00 2. KRS-One, Masta Ace & Edo G - Pass The Mic 1:45 3. KRS-One - The Lingo 4:55 4. KRS-One - Now Hear This 8:30 5. KRS-One - Forever (feat. Channel Live) 10:49 6. KRS-One - They're Taking Your Time 13:10 7. KRS-One - Disaster Kit 16:30 8. KRS-One - Get Your Mind Right 19:05 9. KRS-One - Never Forget 22:06 10. DJ Premier - Classic (feat. Kanye West, Nas, KRS One & Rakim) 25:54 11. KRS-One & Buckshot - Connection (feat. Smiff N Wessun) 30:49 12. Da Beatminerz - Let's Go (feat. KRS-One) 36:12 13. Lord Finesse - No Gimmicks (feat. KRS-One) 39:05 14. Method Man, Redman, KRS-One, JoJo Pellegrino, Clifford Smith - Live from the Methlab 44:42 15. Sadat X, KRS-One, Rahzel - Blow Up Da Spot 48:15 16. KRS-One - The Kool Herc 53:09 17. D&D Allstars (feat. Mad Lion, Doug E Fresh, KRS One, Fat Joe etc.) 54:15 Lawrence "Kris" Parker (born August 20, 1965), better known by his stage names KRS-One (an abbreviation of "Knowledge Reigns Supreme Over Nearly Everyone") and Teacha, is an American rapper, lyricist and occasional producer from New York. He rose to prominence as part of the hip hop group Boogie Down Productions, which he formed with DJ Scott La Rock in the mid-1980s. KRS-One is best known for his top hits, "Sound of da Police", "Love's Gonna Get'cha (Material Love)", and "My Philosophy", among others. Boogie Down Productions received numerous awards and critical acclaim in their early years. Following the release of the group's debut album, Criminal Minded, fellow artist Scott La Rock was shot and killed, but KRS-One continued the group, effectively as a solo project. He began releasing records under his own name in 1993. He is politically active, having started the Stop the Violence Movement after Scott's death. He's also a vegan activist, expressed in songs such as "Beef". He is widely considered an influence to many hip hop artists, including Tupac and Eminem. Lawrence Parker was born in the New York City borough of Brooklyn in 1965 to an American mother. His father is reported to be from the island of Trinidad, and his step-father was Jamaican. At age 16, he left home to become an MC, and began living at a homeless shelter in the South Bronx where he was dubbed "Krishna" by the residents due to his curiosity in the Hare Krishna spirituality of some of the anti-poverty workers. During his stay at the community shelter he encountered youth counselor Scott Sterling and there began a DJ/MC relationship. He also engaged in the street art activity graffiti under the alias KRS-One (Knowledge Reigns Supreme Over Nearly Everyone). Together he and Sterling, a.k.a. DJ Scott La Rock, created Boogie Down Productions, releasing their debut album, Criminal Minded, in 1987. After five largely solo albums under the name "Boogie Down Productions," KRS-One decided to set out on his own. On his first solo album, 1993's Return of the Boom Bap, he worked together with producers DJ Premier, Kid Capri and Showbiz, the latter providing the track "Sound of da Police". His second album, 1995's KRS-One, featured Channel Live on "Free Mumia", a song in which they criticize Civil Rights activist C. Delores Tucker among others. Other prominent guest stars on KRS-One included Mad Lion, Busta Rhymes, Das EFX and Fat Joe. In 1991, KRS-One appeared on the alternative rock group R.E.M.'s single "Radio Song", which appeared on the band's album Out of Time, released the same year. In 1992, Bradley Nowell from Sublime featured an acoustic song named "KRS-One" with his voice and DJ's samples. In 1995, KRS organized a group called Channel Live, whose album Station Identification he produced most of, along with Rheji Burrell and Salaam Remi. In 1997, KRS surprised many with his release of the album I Got Next. The album's lead single, "Step into a World (Rapture's Delight)", containing an interpolation of punk and new wave group Blondie, was accompanied by a remix featuring commercial rap icon Puff Daddy; another track was essentially a rock song. While the record would be his best-selling solo album (reaching #3 on the Billboard 200), such collaborations with notably mainstream artists and prominent, easily recognizable samples took many fans and observers of the vehemently anti-mainstream KRS-One by surprise. In August 1997, in an appearance on Tim Westwood's BBC Radio 1, KRS-One criticized the station for not playing underground hip hop while also crediting Westwood for his promotion of hip hop over time. KRS-One said that Jive Records and Radio 1 did not support him, but finished by saluting Westwood with "you know you're my man".

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Provided to YouTube by Arts Music The Dog Song · Jake Gyllenhaal Sunday in the Park with George (2017 Broadway Cast Recording) ℗ 2017 Arts Music Inc. & Perfect Park Investors Limited Partnership Co- Producer: Adam Speers Cello: Alisa Horn Executive Producer: Ambassador Theatre Group Mixer, Producer: Bart Migal Executive Producer: Benjamin Lowy Assistant Engineer: Brandon Pirrone Conductor: Chris Fenwick Director: Chris Fenwick Viola: David Blinn French Horn: David Peel Copier: Emily Grishman Violin: Fritz Krakowski Vocals: Jake Gyllenhaal Woodwinds: James Ercole Co- Producer: Jeanine Tesori Woodwinds: Jeremy Clayton Davis Production Co- Ordinator: Jill Dell'Abate Viola: Jocelyn Pan Copier: Katherine Edmonds Co- Producer: Kevin Gore Percussion: Kory Grossman Violin: Kristina Musser Violin: Lisa Matricardi Executive Producer: Luigi Caiola Keyboards: Marco Paguia Conductor, Keyboards: Mark Mitchell Violin: Matthew Lehmann Executive Producer: Michael Granoff Assistant Engineer: Nate Odden French Horn: RJ Kelley Synthesizer Programmer: Randy Cohen Co- Producer: Riva Marker Coordinator: Seymour Red Press Harp: Susan Jolles Violin: Sylvia D'Avanzo Synthesizer Programmer: Taylor Williams Woodwinds: Todd Groves Recorded By: Tyler Hartman Pro Tools: Victor Mancusi Bass: William Ellison Composer, Lyricist: Stephen Sondheim Auto-generated by YouTube.

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I'm becoming my peak emo self honestly it's all downhill from here Copyright ── I don't own any of the music or images used in the playlist, nor do I claim to own them! All credit to their original owners :)

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Exclusive Uncensored HD 720p Video Version..From The 1999 Album : Sittin' Fat Down South..( Ft. Fat Pat, Yungstar, Lil' Will & Big H.A.W.K ) Label : Universal / Producer : Bruces Rhodes "Wanna Be a Baller" is a 1998 hit single from Lil' Troy's debut album Sittin' Fat Down South, which went to number 70 on the Billboard Hot 100 charts. It was produced by Bruces Rhodes and featuring Big T, Yungstar, Fat Pat, H.A.W.K. and Lil' Will. The lyrics "Wanna Be a Baller, Shot Caller" were initially used in Puff Daddy's 1997 single "It's All About the Benjamins". Rapper Slim Thug did a freestyle over the beat on his mixtape I Represent This. The beat is a sample of Little Red Corvette by Prince. Zach Turcotte once referred to "Wanna Be a Baller" as "a legendary track. I mean, it's probably one of the greatest rap songs around these days." The chorus was written by southern rapper E.S.G., who was never credited, he frequently states this fact in his songs Chorus: Fat Pat Wanna be a -- baller, shot caller Twenty inch blades -- on the Impala A caller gettin laid tonight Swisher rolled tight, gotta sprayed by Ike I hit the HIIIGHWAY, making money the FLYYYY WAY But there's got to be a BETT-ER WAYY! A better way, better way, YEAH-AHHHH [Yungstar] I'ma -- baller, I'ma twenty inch crawler Blades on Impala, diamond rottweiller I-10 hauler, not a leader not follower Break these boys off I'ma twenty inch crawler Bust a left, a right, I'm outta sight I'm throwed I'm bouncin off the road I'm in a modem with them foe dem Tiny tune -- hop out my big body form Chain with the chong, can't forget Moet along I'm hot, find me lookin good, diamonds against my wood Man it's understood -- got money in my hood I'm pushing big body can't stop me For the nine-eight got to sell a million copy I'ma crawl slow puffin on the Optimo hit the sto' I'ma go real slow -- puffin indo out the do' I'ma lit the stash green, man I'm lookin clean Want remote control screens with ice bezeltynes Chorus [Fat Pat] Big ballin, smashin, makin my ends Smokin big killa gettin high in the Benz Big ballin, smashin, makin my ends Smokin big killa gettin high in the Benz In the wind smoke goes as I crawl down on Vogues Twenty Lorenzo, smoke all up in my nose Yo' eyes, get froze, as you see my low Candy-red, two-do', let my top down slow Hittin, my remote, sittin, in my shit Presidential V-12 with that AMG kit It don't quit, as I get high from K.C. to H-Town, connectin SouthSide Now we worldwide, watch me highside Fat Pat blowin killa, can't be denied 187 thugs, oh yeah we got love Blowin sticky green we flow through and above Chorus [Lil' Will] Sittin' Fat Down South, rollin Benz on blocks Mo' scrilla I got, signin with Shortstop And that's for real, so tell me how you feel to make a million dollars out my first record deal Shortstop -- puttin up your motherfuckin ear Really really don't give a fuck and I ain't drinkin on no beer Codeine what I sip, pistol grip when I ride Trunk hit fo' life baby it's SouthSide We on a fuckin mission Expedition Navigator That's how we be ridin, alligator suitcasin Puttin it in your face, and that's for real Shinin harder than the grill it's the player Lil' Will Down with the 2-Low, Yungstar be a thug So nigga nigga what? I'm down with Mo'Thugs Mo'Thugs an' da Bone, you know it's goin down Represent that H-Town, pop trunks surround by sound Chorus [Yungstar] I gots to get better man, it gots to move on Switched from Motorola to a PrimeCo phone Broke in two chrome, now you know no dope pigeon Used to count my spoke, now these hoes count my inches Had to get older -- man it got colder I done got grown and got a chip on my shoulder Licks in Kuwait, got links in Pakistan Boys don't understand virtual reality Caravan Double doors marble floors naked hoes around me Everytime I'm comin out, niggaz they wanna sign me Got the Lil' Will diamond grillers ?? Blaze in the Benz and you can't forget Den-Den Boobie diamond Ruby's, I'm watchin on a movie Drop the top it's cotton, and you know I'm in a jacuzzi Bourban and I'm swervin, man it's gettin hot My last name Lemmon, drive my tight'um off the lot, David Taylor Chorus [Hawk] I hit the highway Everything's my way, up all day Everyday all day, ain't no way Boys can't stop as i slide through your neighborhood Chop chop chop, headed straight to the top I only play to win -- bout to close up shop Showstoppin dead end, pimp the pen once again Peep the message I send Take these levels that you devils can't comprehend Big bout it Benz -- as I floss through the south Big blue lens -- now whatcha talkin about? Close yo' mouth -- as I settle all scores Scream and shout -- my similes and metaphors Mansion doors -- I contstantly close All you hoes -- go and take off your clothes Lord knows -- ain't no time to play Commence to fuckin and-a suckin on the H.A.W.K. Chorus

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Il y a quatre ans et demi, la Russie envahissait l’Ukraine. Ce 24 août 2026, à l’occasion de la fête de l’indépendance ukrainienne, la Ville de Paris rallume la tour Eiffel en bleu et jaune, les couleurs du drapeau ukrainien.

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(HQ digital stereo remaster) At last, a high quality, title- and logo-free copy of this video, the third and final single from Tin Machine's second album "Tin Machine II" released in 1991.

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Provided to YouTube by Universal Music Group Shark Attack · Limp Bizkit Gold Cobra ℗ 2011 Flip/Interscope Records Released on: 2011-01-01 Composer Lyricist, Producer: Fred Durst Composer Lyricist: Wes Borland Composer Lyricist: John Otto Composer Lyricist: Sam Rivers Auto-generated by YouTube.

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Provided to YouTube by Universal Music Group Bring It Back · Limp Bizkit Gold Cobra ℗ 2011 Flip/Interscope Records Released on: 2011-01-01 Producer, Composer Lyricist: Fred Durst Composer Lyricist: Wes Borland Composer Lyricist: John Otto Composer Lyricist: Sam Rivers Auto-generated by YouTube.

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#NoDoubt #ItsMyLife #Remastered #4K Music video by No Doubt performing It's My Life. (C) 2003 Interscope Records Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

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LATEST ARTICLES News Adamawa lawmakers okays N8.7b credit facility for state Govtkevin 'Jakpor, Editor at DDM - August 13, 20150 News Group Asks Buhari to Investigate Secret Refinery Contract Awardskevin 'Jakpor, Editor at DDM - August 13, 20150 News Power Fraud: ‎Senate moves against Obasanjo, Jonathankevin 'Jakpor, Editor at DDM - August 13, 20150 News - Page 2686

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Four Tops – I Can’t Help Myself (Sugar Pie Honey Bunch) • 1965 Motown Classic ???? “Sugar pie, honey bunch, you know that I love you…” The Four Tops brought Motown to life in 1965 with this timeless hit written by the legendary Holland–Dozier–Holland team. “I Can’t Help Myself (Sugar Pie, Honey Bunch)” spent two weeks at #1 on the Billboard Hot 100 and became one of the label’s most beloved anthems. With Levi Stubbs’ soulful voice and irresistible harmonies, this track defined the golden age of Motown. #FourTops #Motown #SoulMusic #1960s #ClassicSoul #SugarPieHoneyBunch #LeviStubbs #HollandDozierHolland #OldSchoolMusic #DetroitSound #RNBClassics #GoldenEraMusic #MusicHistory Public Domain / Copyright Disclaimer: This video is believed to be in the public domain because the copyright was not renewed or has expired. It is shared for educational, historical, and entertainment purposes.

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Dr. Dre & Snoop Dogg - F*ck Wit Dre Day [And Everybody's Celebratin'] [Uncensored] [Remastered In 8K] (Official Music Video) (24/96kHz) Dr. Dre & Snoop Doggy Dogg - F*ck Wit Dre Day [And Everybody's Celebratin'] [Uncensored] [Remastered In 8K] (Official Music Video) (24/96kHz) Dr. Dre & Snoop Dogg - F*ck With Dre Day [And Everybody's Celebratin] (24/96kHz) Dr. Dre & Snoop Dogg - Dre Day [And Everybody's Celebratin] [Remastered In 8K] (Official Music Video) Provided to YouTube by Universal Music Group F*ck Wit Dre Day (And Everybody's Celebratin') · Dr. Dre · Snoop Dogg · RBX · Jewell The Chronic ℗ 1992 Death Row Records, under exclusive license to Interscope Records. Released on: 1992-12-15 Associated Performer, Producer, Drum Programming, Composer Lyricist: Dr. Dre Composer Lyricist: Colin Fitzroy Wolfe Composer Lyricist: Snoop Dogg Auto-generated by YouTube. "Dre Day (And Everybody's Celebratin')", or as a single titled "Dre Day," is a rap song by Los Angeles record producer and rapper Dr. Dre, featuring rapper Snoop Doggy Dogg, and released in May 1993 as the second single from Dre's debut solo album, The Chronic. "Dre Day" was a diss track targeting mainly Dre's former groupmate Eazy-E, who led their onetime rap group N.W.A and who, along with N.W.A's manager Jerry Heller, owned N.W.A's record label, Ruthless Records. In "Dre Day" and in its music video, which accuse Eazy of cheating N.W.A's artists, Dre and Snoop degrade and menace him. Also included are disses retorting earlier disses on songs by Miami rapper Luke Campbell, by New York rapper Tim Dog, and by onetime N.W.A. member Ice Cube, although Dre, while still an N.W.A member, had helped diss Cube first. After "Dre Day," a number of further diss records were exchanged. On the main popular songs chart, the Billboard Hot 100, whereas The Chronic's lead single, "Nuthin' but a 'G' Thang", reached number two, "Dre Day" peaked at number eight in June 1993. The song's bassline is a slowed interpolation from Funkadelic's song "(Not Just) Knee Deep." The chorus includes vocals by two more Death Row Records artists, R&B singer Jewell and rapper RBX. Also included is a sample and an interpolation from George Clinton’s song “Atomic Dog." A diss track, "Dre Day" mainly targeted Dre's former N.W.A groupmate Eazy-E. Yet it also dissed New York rapper Tim Dog for his song "F Compton." It also retorted Miami rapper Luke Campbell, a member of group 2 Live Crew, whose debut solo album I Got Sh*t On My Mind included the track "Fakin' Like Gangstas." Some "Dre Day" lyrics allude to former N.W.A rapper Ice Cube, whose 1989 departure from the group was acrimonious, incurring verbal menace at Cube by Dre with groupmate MC Ren rapping N.W.A's April 1991 single "Alwayz into Somethin'," retorted in Cube's October 1991 track "No Vaseline." In "Dre Day," Dre vows to "to creep to South Central," which is Ice Cube's hometown, "on a Street Knowledge mission," while Cube's own record label was initially named Street Knowledge Productions. Dre lyrically "steps in the temple," evidently alluding to Cube's affiliation with the Nation of Islam, and claims to "spot him" by a "White Sox hat," which Cube often donned. Earlier that year, Cube had the single "Check Yo Self." Dre adds, "You tryin to check my homey, you best check yo self." Not parodied in the "Dre Day" music video, however, Cube instead would cameo, signaling reconciliation with Dre, in the September 1993 music video of the next and last Chronic single, "Let Me Ride." Dr. Dre directed the music video, which parodies Eazy-E as "Sleazy-E," played by actor A. J. Johnson with an exaggerated Jheri Curl hairstyle, a plaid shirt, and dark sunglasses. Prefacing the song performance is a skit, wherein Sleazy-E enters the office of "Useless Records" where a rotund white man hires him to find some rappers. This mimic of Eazy-E's Ruthless Records co-owner Jerry Heller was played by Interscope Records executive Steve Berman. (Berman later played in three Eminem skits and one D12 skit.) An interlude shows Sleazy-E introducing two newly acquired protégés, played by Bushwick Bill and Warren G, to his manager. In other scenes, Sleazy sustains gunfire, becomes homeless, is chased by armed men, and finally, along the Pasadena Freeway, holds up a cardboard sign scribbled WILL RAP FOR FOOD. The "Dre Day" video also parodies Luther Campbell as a gap-toothed music artist jumping around on a stage. In 2005, a survey by MTV2 and XXL ranked the "Dre Day" music video 12th among the "25 Greatest West Coast Videos". The "Dre Day" single's B side "Puffin' on Blunts and Drankin' Tanqueray," featuring The Lady of Rage and Tha Dogg Pound, contains more Dr. Dre insults at Eazy-E, at Tim Dog, and at Luke, while Kurupt disses Ruthless Records rappers Above the Law and Kokane. On Kokane's second album, he and Above the Law member Cold 187um replied with "Don't Bite the Funk."

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Provided to YouTube by Label Worx Limited See The Light [Lux Frágil] (Dub) · Kerri Chandler Spaces and Places Album Sampler 2 ℗ Kaoz Theory Released on: 2022-06-10 Producer: Kerri Chandler Composer: Kerri Chandler Music Publisher: Copyright Control Auto-generated by YouTube.

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#SaltNPepa #PushIt #Remastered #4K #2160p #UHD #60FPS #Surround Salt-N-Pepa with "Push It" from the Album "Hot, Cool & Vicious" (1985). Remastered and A.I. Upscaled in 4K @ 60 FPs with (selfmade) 5.1 Surround Sound. "Push It" is a song by American hip hop group Salt-N-Pepa. It was released as the B-side of the "Tramp" single in 1987, and as its own single in 1988. It peaked at number 19 on the Billboard Hot 100 in early 1988 and, after initially peaking at number 41 in the UK, it re-entered the charts after the group performed the track at Nelson Mandela's 70th birthday concert, eventually peaking at number two that summer. The song has also been certified platinum by the Recording Industry Association of America (RIAA). The song is ranked number 446 on Rolling Stone's list of the 500 Greatest Songs of All Time and was ranked number nine on VH1's 100 Greatest Songs of Hip Hop. The original version of "Push It" was first released as the B-side to the 12" single "Tramp" in 1987. The corresponding 7" single contained a "Mixx-It" remix by San Francisco DJ and producer Cameron Paul; this was the radio version that gave the group its first mainstream hit. It advanced into the Billboard Top 40 the week of December 26, 1987, eventually reaching its peak of number 19 the week of February 20, 1988. It also ties with "Let's Talk About Sex" as the group's highest-charting UK hit, with both peaking at number two in that country. The original 1986 editions of the album Hot, Cool & Vicious did not contain "Push It". When the Cameron Paul remix of "Push It" became a radio hit, the album was reissued with the "Push It" remix added, along with the original versions of "Tramp" and "Chick on the Side" replaced by remixes. At a 1986 concert, police thought Salt-N-Pepa were singing "pussy real good" instead of "push it real good" and waited for them after the show to arrest them. They showed the police the written lyrics to prove them wrong The song quotes a line from "You Really Got Me" by The Kinks, with the word "girl" replaced with "boy": "Boy, you really got me goin'/You got me so I don't know what I'm doin'." (For this, Ray Davies received a songwriting credit for "Push It.") It also quotes "Pick up on this" from "I'm a Greedy Man" and "There it is" from "There It Is", both by James Brown. The whispered "Push it" is sampled from a 1977 recording called "Keep on Pushin'" by the band Coal Kitchen. This song is written in the key of A minor. "Push It" was nominated for a Grammy Award, and the strength of that single catapulted the reissued Hot, Cool and Vicious album to platinum sales in the US with one million sold, making Salt-N-Pepa the first female rap act (group or solo) to go gold or platinum. The album ultimately sold 1.3 million copies worldwide. In 2006, the song is sung by actress Linda Cardellini in an infamous karaoke scene from the movie Grandma's Boy. In 2009, the song was covered on the musical television show Glee's first season episode "Showmance" sung by Rachel Berry (Lea Michele), Finn Hudson (Cory Monteith), Artie Abrams (Kevin McHale) and other glee club members. In 2011, the song was featured in a season 4 episode of Chuck called Chuck Versus the Push Mix in a scene where the characters Lester Patel and Jeffrey Barnes portrayed by Vik Sahay and Scott Krinsky play the song while Ellie Bartowski portrayed by Sarah Lancaster, the sister of the title character is seen giving birth to her first child named Clara Woodcomb. Additionally, both of the characters wear the jackets of Salt-N-Pepa while singing. In 2014, the song was featured in a commercial for the GEICO auto insurance company with a featured cameo appearance by Salt-N-Pepa themselves as part of the "It's What You Do" campaign. The Big Bang Theory used the song twice. In 2016, the song was featured in a season 9 episode called "The Positive Negative Reaction" in a scene where the characters Leonard Hofstadter and Raj Koothrappali portrayed by Johnny Galecki and Kunal Nayyar cover the song in a karaoke party. In 2018, the song was used in episode 4 of the series, "Deutschland 86" where a cook is listening to it on a Walkman while he grills food. In 2020, the song was featured as the theme song of the ABC U.S. revival of TV game show Supermarket Sweep hosted by actress and comedian Leslie Jones. The song is used frequently in Brooklyn Nine-Nine. The music video for "Push It" features a concert performance of the song, along with DJ Spinderella and Hurby "Luv Bug" Azor on keyboards and backing vocals. The group wears eight-ball jackets during the video. (Wikipedia)

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Why is it quicker to use a pressure cooker to cook your stew? It's all down to the relationship between pressure and temperature. Gay-Lussac's law is one of the 3 gas laws, telling us that the pressure of an ideal gas is proportional to temperature. Music credit: Song: Dipcrusher - Islands (Vlog No Copyright Music) Music provided by Vlog No Copyright Music.

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Watch Craig Ferguson at his funniest and most charming moments as he flirts with hot ladies! From witty one-liners to playful banter, this compilation captures the unique charisma that made Craig Ferguson a late-night legend. You’ll see why his humor and charm are impossible to resist. Don’t miss the hilarious reactions and unexpected moments that make every interaction unforgettable. Comment below and tell us which moment made you laugh the most! #CraigFergusonFlirtingWithHotLadies, #CraigFerguson, #LateNightHumor ⚠️Copyright Disclaimers Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.” Contact: artemist63@gmail.com

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Lost in Venice in the aftermath of the war, Cherenkov just wants to put his head down somewhere and sleep, but her copper hair snares his eye. Beguiled

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Main Title to War of the Roses (1989) by David Newman, slowed down to 413Hz to match the original theatrical presentation. All copyrights owned by the original owners. For education and entertainment purposes.

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Code Breaker is a track by the first album of the band Tunng. It was not on Youtube yet, and it was auch a shame since it's a very good track. The video is taken from "Imaging a hidden world" by the prelinger archive. Code Breaker lyrics Like Watson and Crick You seem to look Into my soul And though my DNA Is too small for your scope You make it much deeper Hydrogen bursts Inside a star Don't mean a lot From whereabouts we are It's too far for your scope But you make it much further Code breaker I've searched around Here for the key But I'm blind to it And quantum theorists tell me They've never seen the likes of your radar Code breaker

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Provided to YouTube by Zebralution GmbH E1 - Back there Benjamin · The Caretaker Everywhere at the End of Time (Stage 3) ℗ 2023 LEITER, under exclusive license from History Always Favours the Winners Released on: 2023-12-01 Composer: Leyland James Kirby Music Publisher: Copyright Control Auto-generated by YouTube.

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Siegfried Borris (1906-1987): Partita für Cembalo op. 67 Nr. 1 (1951) --- Detlef Götz-Laursen, clavicembalo ---- Introduzione -- Ouverture. Grave; Marsch: Allegro marcato; Menuett: Andante; Bourrée: Vivace; Siciliano: Larghetto; Saltarello: Presto ---- The music published in this channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study learned music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.

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Artist: Tomohito Nishiura Album: Dark Cloud OST ***Disclaimer: I do NOT own this. The copyright belongs to Tomohito Nishiura and Level-5.***

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Lite on the judges for Kiara's performance.

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The Apology follows the personal journeys of three former “comfort women” who were among the 200,000 girls and young women kidnapped and forced into military sexual slavery by …

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izzy cox, murder ballads, rockabilly, voodoobilly, jazz, punkrock, crooner, sinner, outlaw honkytonk, tom waits, billy holiday, devil doll, jolie holland, bessie smith, blues, big band

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The Clash front man Joe Strummer leaping to the defence of Toper Headon when the latter was allegedly suffering heroin withdrawal on tour. A journalist asks about Topper throwing up and typical of Joe this causes him to unleash on the hapless journalist. I have pinned a pretty bold claim from Rogue Trader, claiming Joe was a fraud and the band was manufactured. Personally I can't subscribe to that view, as it is just a little too 'out there' for me. But that's just my own opinion and I'd love to hear what others think. Keep i respectful though folks. This is a re-post with higher volume and captions of a clip uploaded by Jukka Jalava. I do not own the clip, but I claim fair use for educational and historic purposes.